GARDEN

4to, 3 pp. Bifolium. Fifty lines of text. Clear and complete. Good, on lightly-aged and worn paper. He is willing 'to become a Patronizer' of the 'Society', and gives directions regarding shares. Suggests that 'the Committee should be a little more dovetailed with men of Rank & M.P.s as People always look at the Names in a Committee [...] I trust the Theatre will be West of Regent Street if Possible or of the Pantheon, & that the Committee Room may likewise be in the West'.

4to, 1 p. Text clear and complete. On creased, aged paper. He will not be able to visit Margate that season, as he is 'entirely occupied with private business', and is 'as much "nail'd to the Counter" as if I had to act every Night at Cov[en]t. Garden'.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Manuscript note by Harold Sidney Harmsworth (later Viscount Rothermere) at head of first page: 'When Em [pet name for Cecil Harmsworth] had a long talk with the Prince of Wales - I being detained in the H of Commons | [signed] H'. 8vo, 8 pp. Stapled pamphlet. Good, on lightly-aged paper with slight rust to staples. Fair, on aged and lightly-creased paper. On pp. 4 and 5 brief details are given of the subjects of the eight films shown: 'Port Sunlight', 'Bournville', 'A Bit of Thameside', 'Letchworth', 'Hampstead Garden Suburb', 'Well Hall', 'Gretna' and 'War Seal Homes'.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

On piece of laid paper (roughly 13 x 11 cm). Aged and chipped. Reads 'Yours truly | Frank Barrington Foote'. Chipping to the outer edge, very close to the last couple of letters of the signature. Foote, who frequently sang with Adelina Patti at Covent Garden, ended his days destitute in New York City.

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.

The prospectus is a four-page bifolium. Dimensions of leaf roughly 38.5 x 24 cm. Aged, creased and worn, and with slight loss to spine and with a panel in the second leaf worn through, resulting in loss of some of text. The prospectus is addressed by hand to 'Eton College Wilds Estate'. The 'form of application' is printed in green on one side of a leaf roughly 34 x 20.5 cm. It is in better condition than the prospectus, lightly creased and aged, and complete with a perforated 'Banker's Receipt'. Note: The Wilds Estate provided the land for Hampstead Garden Suburb and the Heath.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

Celebrated connoisseur (1758-1833), whose picture-gallery, one of the finest in Europe, was at Bridgewater House in London. One page, 12mo. Formal letter in the third person. "The Marquis of Stafford sends his Compliments to Sir Egerton & requests that his name may be continued as Vice President for the Theatrical fund of Covent Garden Theatre, though he regrets that his health will not permit him to attend." Negligible traces of previous mounting on reverse.

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

4to: 4 pp. Unbound bifolium. On lightly discoloured and spotted paper, lightly worn at extremities. Central horizontal fold. Gives details of eight lectures, by, successively, H. Finer ('Impressions of America'), Montague Fordham ('The Rural Problem'), R. B. Forrester ('Co-operative Marketing'), Professor R. Peers ('Can we educate the Community?'), Arthur Greenwood, M.P. ('The Present Position and Future Policy in regard to Housing'), C. S. Orwin ('Land Tenure'), Rt. Hon. [sic] Sidney Webb, M.P. ('Poor-Law Reform'), and (with the 'syllabus' covering an entire page) H. St. J. B.

Dimensions of paper roughly eight inches by five; dimensions of print four and a quarter inches by three and a half. Good clean image, on paper aged and creased at extremities only. A wild-haired octogenarian Gent leans on a pile of books in a stone archway, holding open a copy of his History of Rippon (1733). Taken from Thorpe's edition of Gent's 'Life', published in 1832.

Two pages, 12mo. Very good. He was absent when the letter to his wife (the English contralto Charlotte Dolby) arrived. He has heard 'the little boy', and thinks that 'with proper care he may turn out a good Violinist, but he hs to undo every thing and to be guided in the right Way. He has undoubtedly great disposition. If he is persevering and hard Worker (the Violin being the most difficult instrument) I believe he can be one day a very good player'. It is however 'impossible for me to forsee in the future before he has a good start in his Studies.'

One page, quarto. Good, on piece of watermarked laid paper, with small closed tear at foot of right-hand margin. He is 'once more' returning the play, 'having made the further omissions which you propose. | With many thanks for your kindness, in the ready attention you give to a matter of infinite moment to me'.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

Theatrical manager (1796?-1860) and poet, manager of Drury Lane and Covent Garden theatres, 1833-48. One page, quarto. Good, but somewhat grubby on lightly-creased, discoloured paper. Reads 'My dear Sir | I do not remember at this moment any point, beyond those we discussed yesterday, that requires adjustment, except the return of £63-4-8 overpaid on the rent account up to July 5th. and the four weeks salaries to your watchmen & firemen from that day up to last Saturday, amounting to £27 - | The balance of the "Warwick Box" is still unpaid.' Signed 'A Bunn'.

English dramatist (1784-1862). One page, octavo. Ruckled, and with several closed tears. Reply to request for autograph. Reads 'Dear Sir, | Here it is. | Yours truly, | James Sheridan Knowles.'

Son of the English polititian, Sir Thomas Tyrwhitt Jones (1765-1811). One page, quarto. On mourning paper. Folded three times. Several closed tears and small creases, and with one stub hole at centre (not affecting text). 'Sir. | You will most particularly oblige me by sending me a Box for either Theatre this Evening as my Brother in Law Mr. Tollemache & myself are most anxious to be there. We shd. prefer Covent Garden.

Melvill was a noted English botanist (1845-1929). 8vo bifoliate. Four unpaginated pages. In very good condition, with some discolouration from age and remains of stub from previous mounting adhering to verso of second leaf. Decorative vignettes on all four sides. Engraving of Museum on recto of first leaf. 'PROGRAMME' (reception; tea and coffee; address by Sir William Turner Thiselton Dyer; inspection) on verso of first leaf. Description of 'AN EXHIBITION | of | A SERIES OF SPECIMENS | from the Herbarium' on both sides of second leaf.

English author (1856-1936). 2 pages, 8vo. In good condition. As Shorter has sent his letter to Baumann's home instead of to 'the office of the paper' it will be too late to insert it that week, 'as the paper was practically made up when I left this afternoon'. There are three letters dealing with Shorter's first letter in that week's issue. As Shorter may want to reply to them he is returning the letter, 'which otherwise will be published next week'. 'A letter should reach the office (10 King St. Covent Garden) not later than noon on Wednesday.' Signed 'Arthur A. Baumann'.

English actor and playwright (1780?-1829). 1 page, 16mo, on bifoliate with address ('J. Winston Esqr | 3 Church Street | Cov Garden') on reverse of second leaf. Paper discoloured, otherwise in good condition. 'Dear Winston | Will you be kind enough to give the bearer an order for Two to the H Mkt [Haymarket] for the Evening. I am Dr Sir | Yrs very truly | Danl Terry'. Wrapped in 4to piece of paper on which are transcribed in a neat contemporary hand two quotations regarding Terry from the European Magazine.

English dramatist (fl. 1882; see Boase's 'Modern English Biography'). 1 page, on slip of paper 1½ inches by 4. Grubby and creased, and attached to another piece of paper, docketed in pencil. 'Dr Sir / I amin very good hopes of getting played very shortly - I think at Covent Garden. | Yrs siny | T H Reynoldson | Being sorely off for cash I shall feel very much indebted for the 13/- this morning. -'

Vocalist and composer (1774-1841). Piece of 4to paper with stationer's embossment folded over and attached with sealing wax. Addressed on one side to "Charles Farley Esq / Theatre Royal / Covt. Garden". "Dear Farley / If you can with perfect convenience give me an order for this on tomorrow night you will oblige an old friend / T Philipps / My lecturers privilege is at your service for any friend during my course at any of the institutions". Slight loss (without loss to text) caused by opening of letter.

Actor and pantomimist (1804-1878), "the last true mime", who played opposite the great Joseph Grimaldi. One page, 8vo. Written in a florid hand, "W H S Payne / Theater Royal Covent Garden / Le Roi De Pantomime." The "S" in the signature is in superscript. In a smaller hand at the head of the page the signature of Gustave Garcia.

Social reformer, founder of Hampstead Garden Suburb (1851-1936)(DNB).ANS, on a scrap of packing paper, saying “Given to Ernest Aves[?] inever grateful memory of all he did to and for me. June 17th-21st 1913.Henrietta Barnet”. Her husband, Samuel A. Barnet, has signed another part.