1920S

340pp., folio. In sturdy brown calf binding with geometric decoration using thin leather strips and marbled endpapers. 'PRIVATE LEDGER' on label on spine. Thumb indexed. A further 12pp., 8vo, of manuscript accounts for 'Jan June 1928' on loosely-inserted leaves. The ledger indicates a substantial company (even possessing a 'Doubtful Debt Reserve'), its trading account showing a healthy balance, generally hovering around the £25,000 mark.

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. After following Horton's 'kind advice' concerning 'Mr Hedgcock's & my little alphabet', 're some sketches with more action in them', he has been to 'Town' to show the designs to the publishers Grant Richards. He 'called in person on Thursday but after some delay they have eventually rejected the Alphabet. [...] Evidently from what I was told the sketches such as you advised would have been more what they wanted', so he will do them again 'in that style and try again with other people'.

On 14 x 12.5 cm piece of card, with the cropped printed scorecard (completed in pencil in childish hand) on one side, and the autograph signatures on the otherwise-blank reverse. In good condition, lightly-aged. The five signatures are bold and strong in black ink, and read: 'P. Mead | Ed Tyldesley | E Hendren | J W Hearne | J W Hitch'.

Printed brown-paper 19 x 25 cm landscape folder, containing 30 black and white captioned photographs of buildings featuring the firm's doors, on 30 leaves of shiny art paper, loosely inserted. The folder and items all have three punch holes at the spine, and there are the remains of the brown ribbon that bound them together. The 30 leaves are in good condition, lightly-worn, in worn and stained folder. 26 different photographs, and a further 4 duplicates. The captions consist of headings (such as 'Residence of H. G.

8pp., 12mo. Stapled. Printed in blue on shiny art paper, in cream card wraps, also printed in blue, and tied with blue and white ribbon. On aged and worn paper. With illustrations in text, including a half-page image of the 'Pip, Squeak & Wilfred Jig-Saw Puzzle'. The first page carries a message to 'My Dear Boys and Girls' from 'Uncle Bill', including: 'To-day's Gugnunc Party - our third - is particularly interesting as it is also a birthday party.

20pp., small 4to (16.5 x 13 cm). Sewn in card wraps, illustrated in colours. In fair condition, lightly and spotted, in worn wraps, with two uncoloured illustrations on the inside wraps coloured in. With ownership inscription on half-title, dated 18 September 1927. Eight attractive full-page colour illustrations (two out of register) in text, in a range of styles, suggesting stock images by different illustrators, and two uncoloured illustrations on the inside wraps, coloured in (by a child?), with another two illustrations on the front and back covers. This item is something of a mystery.

341pp., foolscap 8vo, typed onto rectos only, and with the main text paginated in blue pencil to 252pp. Six black and white illustrative photographs laid down, two with the stamp of 'The Scotsman' newspaper on the reverse. A substantial volume, bound with string and staples, with thumb index. In brown wraps, with typed label on front: 'DIGEST GAZETTEER | OF | SCOTTISH LOCHS & | RIVERS'. In good condition, on lightly-aged paper, in worn wraps.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

12mo, 72 pp. Stapled. In original printed brown wraps. Good, with mimeographed typed pricelist (4to, 2 pp) loosely inserted. With numerous illustrations. Initial note 'A Notre Clientele', stating that the development of athletic sports in France has added a new branch to French industry, and boasting that the major part of the firm's equipment is made there. Full-page engraving of the company's factory at Levallois-Perret (Seine), with two half-page photographs of staff at work there, and full-page photograph of the firm's Paris shop.

4to, 2 pp. Twenty-seven lines. Text clear and complete. Fair, on lightly-aged and slightly creased paper. He cannot help Raffin find an American publisher for his book 'Mystery, Mirage and Miracle' (privately printed for the author in London in 1921), although he finds its style 'delightful', and its subject matter 'one which deeply interests me'. 'The book-market is in a very strained condition - a sort of transition period with all the publishers "sitting on the fence", and the public refusing to by any books except a few which have the luck to become fashionable'.

12mo, 15 pp. On watermarked laid paper. Very good, with slight wear to crease on first leaf damaging two words (both still legible). Otherwise text clear and complete. The item can be dated from a reference to 'a Dempsey-Tunney fight'. Although neatly written, the handwriting is so stylised that deciphering the text presents difficulties. Begins 'What a whirl since I wrote you on the boat before we landed in Rangoon [...] HOT. Yes! Right now it is 90 degrees in our room which has windows on three sides & there are two big fans going.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

On one side of a piece of wove paper roughly 220 x 280 mm. Good, on lightly aged and creased paper, with a few short closed tears to extremities. Cheaply but effectively printed in a variety of point sizes. Reads '£1 REWARD | LOST, on Monday Evening, December 16, either on the Motor-bus between Oxford and Witney, or in Witney, A Lady's Gold Wrist-Watch & Bracelet | Engraved on the back, P.E.B., Dec. 28, 1921. | A Reward of £1 will be paid to anyone bringing the same to the Police Station at Witney, or to the County Police Station, New Road, Oxford.'

On a piece of brown card roughly 250 x 200 mm. Designed to be hung from two punch holes at head. Worn and aged, but with text (printed in red and black within a decorative border) clear and entire. A clever and amusing spoof, deliberately old-fashioned typographically in a parody of 'improving' texts. Reads '£50,000 | A Wireless Dealer aged 82, died - He left £50,000; thanks to long hours, close attention to business, strict economy, and - a bequest of £49,650 from an Uncle in Australia | T. N. MITCHELL | Benson, Oxford.' Inscribed on the reverse 'Xmas. 1930.

4to, 1 p, 21 lines. On creased and lightly-foxed paper, with a couple of closed tears (not affecting text, which is clear and entire). May refer to the 1928 revival of van Druten's play 'Young Woodley' (previously banned by the censor), or (which is more likely) to his 'After All' (1929).

Thirty-six broadsheet pages. On aged paper, with chipping to extremities and first and last leaves detached, but with text clear and entire. Articles on 'The Four New Railways', with photographs, by Sir Herbert Walker, Felix J. C. Pole, Arthur Watson and R. L. Wedgwood. Other articles include 'Electrification - The Metropolitan's Experience' by R. H. Selbie, 'Railways - Their Position and Prospects' by Sir Sam Fry, 'Railway Rates under the New Regime' by Sir W. M. Acworth and 'Finance of British Railways' by W. J. Stevens.

Roughly 9 centimeters by 14 centimeters. Lighly scuffed , chipped, and stained, but in reasonable condition overall. Small triangular piece of loss (roughly half a centimeter each side of triangle) to bottom left-hand corner. Atmospheric shadowy portrait of mournful-looking (actor's?) head wearing strange elfin-style hat looking to right and upwards. Faint reflective signature 'MAY | MOORE' can be made out with difficulty in bottom right-hand corner. Mounted on a large piece of creased grey paper. Attractive signature ' | 1920' diagonally on grey paper to bottom-right of photograph.