LITERATURE

Letter: 12mo, 4 pp. Bifolium. Text clear and entire, but with the outer pages grubby. He has 'no wish to annoy other members of the Court family', so it will 'go no further'. 'It is cool of Miss Court to talk thhe confidence of her own home, when she made the statement to Mrs Bulkeley in her own drawing-room.' Suggests that Draper send 'the Postmistress' a 'reminder'. 'She is so accustomed to threatening letters from her creditors' lawyers that she possibly may disregard this.' Asks him to 'make her understand that withholding an apology may have sharp consequences'.

The text of the three items is complete and legible. All three are bifoliums of aged and lightly-creased paper, with traces of grey paper mounts adhering to the verso of the last leaves. A difficult hand. Letter One (22 December 1884, Echo Office; 12mo, 1 p): Asks to be given a copy of a poem, or to be told where it can be found. Letter Two (19 Aug. [no year], Syon Lodge, Isleworth; 12mo, 2 pp): Begins 'This is a begging letter.' Asks for a copy of a poem by Draper (the title of which is illegible), not for publication but for his 'own private satisfaction'.

12mo, 4 pp. Good. A bifolium, attached by a strip along the inner margin to a leaf removed from an autograph album, docketed 'Mrs. Hobart Hampden, Authoress of "The Changed Cross" '. Postscript written vertically across the upper part of the first page. Concerns a photograph of the recipient's mother: a 'sweet souvenir of such a rare & precious jewel as your dear & beautiful Mother; whom we feel it such a privelidge [sic] to see and to know'.

12mo: 1 p. Text clear and entire on creased and slightly grubby paper. Asks Hyde Clark to 'make the preliminary report you suggest, & speak with Mr Crompton'. He feels that 'the thing is to be accomplished; & that there will be honour & profit to all who may concern themselves in the undertaking'. Asks to hear from Hyde Clarke 'in a few days'. The subject of the letter is unclear.

Original grey printed wraps (spine lost), hinge strain, pages browning, ow good condition. From the Library of Robert Lynd, nationalist and old friend of Casement's.

Based on his novel of the same name. Original green wraps, motif of Maunsel's Irish Plays on front, soiled, one closed tear, titlepage faintly stained, pages of contents dulled through age, sound. From the library of Robert Lynd, author and nationalist. Scarce: COPAC lists copies at NLS, Oxford and NLW (NOT BL).

Original beige wrap, sunned and dusted, worn and chipped edges and spine, small closed tear at top front wrap, contents slightly foxed, mainly good. Enclosure (loose): Blank Order Form for this pamphlet including statement of limitation (300 printed). Scarce.

Original brown wraps, chipped, dusted and soiled, titlepage partly soiled and dusted, otherwise good. Scarce: COPAC lists copies at BL, NLS, Oxford, and NLW. AddAll only lists the 1971 reprint.

Original mauve wraps, sunned and creased, endpapers soiled, contents slightly marked but mainly good. INSCRIBED by Robert Lynd, author and nationalist, in Irish, Riobard ua Flynn. Scarce: COPAC lists copies at NLS, Cambridge, BL.

37pp., [12mo], original illus. printed green wraps, sunned, marked, sl. creased and chipped. Scarce. COPAC lists five copies.

39pp., 12mo, a fragile pamphlet, lacking back wrap and with damaged front wrap, attractively rebound in green paper wraps with label on front, retaining and supporting the surviving wrap. Scarce. Copac lists copies at CUL, BL, not Trinity.

12mo, 2 pp. Creased, and with an unobtrusive 1 cm closed tear. He thanks her for her 'charming letter of appreciation'. He is delighted that she 'so enjoyed' 'The Door' ['The Door in the Wall' (1937)]: 'a similar story (or rather one dealing with Phillip Markham & Baikie) will be appearing in the autumn probably in early October'. 'It always cheers an author up to know that he has pleased his readers - & if they do him the good turn of recommending his book to their friends he is vastly obliged!'

12mo, 1 p, with mourning border. Good, on lightly creased paper. Asking Leon to forward the book he wishes to have autographed. 'I will do so with pleasure.' The envelope is addressed to Leon at 6 Brendon House, Great Woodstock St, London W1. Docketed in red ink above address on front of envelope.

12mo, 4 pp. Good, with spotting to second leaf of bifolium. Steggall and Orton's 'mutual friend (our very dear friend)' Mrs. Kent has written to tell Orton that Steggall 'will be happy to see my son on Saturday evening at 6'. Orton is grateful to Steggall for thinking 'of my anxiety to retain him with me after our long & to me at least terrible separation'. He is very grateful to Steggall, who is joined to Orton by a 'link of friendship which passes through to my two dear friends Mrs. Kent and Mrs. Atherstone'.

Original beige boards, corners bumped, mainly good+ condition. From the library of Robert Lynd, author and nationalist. Scarce: COPAC lists NO copies of the book, only a microfilm at BL.

52 pages, 8vo. In original blue printed wraps, which are folded around endpapers, the rear of which bears publisher's advertisements. In poor condition: paper browning and spotting with age, binding loose and wraps frayed and worn, especially at spine. The front wrap has a long closed tear at head, and the indentation of a paper-clip, which attaches the typewritten letter (1 page, 8vo, discoloured and worn at extremities), headed 'Room 102, | Surrey Street. | 7.4.52', from 'Christine' to 'Ita'.

Author and educationist. One page, 8vo, minoir defects, mainly good, text complete and clear. He describes the award of FRSL(?) (Fellow of the Royal Society of Literature?) as "much coveted" and says that membership might be a step towards it. One of his friends recommended by him has become a member. He describes Miss Eleanor Hull as "an outstanding Irishwoman of letters" - she has accepted membeship.

Irish Author (1846-1931). The postcard indicates his willingness to act as a steward at the Annual Dinner of the Incorporated Society of Authors, with his name in full , address, and a note questioning whetehr he can make it, all in Graves's hand. Small hole marginally affects handwritten text.

12mo, 1 p. Very good. He hopes she will bring her paper out soon, 'as there is room' for it, 'especially if you are careful to steer clear of mere nonsense'. Asks her to ask her 'paper' to send the cheque to him, 'and not to Peters, as he had no hand in the transaction'. He 'travelled 2,500 miles doing those articles on our war-time effort', and is 'now very glad to be back home, picking up the threads of my own work again'. He has just finished 'a comedy', and hopes 'to start another soon'.

Irregularly-shaped (like an 'L') piece of paper, cut from the head of a letter with a mourning border. Dimensions (very roughly) 4 and 3 cm high and 7 cm wide. Good, with minor traces of two tissue mounts adhering to reverse. The following written vertically across three lines of writing: 'to all your family, & I am, dear Sir, truly yours | [signed] H. Martineau'. The remains of the three lines acoss which the above is written read: '<...> dear Sir | <...> I am | <....> ur sister <...>'.

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

8vo: 1 p. 7 lines. Good, but with some foxing, and with a corner of the blank reverse tipped in onto a card mount on which the envelope is laid down. He thanks him 'for the catalogue containing the Moore item'. Would be 'very glad' if Hodgson 'could call here on Thursday next & join us in a meal at 7 o'clock [...] I suggest Thursday because then we shall not be alone, nor dull'. Hodgson was the author, in 1927, of 'Brief notes on the history of the hamlet of Penge with Anerley'.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

One page, 16mo. Good, on lightly aged grey paper, with previous paper mount adhering to reverse. Reads 'I have pleasure in sending you the Autograph you desire'.

One page, octavo. Good, on lightly rucked paper, with one line a little blurred by damp. She would have replied sooner to her correspondent's 'courtesy in enclosing a stamped envelope', but feels sure she will forgive her when she tells her that she has 'been in constant attendance at a hospital owing to my Father having met with an accident. I can't think what good my autograph will do anyone, but still -'.

Both items one page, 12mo. Both on creased, aged paper, with some paperclip spotting. In the typed letter (which is in slightly worse condition than the other item) she explains that she is enclosing her autograph on a separate sheet. '[I]n case you care to have it My Mother, Mrs. Graham, (I write under my maiden name) thought you might like to have Sir Philip Gibbs' autograph, [^the celebrated author,] so she has asked me to send you a card she received from him the other day. [not present] You certainly have a wonderful collection!' The autograph reads 'Jan: 7th.

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

Two pages, quarto. Well preserved, on good lightly-aged paper, but with the original piece of paper (which was roughly nine inches by seven and a half wide) now neatly cut into three strips (the top and bottom of which are two and three-quarter inches high, and the middle three and a half inches high). The text is extremely neatly written and entirely legible, and the whole easily repairable with archival tape. The whole of this long, interesting letter (thirty-five lines and a two-line postscript) is given over to the current craze for autograph collecting (for which see A. N. L.

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.