LITERATURE

12mo: 1 p. With mourning border. Text clear and entire. Good, on lightly-aged and creased paper. Fifteen lines of text. She is returning the 'very interesting & rich autograph book with what I fear isn't a very satisfactory page added. Not caring to mutilate letters, of which I have a few, I cut out a signature of Don's [her husband, killed in an accident in the blackout that year] from one of his note books together with one of his reflections from a notebook'. She has added one of her own notes ('short enough'). She feels sure the fete will be a success.

Two pages, octavo. Good, with traces of stub adhering to one uneven edge. He feels there is 'surely telepathy in the world' as, 'only last night tired of the dull inaction after a bout of 'flu', he was assembling autographs for his correspondent. '[T]hey all explain themselves except perhaps Boardman Robinson the American cartoonist and Rose Bradley the writer on teh 19th. Century. I send one too from Lord Seaforth who only died last week.

LETTER: One page, 12mo. Good, on aged, creased paper, with trace of stub on blank verso. Crest at head. 'It will give my brother & me much pleasure to accept your kind invitation for Tuesday evening the 16th. - I dine that day with Lady Sempill which will make me later than I should wish, but I hope to reach your house soon after 10'. NOTE: One page, 12mo, good, with fraying at head and traces of mount adhering to blank verso. A formal note written in the third person. 'Miss Catherine Sinclair will be happy to have the honor of accepting Mrs. Wedderburns & Mr.

12mo: 3 pp. Bifolium. 27 lines, written in a shaky hand. On creased, discoloured paper, and with some damage to the second leaf caused by careless removal from mount. Two irregularly-shaped closed tears on the second leaf, one to the left of the signature, have been neatly repaired on the reverse with archival tape. He is glad that his correspondent likes 'our Odyssey: the Iliad is less attractive. [...] I dare not remember all my books, but will ask Messrs Longman to send a list of what they possess. All are very unpopular.' He doesn't write in 'T.

Scottish essayist (1810-82). Two pages, 12mo. With mourning border. Good, but on discoloured paper, and with some glue staining to blank second leaf of bifoliate. Concerns the work for which Brown is remembered, 'Rab and his friends' (1859). If he is ever at Crewe he will 'certainly avail myself of Mrs. Blunt's & your very gratifying invitation. His wife is 'more delighted, I think, with your letter about "Rab" than by any other - & she has kept it - being like all good wives greedy of her husband's praise.' Signed 'J. Brown'.

Three pages, 12mo. Very good: lightly aged and with the merest glue spot to blank verso of second leaf of bifolium. Mackay's 'signature' appears to be in the same hand as the rest of the letter. He has had a 'severe attack of inflammation of the eye', and this has prevented him from reading or writing during the previous week. For the same reason he is replying to Alford's letter of 1 March through an amanuensis. Three weeks previously Mackay 'received a packet from Mr.

16mo (11 x 9 cm) bifolium, 3 pp, 16 lines of text. Mourning border. Good, with slight discoloration to the external pages. He is sending a manuscript 'At the suggestion of the Author, an officer residing in Paris'. If 'on examination' the recipient considers it 'unsuitable for the pages' of the Gazette, he asks for it to be returned to him at 13 Upper Berkeley Street 'when your messenger happens to pass that way'. The author 'is a man of high character and well acquainted with Paris & the Parisians'.

Disbound. Octavo: four pages. Good: slightly aged and with some creasing to extremities. Thirty-one lines of text, followed by a double-column list of subscribers, and amounts subscribed.

Scottish novelist (1869-1902) of the 'kailyard school'. Paper dimensions roughly four and a half inches by three inches. Very good. From autograph album. Mounted on larger piece of pink paper. Reads '[...] Let me add that your suggestion as to the poets of the early part of the last century is one which appeals to me much. | I am, dear Madam | yours faithfully | George Douglas. | Miss S. E. S. Mair, | [...]'. Docketed in pencil.

Scottish poet and writer (1784-1842). One page, 8vo. In very good condition, if somewhat grubby. Folded three times. Reverse bears remains of glue from previous mounting along one edge. An interesting letter from an important literary figure of the period, contributor to 'Blackwood's' and the 'London', friend of James Hogg, Scott, Carlyle, Charles Lamb and many other writers, and for many years secretary to the sculptor Sir Francis Legatt Chantrey. He thanks his correspondent for his 'clever Book' and 'kind offer'.

Symington (1825-98), a minor Scottish poet, traveller and author, spent a year in America and edited a selection of President Garfield's speeches, and thus was accorded an entry in Appleton's Cyclopaedia. The poem (four pages, 12mo, on bifoliate, very good with light spotting and staining) is printed in blue, with an engraving in black of (according to the poem) 'a Harp [...] of rare beauty [...] On either side, an alabaster Cross | Of snowy whiteness twined with dew-sprent flowers' and a 'white Dove with an olive branch [...] | Descending'.

8vo: 2 pp. Fifty lines. Text clear and complete, on two pieces of aged and spotted paper, with rust spots from paperclip. Untitled. Begins: 'I should like to see Chesterton as Lord Rector of a university which stands for Liberal thought. Some people, limited in imagination and hostile to unconventional character, would as soon give their votes to a modern Don Quixote who by some miracle has acquired the corporeal structure of his own Sancho Panza.

4to, 1 p. Text clear and complete. On lightly-aged paper with minor spotting to extremities. He thanks him for his letter. 'The main drawback to my accepting your most interesting invitation is that my political views are not those of Mr G. K. Chesterton, so I am very much afraid that a literary contribution from me might prove more of a hindrance than a help. I am so sorry.' Murdoch edited the magazine 'G.K.C.' which campaigned on behalf of Chesterton's unsuccessful candidacy. (Sir Austen Chamberlain was elected Rector.)

12mo, 1 p. Twelve lines. Good, on lightly-aged paper. He has had Murdoch's letter 'lying by me in the hope that I might meet someone here who knew G.K.C., or knew his work well enough to tell me something of interest - for, alas, I must confess to ignorance'. As he has not been 'fortunate', he abandons 'hope of contributing to your Rectorial Magazine'. Murdoch edited the magazine 'G.K.C.' in support of Chesterton's unsuccessful candidacy.

Landscape 12mo. Good, on lightly-aged paper. Murdoch appears to have been 'misinformed as to Professor Murray having promised to write an article in support of Mr. G. K. Chesterton.' Murray is 'unable to undertake any more writing' as he is 'extremely busy at present'. According to Mair's entry in the Oxford DNB, from 1922 to 1927 she was employed by Gilbert Murray as his secretary-assistant in League of Nations affairs. Murdoch is not named, but the item comes from a batch of his correspondence relating to Chesterton's unsuccessful 1925 candidacy for the Rectorship of Glasgow University.

Two foolscap (32.5 x 20.5 cm) pages. Seventy-three lines of text. On two pieces of aged paper, with wear at head and foot. Text clear and complete. A witty and light-hearted endorsement of Chesterton's candidacy, beginning 'Rumour reaches me that my name & my past misdeeds h[ave]. b[ee]n astonishingly flung into the Rectorial arena. Things that I said in my haste or my leisure long years ago about the candidates [Chesterton, Chamberlain and Webb] h[ave]. b[ee]n. dragged into the light to exalt this one & prejudice that. [...] Mr. Chamberlain's presence is sufficient & Mr.

8vo: [ii] + 18 pp. In worn original buff wraps with white printed label on front. Clear and complete. On aged, damp-stained paper. Presentation copy, with note on title-page: 'To John Lee Esqre. L.L.D. | with the Author's kind regards.' Ownership inscription of 'J. Lee. Hartwell. 3 May 1856.' also on title. Scarce.The only copies on COPAC at the British Library and the Society of Antiquaries.

12mo: 27 pp. Stapled. In original brown printed wraps. Good, on lightly-aged paper with rusted staples. Divided into five sections: 'Our Ancestry', 'Our Father', 'Our Mother', 'Montacute' and 'The Children'. A scarce item, the only copies on COPAC being at the British Library, Cardiff and St Andrews.

12mo: [iv] + 35 pp. In original green cloth printed wraps. Text clear and complete. On aged high-acidity paper, and with four staple holes throughout. Creasing to front wrap and slight loss at head of title (not affecting text). In the 'Editor's Preface' (p.iii, dated 'V. TCHERTKOFF.

An attractive item, printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in yellow and black, roughly 2 x 8.5 cm, showing the word 'CHRISTMAS' within a floral border.

8vo: 80 pp, paginated 13-92. Stapled. In original grey printed wraps. Clear and complete. On aged and spotted high-acidity paper, with rusting from staples. In worn and spotted wraps. 2 cm closed tears to back wrap and outer margins of last two leaves. Pencil note on inside of back cover that a copy of the same item sold by Hodgkins for £30 in March 1986. From the collection of the Scottish anarchist author H. T. Derrett, and with his ownership inscription and date on front wrap. Illustrated.

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

First edition. 8vo: xii + 200 + [iv] pp. (the last four pages an unpaginated publisher's catalogue). In original blue cloth, gilt. Fair, tight copy, on lightly-aged paper, with some spotting to endpapers. Binding with dulled spine and minor spotting. Bookplate of the Rev. English Crooks. Binders ticket ('BOUND BY BURN & CO.') to rear pastedown. Half-title reads 'RURAL POEMS'. The 'translation' of the three collections beginning with 'Poems of Rural Life in the Dorset Dialect' (1844).

Printed on a sheet of wove paper roughly 37 x 24 cm. Fair, on lightly aged and stained paper, with slight wear to extremities. Illustration, roughly 9 cm square, shows Christ, a crown of thorns above his head and a crucifix behind him, blessing an orb which he holds in his hand. Attractively printed in two columns divided by decorative rule, with ornament beneath title. Text in small type, divided into sections titled 'A Letter of Jesus Christ', 'Christ's Cures and Miracles', 'King Agbarus's Letter to Christ', 'Our Saviour's Answer' and 'Lentulus's Epistle to the Senate of Rome'.

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.

12mo: 12 pp. Stitched and unbound. Fair, on lightly-aged paper with slight wear to extremities. Numbered 1355 at foot of first page. On first page 9 x 7 cm engraving of the monk Luther reading in a library. Beneath the title the author is described as 'James Macaulay, Esq., M.A., M.D., Author of "Luther Anecdotes," [published c.1883] etc. etc.' Curiously scarce considering the publishers: no copy in the British Library or on COPAC. For more on Macaulay see his entry in the Oxford DNB.

12mo, 2 pp. Good, on lightly-aged and creased paper. Giving the details of three titles from Thorp's 'large catalogue' which he hopes are still available (one is ticked in pencil and the other two marked as sold). 'Also can you let me have a cheap copy of John Masefield's "Sea Life in The Time of Nelson" and J. R. Hutchinson's "The Press Gang Afloat & Ashore." Publishers and prices of both items are noted in pencil, with 'Cheque Noted' in margin.

12mo, 1 p. Six lines. Mourning border. Text clear and complete. Aged, creased and a little grubby. Asking to be sent '4 copies of "The Butterfly", if ready', and if not to be told 'when it will be'. Lawrence published his 'Breaking a Butterfly; Or Blanche Ellerslie's Ending' anonymously by Tinsley in 1869.

12mo, 1 p. Good, on lightly-aged paper. Thanking them for the cheque, and returning the 'form of permission to reprint the four poems, signed' (not present).

Plain card, roughly 8.5 x 11 cm. Five lines of text. A little grubby, but good. Asking for his manuscript, so that he can 'correct the proof of the Introduction to Crashaw. It was written so many years ago that I can't always recall what I wrote'.