PAINTING

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

3pp., 12mo. He is pleased to find that Scharf is 'making progress with the catalogue and with identifying the pictures'. He thanks him for sending information 'on various points', and assures him that 'Ash [...] will be most ready to carry out anything for you'. Scharf's 'Catalogue Raisonné; or, A List of the Pictures in Blenheim Palace; with Occasional Remarks and Illustrative Notes' was published in London in 1862.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

11pp., 4to. With three plates and five figures in text. Paginated 292-302. Stapled in card wraps. Inscribed on front cover: 'with best wishes | B.A.R.C.' The only copies on COPAC at the Warburg Institute and V & A.

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

Printed on one side of a 25.5 x 16 cm piece of cream paper. The portrait itself is 17 x 12 cm. In fair condition, lightly aged and worn. Printed above it is 'LIFE | FRANK MILES | October 18, 1879.' And below: '"VIOLET FANE" | Phototypie, 15, Quai Voltaire, Paris'. Inscribed at foot in pencil: 'To Mrs. Rolland from her affte. | "Violet Fane"'.

Both items in good condition, on lightly-aged paper. The first item in its envelope, addressed to 'Mrs. Robert Lynd | 14 Downshire Hill | Hampstead'. Both addressed to 'Mrs. Lynd.' ONE: 4pp., 4to. She begins by thanking Lynd 'for "The Chorus". I feel a wretch beyond redemption & there are not enough excuses in St. Ives to meet the case - I had to get those two big portraits finished & off to the Nat. Portrait Soc: & a nightmare of a time it was I thought - I would never pull them out of Hell's seventh Ditch and up to Bond St - but there they are it appears'. TWO: 4pp., 12mo.

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.

33pp., 8vo. In brown printed wraps. Disbound from a collection of pamphlets, and with library stitching on spine. Aged and worn, with stamp of the Free Public Library, Wigan, to damaged front cover. Covers and last leaf loose. 82 lots with unusually detailed descriptions. Mostly devoted to British artists, the collection included a Constable, couple of Turners, three Gainsboroughs and four by Sir Joshua Reynolds. Scarce: the only copy on COPAC or WorldCat at Oxford.

On both sides of a rectangular (5.5 x 16.5 cm) strip cut from letter. In fair condition, with light signs of age and wear. Recto: '4 Brixton place | Brixton Surry [sic] | Janry: 12th. 1833 | Sir | M Mackenzie has conveyed to me y polite offier of allowing a few prospectus of my [...]'. Verso: 'to Dr. Tournay by my friend Dr Burney, but as your house is the rendezvous of all the learned & the rich in Oxford, perhaps it is unnecessary for me to solicit the onor of Dr Tournay's influence. | I remain, | [...]'.

[36]pp., 12mo. In olive wraps printed in green. Printed on art paper with 17 photographic illustrations (14 of them of the house), and the last four pages carrying advertisements. In fair condition, lightly aged and worn. Disbound from a collection of pamphlets ('13' in manuscript at head of front cover), and with library stitching at spine. Uncommon: five copies on COPAC and WorldCat, but none at the British Library or in North America.

20pp., 8vo. In lilac wraps, printed in black. Disbound from a collection of pamphlets, and with library stitching on spine. Aged and worn, with stamp of the Free Public Library, Wigan, to damaged front cover. (The collection had been amassed by the cotton manufacturer Thomas Taylor, Mayor of Wigan, 1854-55, and was housed in his country house at Aston Rowant.) Around half the 94 lots priced in guineas and pounds in red ink. Includes work by John Linnell, J. W. Waterhouse, Luke Fildes, Marcus Stone, W. P. Frith and G. F. Watts.

On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.

1p., 12mo. In good condition, on lightly-aged paper. The letter reads: 'I beg to re-enclose for the excerpt from your publication "Men & Women of the Time," of my biography which I have revised, making a very few alterations, & adding a few lines which I write on the other sheet of this note: [not present] my permanent address now is the above'. The note relates to the fifteenth edition of the work, published by G. Routledge & Sons in 1899.

1p., 12mo. With mourning border. In good condition, on lightly-aged paper, loosely attached to part of leaf from autograph album. Reads: 'Dear Tom | Please bring me a couple of grains of corrosive sublimate for a new bit of gum I am preparing - | Yr. affect. brother | E. Armitage'. Edward Armitage's entry in the Oxford DNB states that while adhering to the ' technical methods' of his teacher Paul Delaroche, he 'experimented with techniques suitable to England's damp climate'.

On 12 x 11 cm piece of watermarked laid paper. Lightly aged, with slight evidence of previous mount at head (not affecting text). Sent in response to a request for an autograph. Reads: 'London. Nov 11th. 60 | Obediently Yours | E Landseer. | (To J. H. Whitaker. | Manchester)'.

Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock.

2pp., 12mo. Bifolium. On aged and worn paper. Addressed to 'Walter F. Stocks Esq'. He begins by pointing out that his daughter is not to blame for the late reply: 'it is my own fault my correspondence being somewhat in arrears'.

15pp., landscape 12mo. With four additional pages of photographic plates ('Exterior facing south', 'The lounge', 'The dining room', 'A bedroom'). Stitched into grey printed wraps. Very good, on lightly-aged paper. The booklet includes a list of trustees and other officers, a descriptive text, the 'Regulations relating to the home', 'Form of application' (with two pages of 'rules', including 'CASES NOT ADMITTED') and 'Medical Report'. The descriptive text begins: 'The Home has been built and generously endowed by Mr. F. W.

3pp., 4to. On aged and worn paper (text entirely intact). In a letter deeply evocative of the Irish cultural renaissance, Henry begins on the subject of a piece of his writing on a political meeting of Irish nationalist Joseph Devlin: 'Dear Walter | I am sending you by this post another effort. You had no idea what you were letting yourself in for when you told me to "sling along anything I had got"! This is a little impression of a meeting of Devlins & was held in Sept. So I suppose it would be good to print it now. Altho' a thing like this would I believe go in America.

The lecture, which is unpublished, is an interesting personal statement by a neglected Victorian painter who died tragically young. (A rather impressive example of his work, in Turneresque style, titled 'The Heart of the Hills', is in the Maidstone Museum.) The lecture is 30pp., 8vo, in a ruled notebook with embossed black wraps. In good condition, on aged paper with some wear and discoloration. Ownership inscription of 'W. G. Shrubsole | Bangor Decr. 1886' inside the front wrap. The first page is headed 'The Ideal in Art. | by W. G. Shrubsole Dec.

1p., 12mo. In fair condition, on aged paper, with tape repairs to reverse causing staining along fold line. The note reads: 'Dear Sir | If you will come to The Star at a quarter before nine o'C., we are to be shown the picture of the Waterloo Banquet at that time at my particular request'. Salter's painting was exhibited to the public in 1841. It is now in Apsley House. As another artist of large-scale historical works Hayter would have taken a particular interest in it.

The collection is in good condition, on lightly-aged paper. Zetland's letters total 26pp., 8vo; 19pp., 12mo; 1p., 16mo. The theme is the painting and engraving of a portrait of Zetland by Slocombe, and the correspondence casts an interesting light on the relations between patron and artist in late nineteenth-century England, with the drafts of Slocombe's two letters, and his accounts for painting and engraving, adding to its value.