WILLIAMS

Two good pieces of jazz ephemera. Both items on shiny art paper and very lightly aged, but in excellent condition overall. The programme: 4to, 12 pp. Stapled pamphlet. Covers in orange and black. An attractive item, with a striking cover entirely consisting of Basie's head, printed in black, floating in a sea of orange colour. Full-page photographs of Basie (at the piano) and Joe Williams (singing at the microphone). Apart from the programme itself, covering a page, the text comprises: a two-page biography of Basie; a one-page feature on Williams; an full-page advertisement by E.M.I.

The four items are uniform, with leaf dimensions 21.5 x 14 cm. Three bifoliums and a 16-page pamphlet, totalling 27 pp of text. All unbound, and attached to one another by string in top inner corner. Text of all four items clear and complete. A little grubby, on aged and creased paper, with wear to extremities. Small blank scrap lacking from margin of first leaf of second item. Item One: 'Report of the Hawke's Bay Maori Mission. (Supplied to the Right Rev. the Bishop of Waiapu.)' by 'Arthur F. Williams, Missionary in Charge, Te Aute, Hawke's Bay'. 4 pp.

12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication.

12mo (21 x 13 cm), 1 p. On green paper. Clear and complete. On aged, creased and grubby paper. Reads (manuscript text in square brackets): Messrs. Williams & Norgate present their compliments to [Sir John Philippart] and beg to inform [him that the Asiatic Socy Calcutta send them the Journal, as it is published to be forwarded to him, if he does not require it, W & N will return the numbers to Calcutta'. Docketed in a contemporary hand at head: '10 packets returned 31st May 1870'.

Both 12mo: 4 pp. Item 1 (21 May) Text clear and entire. On aged paper with small unobtrusive spike holes through both leaves. Slightly manic letter, casting light on the relationship between author, printer and engraver in the Victorian period. Tayler lists four 'plates for a chapter on the Essex Martyrs' which Leonard Seeley of Thames Ditton, who is printing and publishing Tayler's book 'Memorials of the English Martyrs' (Seeleys, 1853), has not yet received from Williams. Suggests other engravings for the 'last chapter'. 'It has occurred to me that the plate in Foxe 7th.

Bifolium (leaf dimensions 24.5 x 18 cm), 3 pp, on paper watermarked 1817. Text and image clear and complete on grubby and lightly-creased paper. The two leaves have been gummed to one another along a thin vertical strip, and it may be that they were originally separate. An unusual and scarce piece of ephemera. At the head of the first page is a characteristic neo-classical engraving (roughly 7.5 x 11.5 cm) showing a group of five cherub-artists, holding portolio, palette and bust, appealing to a winged goddess on a cloud, with a temple in the background.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

4to, 3 pp, 26 lines. Discoloured and lightly stained, with a couple of closed tears, but with text clear and entire. Marked 'Private' and docketed 'No. 5932'. An interesting letter, written on the eve of Hastings' return to England from his post as Governor General of Bengal, giving 'the state of affairs here up to the latest moment', everything being 'quiet and prosperous'. Discusses the state of Government Bonds. 'Sir Edward Paget is in the River & will land tomorrow.

8vo: 1 p. Very good. Letterhead with crest. Reads 'Dear Sir | I understand from my son that you do me the honour to wish to have my autograph It gives me great pleasure to comply with yr request. | your's faithfully. | [signed] Roland L. Vaughan Williams | A Hall Esqre'.

12mo: 1 p. Good. Purple receipt stamp in top left-hand corner. 'Lord Salisbury requests Messrs. Williams & Norgate to send him Harnack's "Die Chronologie der Altchristlichen Literatur bis Eusebius". Also another volume he published 3 or 4 years ago on the same subject - the "Geschichte".' One presumes that the present British Prime Minister is equally cultured.

One page, octavo. On aged paper, with slight chipping to corners, but text clear and entire. He is afraid that he 'did not answer your second letter in regard to a book on Sex.' 'After careful consideration', Thomas and 'Prof. Geddes' [Sir Patrick Geddes, 1854-1932] have come to the conclusion that 'if we wrote another book on that subject it should be published either by "Walter Scott" (who has 'The Evolution of Sex') or by Williams and Norgate (who have 'Sex')' [both books, 1889 and 1914 respectively, also by Geddes and Thomson].

12mo, two pages. Printed on one side of a piece of paper roughly nine inches by seven, folded one to make a bifolium. Lists the Orchestra's officers (conductor; committee - the Hon. Mrs. Noel Farrer, Miss Olive Macleod and Miss Stack (Hon. Librarian); and hon. treasurer Hon. Noel M. Farrer) before setting out its rules over fifty lines, beginning 'The object of this Orchestra is to meet weekly or fortnightly to play good music well and efficiently.' A websearch for the Orchestra (which was perhaps exclusively for women) and for members of the Farrer family yields no results.

English art critic and dramatist (1849-1916). One page, octavo. Very good. On grey Truslove, Hanson & Comba paper. Entitled 'Sailor's Chorus', the piece consists of two stanzas of eight lines each. It begins 'Above the mast one single star, | Still loiters in the dawn!' and ends 'Ere the swallows keel shall touch the shore | Yeo Ho! Hearts Ho! Yeo Ho! Haul away!' Signed 'J. Comyns Carr' in bottom left-hand corner.

Historian (1867-1950), who 'organised reception of Belgian Refugees at Folkestone for L.G.B., 1914 (Med. du Roi Albert)' (Who's who). One page, quarto. Good. Folded three times. Docketed and bearing the Society's stamp. Signed 'Basil Williams'. In answer to Wood's telegram Williams replies 'I am to say that I am afraid we cannot sent [sic] people from here to Aldeburgh.

Two pages, 12mo. Very good. She is sorry that her correspondent should have 'taken the trouble to call twice & have found me out, but I am working at the school just now, & am very not returning as a rule until the evening | So I trust you will excuse my calling with kind regards to yourself & Mr. Middleton Walker'. Signed 'Constance Williams' and docketed in pencil, 'a very clever sculptor in wood'. Not traced.