ARTISTS

4to, 2 pp. Text clear and entire on lightly aged and creased paper. Explaining how disappointed he and his wife Maude were 'not to be able to get up to see the Windsor week end'. Salisbury was 'kept at home by people who wanted to see the Victoria Frescoes before they go to India'. He has been 'working on them night & day' as he received 'a cable message requesting four to be up in their positions for the Duke of Connaught's visit in January to the Memorial.?>

12mo, 2 pp, 18 lines. Good, on lightly aged and creased paper. 'Mr. Westmacott presents his Compts and has to acknowledge Mr Twinings polite letter'. Its delivery has been delayed 'owing to its incorrect address', 'Mr W. having left Wilton <& Co.?>. (and quitted the practice of his profession) for some years'. As for 'Engravings and Photographs' of Westmacott's works, 'very few were made'. Most of these were 'ill done', although he does name one with which he was satisfied. Consequently Westmacott cannot 'assist Mr. Twining in his object'.

8vo, 1 p, 14 lines. On lightly aged paper, with 9 cm closed tear (affecting a few words, but not the signature) neatly repaired on reverse with archival tape. A letter of condolence on the death of Mrs Slocombe's husband, 'after his long illness'. Salisbury is 'sure he must have had a very courageous spirit to the end - I remember it so well at the Academy Schools'. He suggests a firm that might be willing to buy 'the canvases etc you mention'. The letter links two artists who studied together at the Royal Academy Schools, and also establishes the date of Slocombe's death as 1906.

One page, 12mo. On ruckled paper with damage on reverse due to removal from mount. Text clear and entire. The autograph wasn't sent because Kelly was away. 'Why you want it I can't understand but since you ask for it: - here it is: -'.

Two pages, 12mo. Good, on lightly aged and creased paper. 'In the rush of finishing [his] Academy work' he finds Wright's letter 'among numerous others unanswered'. He will be returning to London in a fortnight 'and shall have great pleasure in sending you the bookplate together with an early one. Also my autograph &c.'

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

12mo: 1 p. On aged and creased paper, divided into two parts by a horizontal tear, which has been repaired with three paper labels. A square of paper from previous mounting (with 'Marochetti Sculptor' in contemporary hand) adhering to reverse. Accepting an invitation with the greatest pleasure and apologising ('je vous demande mille fois pardon') for not having been to tell her so. He did not know that she was there: no one told him anything and he thought her note had been sent from her house.

8vo: 1 p. Very good. He has 'pleasure in complying' with his correspondent's request. 'You may have seen a book I have recently published - "Retrospect of a Long Life" - and have learned that I am in the 84th year of my age - born on the 9th May 1800. | I am thankful to God for good health and for many other blessings.'

Paper dimensions roughly 2 x 5 cm. Good, although on discoloured paper, and mounted on piece of slightly larger discoloured paper docketed in pencil 'Sir Abm Hume'. Reads 'Free 274 | [signed] Abram: Hume'.

ITEM ONE: pencil sketch (roughly three inches square) of pensive woman in full dress seated on chair beside table with vase. Good. On reverse of part of envelope addressed to 'H. Wyatt Esqre. | Newman Street | Oxford Street' and postmarked in red ink oval '2 . A NOON . 2 | MY 4 | 1833'. Another postmark in black ink, and wafer still adhering. ITEM TWO: pencil sketch (roughly one inch by one and a half) of trees around long wall with spire in distance. On visiting card of 'Mr. Henry Wyatt' (the sketch over the word 'Wyatt').

Harper (1863-1943) was a writer and charming 'pen-artist'. His 'The Hardy country: literary landmarks of the Wessex novels' was published by A. and C. Black in 1904 and reprinted in 1911 and 1925. Quarto scrapbook of approximately fifty leaves. Leather half-binding in poor condition, worn and with much loss to spine. Internally very good, with minor spotting and discoloration. The cuttings, from newspapers as diverse as the Weymouth Telegraph and the New York Post, are mostly laid down, with several on slips of the Author's Clippings Bureau.

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

Picture postcard. Very good. Captioned 'Christo | Wrapped Reichstag, Project for Berlin [...] collage - 1987-1994'. Image in colour of the collage, with representation of wrapped Reichstag above map. The two signatures in black ink beneath.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

English artist (1855-1934) of the oriental school, a member of a family whose papers are in the Bodleian Library, Oxford. Two pages, 12mo. Very good, though grubby and on paper discoloured with age. He thanks her for her note and is sorry that she 'should have had any trouble about the bundles' Has heard 'on all hands that the Bargain went off extremely well', and hopes 'it was as financially successful'. 'The Egyptian called on me to-day and seemed much pleased with himself.' Hopes he 'behaved and acquitted himself well.' Signed 'Walter C Horsley'.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

Company founded in 1908 by Philip Lee Warner and Eustace Gurney, 'to bring artists' work to the appreciation of a wider public'. One page, quarto. Folded twice. Good, but slightly foxed and lightly creased. The typed message reads ' "The best of Prophets of the future is the Past" | With the best of wishes for future success.' The signatures are arranged in four columns. The inclusion of 'Cobden-Sanderson' is unexplained.

Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.

Miniature painter and chemist (1802-75) with Carlisle and Newcastle connections. The recipient (1794-1860) was a miniature-painter and member of the Royal Academy. Both letters in poor condition, on discoloured, worn and stained paper, but with no loss to text. In LETTER ONE (two pages, 12mo) he states his willingness to meet Ross 'to talk over the matter to whicy your letter of yesterday refers', undertaking to 'enage with Mr. Thorburn to meet us'.

British historical painter (1806-70). The recipient (1793-1865) was President of the Royal Academy, 1850-65. Dimensions of paper roughly four and a half inches by two. Good though creased. Reads '<...> | Very faithfully your's | Danl Maclise | Sir C. L. Eastlake PRA & & &'.

Anglo-Irish sculptor (1842-1924). One page, quarto. Good, on slightly discoloured paper. The embossment has been gone over in light blue pencil to bring it up. A couple of manuscript marks by Bruce-Joy for emphasis. Begins Offers to show his correspondent the 'colossal Statue of Mr. Oliver Heywood, which I have lately completed in the marble' (leaving for Manchester 'in a few days'), as well as 'the finished marble Statue of Mr. Whitley, M.P., for St.

English painter and sculptor (1781-1841). The recipient (1780-1860) was an English artist of Swiss descent. One page, quarto. Good, but with traces of previous brown-paper mount adhering to rear and minor damage to several corners. Reads 'My Dear Sir | When I asked you for an impression I had not seen the composition & had no idea that I was asking so much - believe me I feel very grateful for your kindness in putting me in possession of so very interesting a work - I do not mean to be understood as speaking of Lithography only.

Irish portrait painter (1769-1850), President of the Royal Academy, 1830-50. The recipient (1780-1860) was another portraitist. Two pages, 12mo. Very good. A grovelling apology. 'Judge of my remorse, and the extent of my self-reproach, when, though an Irishman, I have not the face even to attempt an apology!

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.