AUTOGRAPH

12mo, 2 pp. 13 lines of text. Good, on light-aged paper. He has been 'asked by many persons for copies of his speech at the Cambge. Union Socy.', and if 'Messrs. Macmillan cared to print it, he would revise it, no report having been correct'. He wonders 'whether the whole proceedings should not be added, with some of the newspaper letters which have been carried'. Milnes was created Baron Houghton in 1863. In 1866 Macmillan published 'The Cambridge Union Society, Inaugural Proceedings', edited by G. C. Whiteley.

8vo: 14 pp, paginated 114-127. Presentation copy, inscribed on first page 'With the compliments of the author.' First page stamped 'DIE SCHRIFT | III J. 3 NR. | VERLAG RUDOLF M. ROHRER, BRUNN.' On browned, high-acidity paper, with chipping and flaking to extremities of first leaf. Four facsimiles of handwriting in text.

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Tow pages, 8vo, good condition. "I was at Mitchells' today on my way to you- and proceeded as far as the end of Piccadilly - but time failed me, & I returned at 1/2 of 3 - I had business on the way which I thought to put through - So I send the scraps - which I had put into the envelope & in the right place - though not directed to you - I mean to be with you very soon after you get this - but, for the fear of some unlooked for hundrance I send - I have seen the notice in the Ill[usterated] Lond[on] News - very nice."

4to bifolium: 4 pages. Closely written. Very good, on aged paper. Address on the reverse of the second leaf, which carries two postmarks and a strong impression of his red wax seal. Wolff's letter to Combes covers the whole of the recto of the second leaf. His father-in-law Edward Weston having died eight years before, he desires 'the Business touching Mr Westons Legacy to my Children to be finally concluded on'.

4to, 1 p. Four lines of text. Good, on lightly-aged paper, with slight staining from paperclip in top left-hand corner. He thanks him for his 'very interesting letter': 'The photograph shows an agreeable, and perhaps distinguished building. I return the picture thereof, and wish you every success therein.'

Diarist and translator (1819-1871). Three pages, 12mo. N.B. " In 1844 [Callcott]succeeded Mr. Seguier as conservator of the royal pictures" (DNB). Caroline Fox, in lively style, congratulates him on his appointment and approves the discernment of the Queen and Prince Albert. A cold prevents her personally congratulating him but the next time she goes out "the gravel pits he lived at Kensington Gravel Pits] shall [be] on my way". She will inform Lady Holland that day, and Lady Lansdowne.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

12mo (leaf dimensions 18 x 11 cm): 2 pp. Twenty-one lines of text, complete and legible. On aged paper with some wear at head. Casting interesting light on the workings of the provincial Victorian booktrade.

12mo: 1 p. Very good on lightly-aged paper. Reads: 'The Marquis of Lorne presents his compliments to Mr Wright and thanks him for the copy he has sent him of "The Spanish Armada." Wright's 'The Spanish Armada: a descriptive historical poem' was published in Plymouth by G. P. Friend in 1874.

12mo, 3 pp. Bifolium on grey paper. Text clear and complete, on aged, creased paper with 9 cm cut along gutter. Sotheby's hand is particularly difficult, but he appears, on the suggestion of his partner Wilkinson, to be proposing that 'a man shall be up with you on Monday Morning - 1/2 past 9 he can tie up and purchase the books & for removal on Tuesday. This plan will be better than taking them away in one day. It will prevent the loose paper falling out.'

A correspondence with Clement Shorter concerning the placing of a statue of Oliver Goldsmith (a replica of Foley's in Dublin) somewhere in London. Shorter had suggested this in "The Sphere", etc. The collection comprises ten letters and three related newspaper clippings, dating 7 June 1912 to 27 February 1914.

Inscription, "Franz Molnar / Wien, 7.XI. 1923", copy drawing c.9 x 9cms, on page from an album compiled by Harry Woord Wolling, BBC producer(?), minor defects not affecting drawing or signature. Suitable for framing.

Stitched notebook, in original marbled wraps, containing 19 manuscript pages on ten leaves. Leaf dimensions 32.5 x 20.5 cm. On laid paper with Britannia watermark. Good, on aged paper, in worn and creased wraps. Text closely and neatly written, clear and complete. From the Tonyn and Paterson family papers, but not in Paterson's hand. Contains transcriptions, in Paterson's hand, of thirty-three orders, twenty-four of which are addressed to him personally, the other nine being general orders 'To the respective Captains Commanders & Commanding Officers of H.M. Ships & Vessels'.

12mo: 2 pp. On the rectos of the two leaves of a bifolium. Good, on lightly aged and spotted paper. Her letter has been handed to him by 'Mr Spender'. He would be 'very pleased to have the temperance cartoons circulated as post cards', and has asked 'the manager here' for a costing. 'Some of the cartoons I believe are being produced as posters by the Liberal Publication Department and by Temperance organisations.'

On a piece of wove paper, cut into a shape roughly corresponding to a 5 x 8 cm rectangle. Aged, discoloured and worn, with some of the autograph slightly smudged with blotting. The autograph of one of America's greatest poets. In Longfellow's small, tight hand, reads: 'With regards | Henry . W . Longfellow .' Thin slip of paper laid down on the reverse reads 'S. ENGLEFIELD COLLECTION | HENLEY ON THAMES'.

4to, 1 p. Fourteen lines of text, on the recto of the first leaf of a bifolium. Text clear and complete, on lightly aged and creased paper. Slight staining at foot of text (affecting part of signature), and on the reverse of the second leaf of the bifolium, which is docketed 'la renaudié | A. S.' He is sending an article on 'la Bibliotheque des voyages'. Asks that the article on the work entitled 'Des Beaux arts en Angleterre', 'que Buisson vous adressa il ya prés de Deux mois', be inserted. 'Je vous prie en grace de laisser ma Signature en entier.

12mo, 1 p. Good, on lightly aged paper. Asking Pingard, as Secretary of the Institut de France, to convene a meeting of the members of the 'Section de Géographie et Navigation'. Postscript: 'P.S. Je suis, connais vous, près <?> une Jambe.'

One page, 8vo, chipped and grubby, text clear and complete. Seventeen lines. The printed version incorporates the minor corrections made to the MS.

Part of letter, 11 x 4cm, faint staining, text illegible but clear, as follows: "I [amyrobedtSt | Rich Ford||".

On a leaf of pink paper, roughly 13.5 x 11 cm, removed from an autograph album. Lightly creased and with a thin glue stain along inner margin (not affecting text). The inscription, in a top outer corner, reads 'Noël Eadie | 21. 1. 24'. It is somewhat smudged, either having bled or been badly blotted.

On leaf (roughly 10 x 15 cm) torn from autograph album. Good, on lightly aged paper. Signed 'Hugo Rignold' with another signature ('John <?> | <?>') in pencil above it. Docketed in pencil.

On a fragment, roughly 11 x 16 cm, of a page of laid paper from a diary. Good, on lightly aged paper. Two signatures, under the heading 'July 22': 'Spencer <?> | Steuart Wilson.' Lightly docketed in pencil.

On piece of laid paper paper (roughly 11 x 16 cm) cut from diary. Good, on lightly-aged paper. Under the heading 'June 25'.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On a light-green leaf (11 x 14 cm) removed from an autograph album. Lightly aged and creased. Reads 'Hugh P. Allen | Nov 8. 1928'. Lightly docketed in pencil. Two other autographs on reverse.

On piece of laid paper (roughly 8.5 x 16 cm) cut from diary. On aged paper with wear and 1 cm closed tear at head. Clear and clean signature, beneath the heading 'July 17'.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.