CLASSICAL

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

12pp., 16mo (14 x 8.5 cm). Stapled. Printed in brown ink on shiny light-brown art paper. In good condition, lightly aged and worn, with slightly rusty staples. Photographic portrait of Wright on cover. Full-page biographical note on p.2. 'List of Compositions' on p.3. Pp.4-11 carry eight reproductions of the first pages of the sheet music of various compositions. The back cover (p.12) carries 'A Few Opinions' (Musical Mirror; Morning Post; Liverpool Post & Mercury; Music Teacher; Musical Opinion; Basil Maine).

Printed in blue ink on both sides of a piece of 12 x 15 cm grey card, folded once to make a 12 x 7.5 cm bifolium, with the outer covers individual pages and the central opening a double-page spread. In very good condition. A tasteful production, with each page enclosed within a ruled border, along the four sides of which are various details and offers.

12pp., 16mo. (12.5 x 9 cm). Stitched pamphlet on light blue paper, printed in dark blue ink. Very good. Seventeen testimonials, all dating from 1890, thirteen of them from Banbury. The first testimonial by the Vicar of South Banbury, C. E. Graham-Jones, and the last by F. G. Hughes of Birmingham, Member of the National Society of Professional Musicians; and including others by Frank H. Shayler of 151 Oxford Street [London] and Charles Coxeter, Junior, 92 Gower Street [London]. Scarce: no copy traced, either on COPAC or OCLC WorldCat.

8pp., landscape 12mo. Unbound stapled pamphlet. Printed in blue ink on paper which is blue on one side and pink on the other. Nearly fine. Blue covers, printed in fancy type, with the text on the front within a decorative gold border, reading: 'Music Library. | GORDON ADAMS, | 100, High Street, Kensington, | OPPOSITE STATION. | Tickets for every Theatre. Seats on Sale. | And at 9, Old Bond St., and 137, New Bond St.

The three items are in good condition, lightly-aged. The layout, design and typeface of the two calling cards is entirely different, although the text of both reads 'Bluthner & Co., | Pianoforte Manufacturers, | 7 to 10, Wigmore Street, Cavendish Square, London W.' Items Two and Three (the second calling card and the compliments card) are in the same typeface, but are of different design. ONE: Printed in red, with grey-green strips at head and foot, on one side of a 9 x 12 cm piece of white card.

Both items 1p., 16mo, and both in good codition, on lightly-aged paper. The first note reads: 'Mr. Charles Hallé presents his respectful compliments to Lady Blanche Drummond and would feel greatly obliged if she would kindly take his lesson to-morrow at 4 o'clock instead of half past three.' The second confirms the time for a second lesson.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

1p., landscape 12mo. In fair condition, on aged and lightly-creased paper. He begins: 'This is just a line to say how very good I thought your answer to Quintin Hogg.' He next turns to his desire for a meeting and 'walk in the afternoon', although he knows 'this is a long way off and you are very busy'. He ends with transport information and the news: 'However I am going away on Monday for 3 weeks.' The valediction is in Murray's autograph: 'Yours sincerely, | G. M.'

3pp., 16mo. 25 lines of text. Bifolium. Good, on lightly-aged paper, with slight traces of mount adhering to the blank reverse of the second leaf. The letter begins: 'Dear Miss Paget | Miss Martin has just forwarded me your note so I will send you a few lines to-night. I am very pleased you are singing my song on the 27th., & will be pleased to go over the song with you before the concert.' She gives details of her movements over the next few days before concluding: 'I hope it will not trouble you much to come out here -.

gb3pp., 12mo. Bifolium on mourning paper. Very good, on lightly-aged paper. He thanks her for the 'kind idea': 'My own dear girl is a talented & modest student: and some day may have to turn this to account. She is full of Music, and tho only 18 is the most reliable critic I know: always comes to a true & high conclusion.' He asks her to lend the girl her collection of sheet music, 'and then allow me to pass it on to some one else, when I meet with a fit recipient.' He was 'sorry to "lose" you in my lectures. I have a tolerable Cl I & a very good Cl II -'.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

Card, 11 x 9", stuck on to piece of blank paper with stamp hinges, carefully put together after having been torn into pieces, joints showing but text readable: "Dear Madam, | This letter of your late husband has turned up after my first answer to your request. so I send it in pursuance of your wish."

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

32pp, 8vo. In very good condition, on lightly-aged laid Whatman paper with watermarked date 1830. Ruled in pencil by Campbell, and written out in his attractive calligraphic hand. With occasional emendations, and with an entire revision of the twentieth page made by overlaying another leaf of paper over the top of the original with wafers in each corner. (The two versions can be separated from one another with ease.) Campbell's essay was the leading article in the first issue of 'The Metropolitan', published in London by James Cochrane and Co.

12, 1p. On bifolium. In black ink over pencil. Very good, on lighly-aged paper. Presumably a representation of the Roman wall fountain which could be seen when looking down from Crawford's bedroom at the Villa. The present item consists of a pen drawing, roughy 18 x 9 cm., covering the left hand side of a letterhead (the printed address being in the top right-hand corner). The drawing is detailed and attractive, in a late nineteenth-century style, showing a four-line inscription in Ancient Greek on a tablet set into the wall above the drinking fountain.

Letter: 1p., 12mo. In fair condition, on lightly-aged paper. Neatly laid down on a page detached from an album, with border. In response to a note from the recipient, he explains that the 'hurry of professional business' has prevented him from making the following statement: 'I beg to assure you that on Monday Jany: 25th.

2pp., 12mo. On bifolium. In fair condition, on lightly-aged and worn paper. Wood writes: 'Dear Mr. Williams | Will you kindly borrow from Mr. Pheasant tonight the 3rd Trumpet part of Rimsky-Korsakoff Ballet Music "Mlada" as there is a Tromba Alta part which according to the Score & as far as I can judge you can play, please take it home and let me know the result of your studies | Faithfully | Henry J. Wood'. In pencil at the foot of the second page, presumably by Williams, are a couple of bars of musical notation.

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

4to, 179pp. Very good, on lightly-aged paper. In lightly-worn original binding in blue cloth, all edges gilt, with 'THE LYRICS | OF HORACE | IN | ENGLISH RHYME.' stamped in gilt on front board, and 'THE | LYRICS | OF | HORACE' on the spine. A fair copy by Baring of his complete translation, paginated by him 5-183, without title or preliminaries (these were presumably intended to be written out on the two blank leaves which precede the translation).

2pp., 12mo. Very good, on lightly-aged paper. 36 lines. Harewood explains that he 'originally asked Mrs Rankl to think of someone who had known her husband for, at any rate, a portion of his continental career who would be prepared to review his career before he came to this country, and also to give some idea of what he had achieved since arriving here [...] when the moment came she had to say that there appeared to be nobody who had known him abroad who had the necessary musical qualifications. When I saw her about 10 days ago I said I would find someone myself.

On 8.5 x 11 cm piece of paper, cut from the bottom of a letter. In good condition, lightly-aged. Entirely in German's hand. The side of the letter with the signature reads: '[...] write you, & I hope we may be able to arrange a meeting. | Yours sincerely | Edward German'. The other side reads: '[...] you at Sidcup with the Georges many years ago. | I should be very pleased to meet you again, but at present I seem to be fully occupied [...]'.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.

1p., 16mo. Fair, on lightly-aged paper, and laid down on a leaf removed from an album. The note reads: 'Sir | can you offer me an engagement on either the 16th., 18th., 20th. or 24th. December, as I am engaged in your neighbourhood about those dates. | Requesting your immediate reply, | I remain, Sir, | yours truly | [signed] Erminia Rudersdorff | J. M. Wiske, Esq.'

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

2pp., 12mo. In a windowpane mount on a leaf removed from an album. The letter itself very good, on aged paper; the mount worn at extremities. He begins by informing the recipient that his 'last Letter has made ample atonement for the provocation of the preceding', and he has 'ever been the foremost, both in word & deed, to keep my wings in motion. I speak this seriously: my former note was only a temporary petulance'. The second paragraph begins: 'I must positively have another Paper for my Orators'. He has 'run to a fearful length, & yet have cramped myself all the way.

Both 2pp., 12mo, on bifoliums, and both good, on lightly-aged paper. Letter One: He is sorry Hammerton and his wife came back 'to a very cold & stormy time', but is glad that he could not 'inaugurate your History at present. I am too busy to do anything at it. Work only increases as the world grows older.' He gives the time of his setting of from London to 'Turkey via Bulgaria, hoping not to be shot on the way', and the address of Rev. Dr R. Frew, with whom he is staying in London. Letter Two: He thanks Hammerton 'for the S. Blake [a .