CLASSICAL

12mo landscape, on leaf of pink paper removed from autograph album, with one set of rounded corners. In good condition. Butt's inscription is above Rumford's, and large in comparison. Reads 'Clara Butt - | Rumford' and R. Kennerley Rumford | 11 Oct. 22.'

For more information about Stephen Manton Bradbury, or Stephen Manton as he was known professionally, see his obituary in The Times, 8 September 1970. The collection is in good condition, on aged paper. The correspondence from various figures in various BBC music departments, both London and regional, and in a variety of formats from 4to down to 12mo, breaks down to the following number of items per year: 1944, 8; 1945, 5; 1946, 30; 1947, 34; 1948, 32; 1949, 22; 1950, 11; 1951, 15; 1952, 1.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

4to, 4 pp. Bifolium. 87 lines. Text clear and complete. Fair, on aged paper, with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand, and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy, most of whom I may rank among my personal friends, and the pith of whose conversations, added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'.

On a rectangle of paper cut from the bottom of a letter. Fair, on aged and creased paper. Reads 'We are | Sir | Yours obediently | [signed] Adelina Patti | Carlotta Patty [sic]'.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

4to, 1 p. Text clear and complete. On aged and creased paper. He is returning the score, and asks Hedgely to 'copy the three voice parts of the two canons Criste Eleison & Crucifixus & the Voice part of the Soprano Song, Gratias Agimus', and to send the whole back 'as soon as you can finish them'.

Both letters are tipped in on a captioned sheet removed from an autograph album. Both items lightly-aged, but good. Item One: 12mo, 1 p. Inviting him to 'a small dance for Hubie' at a location 'lent by Miss Constable'. 'You need not dance!' Item two: 12mo, 1 p. Asking him to 'come fairly early' the next day, and to 'stay on after the children have gone & have supper - of a sort'. Refers to 'H's party'.

8vo, 2 pp. Leaf dimensions 21 x 16.5 cm. On good wove paper. 29 lines. Text clear and complete. On the first leaf of the bifolium, with the transcription, presumably by Twining, on the recto of the second. Addressed by Parr to Twining at Devereux Court in the Strand, on the reverse of the second leaf, which carries Parr's broken seal in red wax, and a postmark. In good condition, though a little grubby. Parr's handwriting is legendarily bad (he received a flogging at Harrow because of it, and never reformed), and although the transcriber has made a game effort, there are a few lacunae.

4to, 2 pp. In bifolium. Text clear and complete. On aged, spotted and worn paper. Docketed at head 'Augt 1788 - Heyne.' and, in another hand, 'Professor Heyne's Handwriting at Göttingen University'. Twenty-three items listed, beginning with 'Aristoteles de mirabilibus auscultationibus per Beikman', and ending with 'Plato. et Platonis argumenta per Tiedeman', and including 'Tibullus Heyne' and 'Epictetus Heyne'.

Printed on one side of a piece of laid paper, 24.5 x 20 cm. Text clear and complete. Fair, on aged paper, with 3 cm closed tear at edge along fold line. Nicely printed. Twenty lines in Latin, including five graces. The first reading 'Placeat vobis, UNDERGRADUATI, ut Dominum PROCANCELLARIUM non plus quam natura jamdudum est ludibrio habeatis.' In manuscript on the reverse: 'Ask William to translate the enclosed to you | All Well. | CL.' From the album of Rev. William Done Bushell (1838-1917).

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

Landscape 12mo (12.5 x 20.5 cm), 2 pp. Good, on lightly-aged and creased paper, with pinhole to one top corner. Concerning a meeting at the Society, Murray is 'so glad to hear that His Excellency, the Greek Minister has consented to take the Chair'. 'My lecture on Hellenism will be practically the same as that which I gave on January 21st to the Royal Institution, [...] I hardly think you will wish to print it again, [...] I did not know when accepting your invitation that you proposed to publish the lecture afterwards.

The six items good, on aged paper, with the copies of Luckhurst's letters lightly creased. Item One: Copy of Luckhurst to Wilson. 5 October 1948. 4to, 1 p. Asking whether Wilson 'would honour the Society by consenting to deliver the third [Cantor] lecture for which the title "Music - and the Audience" is suggested. [...] the first lecture in the series will be given on March 22nd by Mr. Benjamin Britten, and the second on March 29th by Sir Malcolm Sargent.' Gives details of arrangements and fee. Item Two: Wilson to Luckhurst. Typed Leter Signed. 8 October 1948. 12mo, 1 p.

12mo, 1 p. Good, on lightly-aged paper. Punch-hole in top left-hand corner. Replying to an autograph hunter, she states that she has 'signed the programme' and has 'much pleasure in returning it with every good wish'. Good, firm signature.

12mo, 1 p. Good, on lightly-aged and ruckled paper. He explains that the 'remaining dates of the 4tett Class had to be alterered', given the alternatives. 'I hope you will not be inconvenienced by that change and that you kindly will assent to it.' He gives the date of her next lesson, to which he looks forward.

Nachez's letter: 12mo, 3 pp. Good, on aged and lightly-ruckled paper. He is keeping his promise and sending the 'autograph of Lord Randolph Churchill, which I found in Norway during my last journey to the midnight sun'. He explains that 'Lord Randolph must have signed his name by his own hand into the Strangers list', because of the 'different handwriting of his private secretary Mr. Wm. Trafford'. 'The slip of paper is out of a book at the Hotel in Trondjhem.' The slip from the hotel register is roughly 8 x 27 cm, with six signatures on each side, including those of 'Dow.

12mo: 3 pp. Bifolium. 27 lines, written in a shaky hand. On creased, discoloured paper, and with some damage to the second leaf caused by careless removal from mount. Two irregularly-shaped closed tears on the second leaf, one to the left of the signature, have been neatly repaired on the reverse with archival tape. He is glad that his correspondent likes 'our Odyssey: the Iliad is less attractive. [...] I dare not remember all my books, but will ask Messrs Longman to send a list of what they possess. All are very unpopular.' He doesn't write in 'T.

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.