SWAN

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

Written in a crabbed, difficult hand. ONE: 20 July 1884. 2pp., 12mo. Bifolium. In good condition, lightly-aged. Apparently writing to the publisher of the translation, he thanks him for the copies he has been sent, expressing 'l'honneur que vous m'avez fait en entreprennant cette edition'. TWO: London, 6 March [1888?]. 1p., 12mo. In fair condition, on aged and browned paper. A short letter, referring to Leppington.

1p., 4to. On creased and lightly-aged paper, with wear and chipping to edges. She thanks him for his letter 'and for your offer of original potrait drawings by yourself', in which she was 'greatly interested'. She explains that there is a limitation of space, 'and as a general rule we are exhibiting portraits only when we can associate with them some other relic or possession of the writer concerned'. In response to 'our appeal' she has received 'souvenirs of past writers, and I am concentrating on these. This being so, I feel I must very reluctantly decline your interesting offer'.

The three items in good condition, on aged paper. The second letter is addressed to 'Messrs Sonnenschein & Co', and from the context the other two are clearly to the same recipients.ONE: 2pp., 12mo. He states that he would be 'willing to edit Perez's work provided that the translation is well done & that only a general revision of it is necessary', and that he 'could not undertake to correct a faulty piece of work'. He asks the publishers to send him the manuscript, 'so that I may judge, together with a copy of the original', and asks for their terms.

Totalling 5pp., 4to, with Seward's poem on the first 3pp., and Hayley's on the following 2pp. Disbound from a notebook. In good condition, on lightly-aged and worn paper which has been cropped at the foot, resulting in the loss of two lines of text from Hayley's poem, and with the strip with the trimmed line from the foot of the first page of Seward's poem laid down at the head of the second page.

Item One: Autograph Letter Signed from Richter to Swan. 1p., 12mo. In good condition, on lightly spotted paper. From the letter it would appear that in 1946 Richter was acting as one of the selectors for the 59th Exhibition of the Royal Institute of Oil Painters, at the Royal Academy of Arts, Piccadilly, London. He writes that he is enclosing 'the mighty deed [a book, as the letter explains], also the invitation for the exhibition at the Royal Academy valid from Feb. 13 to March 17.

In 1868 Joseph Swan (inventor of the incandescent electric bulb) set up the company to commercialise his patented process for producing permanent photographic images. Throughout the nineteenth century it was known as the Autotype Fine Art Company, It changed its name to the Autotype Company Ltd in 1923, and is now MacDermid Autotype. All five items are in good condition, on lightly-aged paper. Item One dates from before the company's move from 74 to 59 New Oxford Street in 1926; and the other four items from after the move.

3pp., 12mo. In fair condition, on lightly-aged paper with a thin strip of glue in gutter from previous mounting. Lankester complains that he has 'not received a copy of Mr. Sedgwick's translation of Claus' Handbook of Zoology'. He has 'a large number of students (annually over 60) at University College' to whom he would recommend the book if he had it. 'I should wish to be able to place it on the lecture table for them to see.' He claims that it is 'usual for publishers to enable teachers to do this kind of thing - by sending them copies of works likely to be recommended'.

8vo, 1 p. Good, on lightly-aged paper. In response to a 'kind note', Samuelson informs Sonnenschein that 'the next number of our Review, which will appear shortly, is to deal with the Irish question'. He has 'a very copious list of publications' and although he would have welcomed Sonnenschein's assistance, he hardly thinks it is worth his while at the present time to trouble himself over the matter, 'for reasons which I will explain to you some day'.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

12mo, 1 p. Twelve lines of text. Clear and complete. On aged and grubby paper. A formal letter in the third person. He has 'received with surprise the enclosed invoice. [not present] He has given no orders for any copies of the work & must therefore decline to accept the parcel, should it have been sent out to him in Australia.' If it is 'lying at his London house' he will forward it to the firm 'on his return home'.

Plain card, roughly 8.5 x 11 cm. Five lines of text. A little grubby, but good. Asking for his manuscript, so that he can 'correct the proof of the Introduction to Crashaw. It was written so many years ago that I can't always recall what I wrote'.

Printed on one side of a piece of laid paper roughly 320 x 190 mm. On light-aged paper, with slight discoloration, and wear to the fold line repaired on the reverse with archival tape. Twenty-one lines of text, clear and entire, with 'Hinkford Hundred, in Essex}' in the left-hand margin.

One page, 12mo, good condition, laid down on grey paper, through which, with the help of light, the name and address of the correspondent can be discerned. Yarrell says simply: "Herewith I send you the particulars of the new swan - for your minutes and proceedings." Yarrell was the first to describe the Bewick Swan (1830), and name it after his friend, Thomas Bewick. Presumably it is now the subject of a learned contribution to the Journal of the Zoological Society.

8.5 x 11 cms. Grubby and lightly spotted. Reads 'My dear Mr Sonnenschein | Kindly send draft as I can collect here - | Merrily Yours | Marshall P. Wilder'. Presumably refers to the English printing of his 'The people I've smiled with: recollections of a merry little life' (1889).

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

novelist (1859-1943). Paper dimensions roughly four and a half inches by two inches. Very good. From autograph album. Mounted on larger piece of pink paper. Reads 'Yrs sincerely | Annie S. Swan.'

Attractive illustration, in red, green, yellow and black, on piece of white card roughly nine and three-quarter inches by six and a quarter, neatly mounted on piece of black card roughly ten and a quarter inches by seven and three-quarters. At head a parody of the London Underground black rectangle over red circle, roughly six and a half inches by three and a quarter, bearing the notice 'ALIGHT HERE' in white letters. Beneath this the words 'FOR EVERY SMOKER.', with a red arrow at foot pointing to a box of Swan Vesta matches. Very good, though lightly foxed.