NINETEENTH

1p., 4to. Bifolium. In good condition, lightly-aged. Addressed on reverse of second leaf to 'Mr. Cathrall | Times Office | Manchester'. In reply to a letter 'requesting from me "an account of the origin and progress of the Manchester Agricultural Society"', he states that 'any information I possess is quite at Mr. Everett's service'. He suggests two times when Everett can call on him, and he will 'endeavour to promote his views in any way in my power'.

Two pages, 12mo, small closed tears at folds, mainly good condition. "Indeed I couldn't spare you on Thursday next the 15th instant at 6 o'clock. How is it that you did not [put?] this in your tablets. | You will meet in addition [at? the same party only Theodore Hook & Geo[orge] Hogarth. | How could I get on without you." Docketed by Jerdan, "R. Bentley | Feby 1838 | Gross flattery".

1p., folio. In good condition, with light signs of age. Addressed to 'Wm. Griffith Esqre. | Becket Street Chapel | Derby.' Informing Griffith that he has 'laid before My Lords Commissioners of the Admiralty the petition from the United Methodist Free Church, Derby, requesting the alteration of the 93rd. Clause of the Marine Mutiny Act'.

2pp., 12mo. Bifolium. In good condition, lightly-aged. Greenhill has offered to show Jerrold 'interesting rooms [...] with Thackeray associations', and Jerrold apologises for the circumstances preventing his acceptance of the invitation. 'The work in connection with the small Exhibition is much more than it seems and I fear the trying to fit this, or my portion of it, in with the must-be-done work of a busy penman has made me a shockingly neglectful answerer of letters.'

On one side of an 8 x 13 cm piece of paper. In good condition, with light signs of age, and central horizontal fold. Firm, bold signature, 8 cm long, with underlining flourish. Beneath the signature, in a small hand, is the message: 'M Guinot | M: Vigny vous adresse son nom pour vous remercier il ne connait pas votre adresse'. Addressed on reverse, 'à M. Eug. Guinot'.

On a gilt-edged piece of card, 13 x 11.5 cm., with rounded edges. In good condition, lightly aged. The illustration by 'E M W' on one side is printed in silver, yellow, light blue, grey and brown, and shows a snowy country scene with two tiny figures beneath a shining sun on a stone bridge over a stream. Captioned 'The Joy of Christmas be in your heart.' Cowan's eight-line poem, on the other side, is printed in grey, in variety of gothic fonts. It begins: 'Only its best and brightest history | May Memory relate you!

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

4pp., 8vo, paginated 1-4. On two bifoliums. Aged and worn, but with the text clear and complete. From the Adams family papers, which also include an extensive archive of Walton Adams's papers relating to the British Israelites. An interesting artefact relating to an important figure in the history of British photography. (See also his obituary in The Times, 15 June 1934.) Untitled and unsigned, the unpublished account begins: 'As I am now over 90 years of age I believe that I am the oldest living British photographer, my first Studio was opened in 1864'.

The collection consists of 21 typewritten articles, with some drafts of the same; two folders of miscellaneous typed and autograph texts, a cloth map, a folding card model of 'The Pyramid' and a diagram of the 'City & Temple to scale'. BACKGROUND: Walton Adams, the founder of a family of notable British photographers and artists, including his son Marcus (1875-1959) and grandson Gilbert (1906-1996), was at his death 'believed to be the oldest professional photographer in the country' and 'the first photographer to use dry plates' (see his obituary, Times, 15 June 1934).

4pp., 16mo. Bifolium. In fair condition, on lightly-aged paper. Addressed: 'Rev W Parish | R C.' For the background to this letter, which concerns the death of Heber's curate Martin Stow, see George Smith's biography of Heber (London: John Murray, 1895). The letter begins: 'My dear Sir, - | I am still here & in great perplexity at not receiving any letter from my wife or Miss Stow. It has occurred to Mr Masters that your Brother who is an excellent correspondent may have written to you since the news of poor Stow's death reached Calcutta'.

Both items are laid down on a leaf removed from an autograph album. Both in good condition, with light signs of age. The photographic print of Gladstone measures 9 x 5.5, with the head and shoulders image in an oval 7.5 cm high by 5 cm wide, and showing a middle-aged Gladstone with dark bow tie and frock coat, staring to the right.

Lengthwise on one side of 12 x 7.5 cm postcard. In fair condition, aged and worn, with two light postmarks over text, and the reverse carrying traces of paper and glue from previous mounting. Addressed, on reverse, to 'Miss Lewis | 10 Lower Sloane Street | London | S. W.', and redirected in another hand to an address in Essex. The message reads: 'Mr Gladstone with his compliments begs to thank Miss Lewis fo rthe presentation of her Translation and enters with much sympathy into the views she has taken of the deeper questions involved both in the Preface and the work.'?>

1p., landscape 8vo. In fair condition, lightly aged and worn. He thanks him for his letter, but as he is 'not doing anything with one act plays' at present, he states: 'I won't trouble you to send me the manuscript'. The Oxford DNB gives the name as 'Gerald Du Maurier', but the signature clearly reads 'Gerald du Maurier'.

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

1p., 12mo. In good condition, lightly-aged, laid down on leaf removed from an autograph album. Inviting him to dinner, if 'disengaged'.

2pp., 12mo. Bifolium. In fair condition, on aged and worn paper. He thanks de Boinville and his family for their 'kind wishes & feelings': 'I have thank God, quite recovered from my accident'. He is sorry that de Boinville and his wife 'have been suffering', and hopes to see them on his return to London. One of a batch of letters addressed to de Boinville in the 1850s.

1p., 12mo. In good condition, laid down on leaf removed from album. The note reads: 'The form of receipt is in the printers' hands. Addressed to Buller at the South Kensington Hotel.

1p., 12mo. Bifolium. In good condition, with light signs of age. He is enclosing a cheque for two guineas towards 'The Frederic Fund', and writes that he had 'the pleasure of often meeting Mr Harold Frederic at the Savage Club some years ago'. He was 'deeply grieved to hear of his sad & untimely end'. He hopes enough money will be collected to be an 'appreciable help to his widow & children'. The letter relates to a celebrated Victorian scandal. In 1884 Frederic had come to England with his wife and five children as the London correspondent of the New York TImes.

2pp., 16mo. Bifolium. In fair condition, aged and worn, with minor traces of glue along one edge from stub. Addressed on reverse of second leaf to 'Signor Massingham | Teatro di Principessa' [i.e. the Princess's Theatre, London]. The request reads: 'Al Reverendissimo Signor Massingham | Be pleased, I pray, | My salary to pay | To the ladies I send, | My very good friend. | I remain, (all alone) | Yours Truly - G Soane'. Soane's unhappy relationship with his father is described in both men's entries in the Oxford DNB.

For information concerning Wilton, who had previously been associated with P. T. Barnum, see W. J. Lawrence's 'Life of Gustavus Vaughan Brooke, Tragedian' (Belfast, 1892). From the 1840s Brooke had toured England with increasing success, being favourably compared with Edmund Kean and called by several critics the greatest tragedian of his day. Although somewhat wooden in delivery, he was blessed with a splendid voice, but this had begun to fail towards the end of the decade, and he had been forced to seek medical help. At the same time his heavy drinking did not assist his acting.

xii + 959pp., 8vo. With three fold-out family trees. Two continuously-paginated volumes bound together, and including title-leaf to second volume. In fair condition, aged and worn. In worn contemporary grey buckram half-binding, with marbled covers. A weighty piece of biblical exegesis. A family copy of an uncommon book, the volume descending to Tyrwhitt's relation Thomas Colmer.

The six items are all disbound and in fair condition, with light signs of age and wear. Items One and Five are not productions of the Society, but are closely connected with it. The first five items are scarce: the only copies of One on COPAC at Oxford and the British Library; no copy on COPAC of Two; the only copies of Three and Four at Oxford; Five is a galley proof; and Six only to be found at Oxford, the British Library, the LSE and University College, London. ONE: 'The Idea of an Oxford Modern Ethical Society.

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

On an irregular slip of paper, laid down on a landscape 12mo leaf. In very good condition, with light signs of age and wear. Beneath Schouw's signature, in an early nineteenth-century hand: 'Joachim Frédéric Schouw, célèbre botaniste, président de la chambre des députés, né 1789.' To the right of the signature and inscription is a simple line portrait of Schouw's head and shoulders, in the same hand as the French inscription.

61 + [3]pp., 16mo. Disbound. In fair condition, on aged paper. The last three pages carry advertisements of works by Waugh and Benjamin Brierley. Waugh's investigations in 'a quiet tract of country on the eastern border of Lancashire, lying in a corner, formed by the junction of the rivers Mersey and Irwell', involves him in meetings with ordinary folk, whose speech in the local dialect is recorded. Uncommon: five copies on COPAC, variously dated to 1867 and 1868.

2pp., 8vo. On bifolium. In fair condition, on aged and worn paper. Written in a difficult hand. Dated 'M<?> 7 Fevr 69'. Addressed to 'Monsieur & Mes colleguès'. He writes regarding the 'Commission de la Bibliothèque', and their direction that he send copies of their prospectus to 'M le <?> Hofman à Berlin', with reference to 'Mr B'. The sepia portrait photograph of d'Aubigné is 9 x 5.5 cm and appears to have been cut down, but is otherwise in good condition.?>

1p., 12mo. In good condition, on lightly-aged paper. He is enclosing an invitation (and puts the word in inverted commas) for the New English Art Club, and gives the date of the 'sending in day'. The New English Art Club was founded in London in 1885 as an alternate venue to the Royal Academy by young English artists returning from Paris.

[8] + 81pp., 8vo. In paper wraps and tracing-paper dustwrapper carrying the title printed in red. Internally in good condition; in aged and worn dustwrapper reinforced at spine with brown tape. Autograph additions throughout, including some on the endpapers, in pencil and black and turquoise ink. Also present are two pages of typewritten additions at the start of the book, regarding the 'Probable Origin of the Name Brentford', on both sides of an inserted 12mo leaf, on which printed slips of paper from p.3 of the book are also laid down.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.