ACADEMY

1p., 8vo. Good, on lightl-aged paper. He thanks her for her telephone call, and hopes to give 'an illustrated talk about my work from 1980 onwards and culmination of themes towards sculptures for Victoria Square'. He will 'touch upon my conscious concerns for outdoor pieces in public, and working with others'. He ends by giving the title of the talk, 'If it is not too late'.

3pp., 12mo. Bifolium. Watermarked 'JOYNSON | 1876'. Fair, on lightly-aged paper, with minor staining from mount at foot of second leaf. Written in a hasty, untidy hand. The recipient appears to be 'My dear Hornby', 'Horley' or 'Howley'. Faed writes that he is 'slaving away chopping and changing sometimes worse and sometimes better (I hope) on Saturday, Sunday, and Monday. 7th.

44 + [i] + [iii], 8vo. In original grey printed wraps. Fair: on aged paper, in worn wraps separating at spine (as is the bifolium carrying the first and last leaves). Ownership inscription at head of front wrap: 'C. L. F.' Numerous amusing illustrations in text, which is followed by a spoof 'Blank Page for School Boys and others to Sketch upon.' and three pages of advertisements. Further advertisements on inside of front wrap, and on both sides of back wrap. Scarce: the only copy of this undated first edition on COPAC at the V&A.

4pp., 12mo. Good, on lightly-aged paper. He gives his 'best thanks' for his correspondent's 'watchful kindness'. As his 'acquaintance with Academicians is very limited', he has 'not yet solicited any one to propose me at the R.A.', and he 'would gladly accept Mr. E. M. Ward's obliging offer - and think Mr. G. D. Leslie or Mr Dobson would second me'. He made 'such a mistake' the previous evening, by going to the Vestry Hall, Chelsea. He found, 'on reading the circular again how I had erred'.

1p., 12mo. In good condition, with slight discolouration from glue. Reads: 'Mr Eastlake presents his compliments to Mr. Mauld & begs to enclose a half sovereign for the young lady on whose behalf Mr. Mauld has applied to him. | 7. Fitzroy Square | Octr. 28. 1850.'

1p., 12mo. Good, with the blank second leaf of the bifolium having slight staining from mount, and having laid down on it a newspaper cutting headed 'DEATH OF SIR C. EASTLAKE', docketd 'E & T Dec 26/65'. The note reads: 'Sir Chas Eastlake presents his compts. to Mr Whitaker & begs to inform him that Mr Millais' address is No. 7. Cromwell Place | Kensington. S.W. | 7. Fitzroy Sqr. (London) | Feby 5 1863.'

1p., 12mo. Good, on lightl-aged paper. He regrets that 'absence from London' will prevent him from 'attending the lecture' of his 'old friend Dumaurier', to whom he wishes 'every possible success'. He thanks the recipient for 'the compliment implied' in his invitation. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

Iv + 224pp, 8vo. Ownership inscription of 'Jennifer Samuel 16.12.58'. In good condition, lightly-aged and worn. The diary is arranged with two days to a page, and with fourteen lines available for each entry. Seven pages of 'cash account', giving expenditure from January to July, at end. Almost without exception, each page is fully filled in, mostly in pencil.

1p., 4to. Bifolium. Very good, on lightly-aged paper, with slight traces of mount on reverse of second leaf, which is addressed, with three postmarks and docketing by Spencer, to 'Knight Spencer Esq. | Surry [sic] Institution | Blackfriar's Road'. Gregory is pleased to learn 'that there is a probability of Mr. Jones being able to accommodate us with apparatus for our proposed Lectures, upon such terms as are likely to square pretty well with the funds of the Surry Institution'.

8pp., 12mo. On four bifoliums, placed inside one another to make a booklet. Each bifolium with embossed [West Point?] letterhead of a letter 'W' within a shield. A fair copy, with the title reading: 'Benny Havens, Oh! | as sung | by the | U.S. Corps Cadets - | 1864.' The twenty-two line introduction covers the whole of the second page.

2pp., 4to. Good, on lightly-aged paper. Written in a difficult, crabbed hand. The 'gentleman' Children has sent him 'is somewhat in the circumstances of Mr H<?>. He appears to possess some mathematical Knowledge; but to have adopted visionary Systems of Physics'. He goes on to describe the man's theory, which is 'contrary to probability' and 'in opposition to all previously existing opinions'. In a postscript he states that he has had a 'second interview'. The engraving of 'Davies Gilbert, Esq. M.P. P.R.S.' is by J.

1p., 8vo. Bifolium, addressed, with red ink postmark, on the reverse of the second leaf, to 'Capt. A. Partridge | Middletown | Cont.' Good, on lightly-aged paper. Written during the three years that Partridge's American Literary, Scientific and Military Academy was situated at Middletown.

12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'

12mo, 4 pp. Bifolium. 57 lines. Text clear and complete. Fair, on aged and lightly-creased paper. Weekes is by far the most likely of the four Royal Academicians whose initials correspond to those of the recipient of this letter, the others being Henry Tamworth Wells (1828-1903); Henry Woods (1846-1921); Hubert Worthington (1886-1963). Well-written and entertaining letter, addressed to 'Dearest old Boy'. Begins with a discussions of the merits of 'Scilly as a sketching ground'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

8vo, 2 pp. Bifolium. Thirty-five lines. Text clear and complete. Good, on lightly-aged paper. Second leaf addressed, with postmarks, to 'Dr. Pultenely | Blandford | Dorset', and docketed by Pulteney. Signed 'John Aikin'. He thanks him for 'the offer of assistance'. He only has 'one of the three books you mentioned, & should be very glad of the perusal of Anthony's apology, & Jones on Buxton baths'. The books willl be 'carefully returned, with my best acknowledgments to the gentleman who favours me with the loand of them'.

12mo, 2 pp. Bifolium. Written out in one hand, and signed 'Bradley & Co' in another. Addressed to 'W. F. Stocks Esqre | Glen Elwy | St Asaph. | Flint[shire]'. Thirteen lines. Text clear and complete. On foxed and lightly-aged paper. Giving the firm's 'charge for receiving unpacking & delivering pictures to the R.A. or other London Exhibitions' and for 'collecting repacking & forwarding', as well as the dimensions of pictures for which these charges apply.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on aged paper. Providing a 'recommendation as a teacher' for his correspondent, 'in the neighbourhood of Leamington'. 'My observation of the progress you have made, during your studentship at the Royal Academy enables me to state, that, you are, in my opinion fully competent to undertake the teaching of the elementary branches of art'. From a small archive of Walter F. Stocks's correspondence.

12mo, 1 p. Ten lines. Clear and complete. On bifolium with mourning border. Fair, on aged and discoloured paper. Endorsing the application of Walter F. Stocks for 'the vacant professorship of landscape painting in Queen's College'. Stocks 'has been an exhibitor at the Royal Academy for many years' and Calderon 'has admired his paintings on our walls'.

12mo, 2 pp. Twenty lines. Text clear and complete. In bifolium. On aged and discoloured paper, with small closed tears along central fold lines of both leaves. A reference, 'bearing testimony to your perfect efficiency as a teacher of landscape painting possessing, as you do, the first and greatest requisite, namely a power to sketch beautifully from nature, your success should not be short of great. [last word underlined]' Apologises for not answering sooner, caused by 'the loss of your card'. From a small archive of Walter F. Stocks's correspondence.

12mo, 2 pp. First leaf of letter only. On worn aged paper, with slight loss and chpping to extremities. Docketed by Melville in red at head of first page with date 'Feby 1829'. Begins 'Sir Thos. Lawrence presents his Compts to Captn. Melville Grindlay, [...]'. Thanking Grindlay for the gift of 'his Works from the Scenery and Architecture of India; and from the Sculpture in the Cave Temples of Ellora'. Lawrence has 'received great pleasure from the frequent inspection' of the works. Ends abruptly, at foot of second page, 'and very particularly, from the view <...>'.

8vo, 2 pp. Leaf dimensions 21 x 16.5 cm. On good wove paper. 29 lines. Text clear and complete. On the first leaf of the bifolium, with the transcription, presumably by Twining, on the recto of the second. Addressed by Parr to Twining at Devereux Court in the Strand, on the reverse of the second leaf, which carries Parr's broken seal in red wax, and a postmark. In good condition, though a little grubby. Parr's handwriting is legendarily bad (he received a flogging at Harrow because of it, and never reformed), and although the transcriber has made a game effort, there are a few lacunae.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Blomfield would be pleased to join Dollman, but has 'already promised my subscription to Pomeroy' (presumably acting as steward for a rival dinner). Addressed to Dollman at Hove House, Newton Grove, Bedford Park.