MANUSCRIPT

Twenty-one of the twenty-two maps are stapled into a buff card folder, bearing on the cover, in manuscript: Maj. V. S. Duncan-Jones. | Tunisia | 1/200,000'. The twenty-second map loosely inserted, as is Jones's autograph letter to Pitt. In fair condition, with light signs of age and wear. The bound maps, all of which are in colour and all around 50 x 33 cm., are numbered in pencil 1 to 23, with 16 and 20 lacking.

107pp., 4to. With each of the play's three acts bound with brass studs in separate grey paper wraps, with typed labels on covers. Internally in good condition, with light signs of age, in aged and worn bindings. With a handful of minor manuscript corrections. ' Aimé des femmes! Pièce en trois actes' by Maurice Hennequin and Georges Mitchell, was published in Paris in 1922..There is no record of Burton's adaptation having been published.

An interesting collection, giving an insight into theatre practices in post-war Britain. Hartnoll is commissioned by the actress Freda Jackson, then at the height of her popularity, to produce an adaptation of the play, Jackson gets impressario Jack Hylton and producer Anthony Hawtrey on board, and there is the inevitable falling out between the actress and the author, with Macqueen-Pope, who is acting as Hartnoll's agent, playing the mediator, as matters become acrimonious.

[1] + 62pp., folio. On rectos only. Bound with metal studs into yellow card covers, with the spine reinforced with cloth tape. In fair condition, lightly aged and worn. Loosely inserted is a five-page carbon typescript describing 'Approximate number of costumes necessary'. Also inserted is a typed page beginning with an 'Extract from letter from Sir Donald Wolfit: 8.7.58. | At the moment it looks like an opening date in the second half of September out of London for six or seven weeks first. Mr. Laurence Irving will be in touch with you in the near future for a preliminary discussion'.

[1] + 32pp., 4to. Bound with brass clasps in grey paper wraps. On aged paper, in worn binding. A 'Duplicate Carbon Copy', with the stamp of Miss Dickens's Type Writing Office, 3, Tavistock Street, Strand. The first of the play's four acts. Text typed on rectos only, with stage directions in pencil on facing versos, and with numerous emendations (presumably by Brandon) in pencil throughout, including the deleting of a number of passages. Facing the first page is a pencil diagram of the stage setting.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

[1] + 19pp., 4to. Unbound, on leaves attached with a brass stud. Title-page reads: 'LIFE'S LITTLE LAUGHS. | BY | HERMAN FINCK.' In good condition, on lightly aged and creased paper. The introduction reads: 'Laugh, and the world laughs with you. Cry, and the world laughs at you. Here then let me set down some things of humour that I remember, some of my own which have appealed to my friends, some of my friends' which have appealed to me.

144pp., 4to. Stapled into red card wraps, with typed label on cover. A carbon copy with label of the London typing bureau Curtis and Page. The play was published in London by Victor Gollancz in 1941, with a second edition from the same publisher in 1954.

149pp., 4to. Carbon copy. On rectos of leaves only, and bound in a buff card folder with metal clasps. Internally in good condition, on lightly-aged paper, in worn binding. The play centres around 'the "Hibiscus" night-club, one of those London resorts which are alike the despair of Social Reformers and the delight of the Forces when on Leave. It is situated somewhere between Berkeley Square and Dover Street.' The typescript is clearly an actual play and not a radio play, but there is no record of it having been performed on stage.

242pp., 8vo. With autograph emendations throughout. Unbound and stapled into chapters. In good condition, with light aging and rusting of staples. Typed title-page, with the book said to be written 'By Richard Hearne. Assisted (and sometimes hindered) by interpolations from "Mr.

102pp., 4to. Typed on rectos only, and bound with pink string in grey card wraps with white paper label. Internally in good condition, on lightly-aged paper, in worn wraps. Extensive manuscript emendations throughout, and with a manuscript passage (1p., 4to) on leaf loosely inserted, for adding to p.21. The title-page of the play is revised, with the typed title 'Nature is so Coarse' replaced by the manuscript 'Plain Clothes', and the author's name 'M. Willson Disher' replaced by 'All the Worst Authors'.

86pp., 4to. With each of the three acts bound into separate grey wraps, with typed labels on covers. Internally in good condition, on aged paper, in worn and aged wraps. This unpublished anonymous translation predates the one by Sara Tracy Barrows, with an introduction by Ludwig Lewisohn, published in New York by Doubleday in 1916. There is no record of an English production.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

The present item is anonymous, but is certainly an early draft of 'The Suffrage Girl', the play written by film pioneer Percy Nash while an executive at Selfridge's department store in London, and performed by the store's employees in 1911 at the Court Theatre. (For more information see E. D. Rappaport's 'Shopping for Pleasure: Women in the Making of London's West End' (Princeton, 2001), as well as S.

93pp., 4to. Bound with pink ribbon in buff card wraps. Creasing to front cover and first few leaves, otherwise in good condition, on aged paper, in aged and worn wraps. Ownership inscription on front cover and title-page: 'Robins MIllar | 9 Park Quadrant | Glasgow C3'. A high-society comedy, set in London. No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

107pp., 4to. Stapled and attached with pink ribbon. Aged and worn, with last few leaves detached, with worn front cover only also detached. With a couple of manuscript emendations. Millar begins a full-page introduction: 'The mood of this play is gay comedy. | It arises from the threat of gossip in a small country town.' No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

De Cordova was a voluminous author (see his entry in Who Was Who). Several of the couple's works were adapted for the cinema during the silent era. Of the four items present here, 'The Man in Mourning' was published in the Green Book Magazine, February 1916, and de Cordova's entry in Who's Who 1914 lists 'The Earthquake' among 'seven sensational dramas for the London Hippodrome'. No record has been found of the other two pieces. Four duplicated typescripts. In fair condition, with some wear and aging. ONE: '"The Earthquake" A Dramatic Sketch by Alicia Ramsey and Rudolph de Cordova'. A play.

Item Three below does not name the translators, while Items One and Two do not. Item Three has the characters' names anglicised and the text more stilted than that of One and Two. In fair condition, lightly aged and worn. ONE: Typescript of the whole play, with each of the three acts bound separately. 127pp., 4to. The first two acts bound in grey card wraps, with typed labels on covers, the unbound leaves of the third act attached with a brass stud. First two acts with stamp of Miss Christian of the Trafalgar Type Writing Office, London.

148pp., 4to. Bound with pink ribbon into grey card wraps with typed label on cover. In fair condition, on aged paper, in worn and aged binding. Pencil note on title page states '40000 words'. An interesting piece of social history during wartime. In a foreword Macqueen-Pope thanks a number of individuals for their assistance, adding that 'the leading characters in this real life story must perforce remain anonymous'.

For more about Corrie see his entry in the Oxford DNB, which states that 'His most effective mature work, A Master of Men, about the conflict between a mine manager, the mine owners, and the miners, was performed by the Glasgow Citizens' Theatre in 1944.' 111pp., 4to. On paper of various colours. Autograph title-page: 'English Version | A Master of Men | A Play | Joe Corrie | Hill's Hotel | 41 Princes Sq. | London W2 | Tel. Bay. 0118'. (Many of Corrie's plays were written in Lowland Scots.) In good condition, lightly-aged, in worn buff card wraps. With a few autograph emendations.

'The Bird of Paradise', Tully's best-known play, is set in Hawaii during the 'Revolutionary Days of the Early Nineties'. It was the subject of what the New York Times called 'one of the bitterest plagiarism suits on record'. A schoolteacher named Grace Fender was initially successful in her claim that it was based on her play 'In Hawaii', but the case was reversed on appeal. It was first produced in Rochester, USA, in December 1911, with productions at Daly's in New York in 1912, and the Lyric Theatre, London, in September 1915. A total of 158pp., 4to.

39pp., 8vo. On good thick Whatman paper, dated 1874, in luxurious black embossed leather binding by J. Y. Knight & Co. of Leeds and London, with brass lock by Bramah (lacking key). In very good condition, in worn binding. Stamped in gilt on front cover is 'PRIVATE MEMA. | A. H. PAWSON'. On the first page Wedgwood has written: 'Cicely Veronica Wedgwood. | Her Book. | presented to me in March 1933 | by | A. H. P. | born 20th. July 1910 | educated | Norland Place School. 1915-1926. | Lady Margaret Hall. 1928-1931 | London School of Economics. 1932-5'.

Brook's 1949 production of 'Dark of the Moon' was praised by the critics, and favourably compared with a rival production of 'Oaklahoma!' 'I'm not sure', Brook wrote, 'whether it's a good thing to be original in the theatre. The critics slated my Romeo and Juliet for being too original, but they applaud the quality in Dark of the Moon.' J. C. Trewin, in his 1971 biography of Brook, states that the play had attracted Brook's attention 'when he saw pictures in an American magazine and observed with rapture that there were witches in the cast.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

74pp., 8vo. Stapled duplicated typescript, with pages on rectos only. In fair condition, with moderate signs of age and wear. Light staining at head, and discoloured title-leaf detaching. A few minor manuscript emendations, and '-Debel' added in manuscript to the translator's name. 'La Princesse Americaine' was first performed in 1963, and like Aloni's other early work was influenced by the European Theatre of the Absurd. An English translation of the play appeared in 1980, but OCLC WorldCat has no record of the publication of a French translation.

168pp., 4to. Pages typed in black and red (by Active Secretarial Bureau, Wardour Street) on versos only. Bound in grey card wraps, with red tape spine. Typed title on cover, with circular red label of 'British and Continental Plays Ltd'. The main characters include the unnamed members of a continental royal family, together with 'Baroness Sibyl Konigsmark' and 'Section-Leader Grumb', and the scene is set at an Old Castle and Summer Palace, and 'Late in June of the year 1941. Three o'clock p.m.' and periods shortly following.

136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.

An interesting sidelight into a neglected area of Joachim scholarship, the 'Joseph Joachim - biography and research' website containing no references at all to Macirone. Joachim's acquaintance with England (where his elder brother Henry settled) had begun while he was still a child, when his teacher Felix Mendelson (himself a prodigy) had brought him to the country, where his playing caused a sensation. 14 letters, in fair condition, on aged and worn paper. The combined letters total 34pp. in 8vo and 12mo, with Joseph Joachim's eleven letters consisting of 25pp. of this amount, of which 15pp.

114pp., 4to. Typescript by May Hemery Ltd in black and red ink, with pages on rectos only. In black card covers, with label on front. In good condition, with light signs of age and wear, in worn covers. See Steve Nicholson, 'British theatre and the Red Peril: the Portrayal of Communism 1917-1945': 'Originally called 'Face to Face', 'Comrade Detective' was translated, designed and produced by Herbert Marshall on the suggestion of the wife of the Soviet Ambassador.

Typescript, Paginated 76pp. but a few added, eg p.25a, cutting in places), 4to, clipped into brown folder (label partly removed '"The Play Box", Plays Placed, etc'), chipped, fold marks, sunned. Text dulled and stained in parts, but clear. With extensive additions and corrections in Cammaerts' hand, virtually every page, ranging from excising lines and paragraphs to one or two words to sentences to four lines. Note: "The International Theatre's production of M.