MANUSCRIPT

Both items are laid down on a leaf removed from an autograph album. Both in good condition, with light signs of age. The photographic print of Gladstone measures 9 x 5.5, with the head and shoulders image in an oval 7.5 cm high by 5 cm wide, and showing a middle-aged Gladstone with dark bow tie and frock coat, staring to the right.

1p., landscape 8vo. In fair condition, lightly aged and worn. He thanks him for his letter, but as he is 'not doing anything with one act plays' at present, he states: 'I won't trouble you to send me the manuscript'. The Oxford DNB gives the name as 'Gerald Du Maurier', but the signature clearly reads 'Gerald du Maurier'.

1p., 12mo. In good condition, lightly-aged, laid down on leaf removed from an autograph album. Inviting him to dinner, if 'disengaged'.

2pp., 12mo. Bifolium. In fair condition, on aged and worn paper. He thanks de Boinville and his family for their 'kind wishes & feelings': 'I have thank God, quite recovered from my accident'. He is sorry that de Boinville and his wife 'have been suffering', and hopes to see them on his return to London. One of a batch of letters addressed to de Boinville in the 1850s.

1p., 12mo. Bifolium, addressed by Peake, with broken seal in black wax, to 'Mr Gardner | Globe & Traveller Office | Strand'.

All six items in good condition, with light signs of age and wear. In 1886 Hester, the author of the first two reports, had been described in the London St James's Gazette as 'a miner of experience in the Quicksilver mines of California'. His two reports are crude in comparison with those of Mallett and Irvine. ONE: Autograph Report Signed by 'Sam L Hester | Manager'. Kilkivan, 8 April 1898, on letterhead of the Freehold Goldfields of Queensland, Limited. 3pp., 4to. Addressed to 'C E Morton Esqr | Secretary | D-Albevelle Estate'. Receipt stamp dated 12 April 1898.

1p., 12mo. In good condition, laid down on leaf removed from album. The note reads: 'The form of receipt is in the printers' hands. Addressed to Buller at the South Kensington Hotel.

1p., 12mo. Bifolium. In good condition, with light signs of age. He is enclosing a cheque for two guineas towards 'The Frederic Fund', and writes that he had 'the pleasure of often meeting Mr Harold Frederic at the Savage Club some years ago'. He was 'deeply grieved to hear of his sad & untimely end'. He hopes enough money will be collected to be an 'appreciable help to his widow & children'. The letter relates to a celebrated Victorian scandal. In 1884 Frederic had come to England with his wife and five children as the London correspondent of the New York TImes.

2pp., 16mo. Bifolium. In fair condition, aged and worn, with minor traces of glue along one edge from stub. Addressed on reverse of second leaf to 'Signor Massingham | Teatro di Principessa' [i.e. the Princess's Theatre, London]. The request reads: 'Al Reverendissimo Signor Massingham | Be pleased, I pray, | My salary to pay | To the ladies I send, | My very good friend. | I remain, (all alone) | Yours Truly - G Soane'. Soane's unhappy relationship with his father is described in both men's entries in the Oxford DNB.

For information concerning Wilton, who had previously been associated with P. T. Barnum, see W. J. Lawrence's 'Life of Gustavus Vaughan Brooke, Tragedian' (Belfast, 1892). From the 1840s Brooke had toured England with increasing success, being favourably compared with Edmund Kean and called by several critics the greatest tragedian of his day. Although somewhat wooden in delivery, he was blessed with a splendid voice, but this had begun to fail towards the end of the decade, and he had been forced to seek medical help. At the same time his heavy drinking did not assist his acting.

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

1p., 4to. Bifolium. Addressed on reverse of second leaf, with postmarks, to 'Thomas Hill Esq | New Inn'. In good condition, lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club, and its being uncertain whether, or no, it can any longer hold its deliberative meetings at its accustomed place of redevous [sic] - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

2pp., on bifolium with leaf dimensions 36.5 x 28 cm. On thick wove paper. In good condition, lightly-aged. The attractive calligraphic testimonial is on the recto of the first leaf, and is laid out in a sort of modified Gothic script, with initial capitals in red and gold. It is headed in large script 'To Ralph Griffin, Esq., F.S.A., | Registrar of Designs and Trade Marks.', with the date at the foot.

2pp., 4to. In good condition, lightly-aged, folded into packet. 34 lines of text. He begins by expressing his pleasure on Bateson's 'kind attention in naming me one of the God Fathers to your little Boy' [the future Conservative MP Robert Bateson (1816-1843)]. He next turns to the agricultural crisis: 'The accot. you give me of the state of the North of Ireland is very distressing under these circumstances. I feel no inclination to witness it by visiting my Estate there this Summer.

The game was played on 21 November 1934 at Pittodrie, Scotland winning 3-2. 2pp., 12mo. on two leaves removed from an autograph album. Each team's autographs on a separate page. Both leaves in good condition, lightly-aged. ONE: On page headed 'Scotland Team', carries 14 autographs: 'C Napier [Charlie Napier (1910-1973), Celtic] | Alex Massie [ (1906-1977), Hearts] | | Pr.

The six items are all disbound and in fair condition, with light signs of age and wear. Items One and Five are not productions of the Society, but are closely connected with it. The first five items are scarce: the only copies of One on COPAC at Oxford and the British Library; no copy on COPAC of Two; the only copies of Three and Four at Oxford; Five is a galley proof; and Six only to be found at Oxford, the British Library, the LSE and University College, London. ONE: 'The Idea of an Oxford Modern Ethical Society.

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

116pp., 4to. (Paginated to 117, without a p.95, but with no text lacking.) No prelims. Each page typed on a separate leaf, and the whole bound together by string through punch holes. Text complete. Dog-eard and worn, with the first two leaves separated from the rest. No record discovered of author or title. The play is set during the Second World War, and begins: 'Afternoon fourclock ... Late spring ... side of road, North Cork district six miles from town of Kilneesh, Irishman trying to fix a tire ... car protruding from wings showing a flat.

All items in good condition, with minor signs of age. The drafts are both printed on yellow paper. Each is 4pp., 4to. The two appear the same textually, but one has two slips of paper with amended text attached, and the autograph emendations to the two are different from one another. Also present is a leaf from 'Lifewise' magazine, November 1993, with one page carrying Pitt's memoir, accompanied by a photograph of Wodehouse being interviewed at Tost by Angus Thuermer. The piece begins: 'I first saw P. G.

118pp., of which the first 102pp. are in 4to, and the last 16pp. in folio. Stapled into red card wraps. Ownership inscription on inside front cover: 'Padraic Fallon, | Prospect, | Wexford'. Internally in good condition, on lightly-aged paper, in heavily-worn wraps. The story is set among race-horse trainers in Ballinasloe in 1936. There is a curious example of typewriter slippage in the last line but three on the last page: '[...] and the woods and 5h3 5o2nw in 2hifh h3 hqe wp3n5 hiw lir3. Qne [...]'.

On an irregular slip of paper, laid down on a landscape 12mo leaf. In very good condition, with light signs of age and wear. Beneath Schouw's signature, in an early nineteenth-century hand: 'Joachim Frédéric Schouw, célèbre botaniste, président de la chambre des députés, né 1789.' To the right of the signature and inscription is a simple line portrait of Schouw's head and shoulders, in the same hand as the French inscription.

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. In a markedly difficult hand, Borrow explaining that he cannot write without discomfort. Apparently relating to a disagreement Snow has had with his landlord, who, according to Borrow, should have 'shewn some little compassion | It would do him good to give him this opinion from one who knows your honourable & upright demands and your hard struggle to live by your Brains - the hardest of all struggles'.

3pp., 4to. Bifolium. In good condition, on lightly aged and worn paper. Addressed (with broken seal in red wax) on reverse of second leaf to 'Archibald Campbell Esq | Army Agent | Regent Street | London'. The letter begins: 'I have just seen a Letter from the Widow of the late Stuart Campbell with a Copy of yours to her, recommending her to try, the effect of circulating Subscription Papers amongst the Friends of her late Husband, and certainly there appears little chance of obtaining any other Relief for her and her destitute Family'.

2pp., 8vo. On bifolium. In fair condition, on aged and worn paper. Written in a difficult hand. Dated 'M<?> 7 Fevr 69'. Addressed to 'Monsieur & Mes colleguès'. He writes regarding the 'Commission de la Bibliothèque', and their direction that he send copies of their prospectus to 'M le <?> Hofman à Berlin', with reference to 'Mr B'. The sepia portrait photograph of d'Aubigné is 9 x 5.5 cm and appears to have been cut down, but is otherwise in good condition.?>

1p., 12mo. In good condition, on lightly-aged paper. He is enclosing an invitation (and puts the word in inverted commas) for the New English Art Club, and gives the date of the 'sending in day'. The New English Art Club was founded in London in 1885 as an alternate venue to the Royal Academy by young English artists returning from Paris.

94pp., 4to. Bound through punch-holes into green card 'Ludgate File'. Text on rectos only. Several addresses given for Burton in manuscript on cover of folder, and another at foot of first page. In good condition, on lightly-aged paper, in aged and worn file. Next to the phrase 'Adapted from the French' Burton has added in autograph 'Very roughly', with 'Note: - Costume or ordinary modern dress' at foot of first page. A few minor autograph emendations to the text.