CENTURY

On one side of a 5.5 x 20 cm strip of laid paper, cut away from the bottom of a letter. In good condition, on lightly-aged paper, with traces of mount adhering to the reverse. Reads, in a firm attractive hand: 'Yours very sincerely | John Hassall.'

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

34pp., 12mo. Side-stitched in original printed wraps. In good condition, unopened, on aged and dusty paper. Scarce: the only copies on COPAC in the British Library and National Library of Scotland.

xl + 112pp., 12mo. In original buff printed wraps. In good condition, on lightly-aged paper, in worn wraps, with front wrap becoming detached and chipping to the spine. Fulton's memoir, on pp.v-xl, has the drophead title: 'In Memory of the late James A. Begg, Bookseller, Argyle Street, Glasgow. A Discourse by William Fulton. Sunday, 3d January, 1869. Scarce: no copy in the British Library, and the only copy on COPAC at the Bodleian. Of Bain's careet Fulton writes on p.xxxlii: 'James A. Begg was born in Paisley, at the beginning of this century.

90pp., 12mo, paginated 39-128. Side-stitched in original printed wraps. Long prefatory note by Begg on inside of front wrap, dated 'GLASGOW, December 12th, 1843.'; both sides of back wrap advertising books by Begg. In fair condition, on aged paper, in worn and grubby wraps, with back wrap detached. Scarce: no copy of this separate lecture on COPAC, and the only copy of the two lectures bound together (under the name of the first, 'The Value of Prophecy') at the British Library.

On one side of a 5 x 8 cm piece of paper, cut from a letter, and backed with card. In good condition, lightly-aged, with the top two corners rounded. Reads: 'I am | Gentlemen | Your very obed Sert | [signed] Geo Combe'.

On one side of an 8 x 10 cm piece of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. Reads: '[...] being that very many things demand my attention that have already waited too long. | Yrs. sincerely | Frank Dicksee'.

The autograph address by Eva Marie Garrick is on a 7.5 x 14.5 piece of paper, laid down on an 8 x 20 cm piece of paper cut from an album. In fair condition, aged. Lightly-scored through by the postal authorities, it reads: 'The Rigt. Honorable | Dowr. Lady Amherst | Leven Grove near | Stokerley | Yorkshire'. Beneath this, in another hand: 'Widow of the celebrated David Garrick Esq', and along one edge, in a third hand (Lady Amherst's?), 'This direction was written by Mrs Garrick in the year 1819 when in her 92d year'.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

1p., 12mo. On laid paper with 'Pro Patria' watermark. In good condition, lightly-aged and dusty. Headed 'September 25th 1732' and docketed on reverse 'Account of Linen in 1732 of Bn. & Eliz. Adams.' Thirteen items, beginning with 'There is eleven pair of Linneng [sic] sheets' and ending with 'There is 1/2 a dozen of Dypers naptkin for night Caps'. The Northumberland origins of the Adamses is not referred to in the document, but is clear from one which accompanied it. The document derives from the papers of Benjamin Adams's descendant, the Alnwick solicitor Thomas Adams.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

On both sides of a piece of 8vo paper, folded vertically to make a bifolium with 31 x 9.5 cm leaves. In fair condition, aged, worn and with a short central closed tear unobtrusively repaired with archival tape. Docketed 'Acct. of the Funeral of [blank'], and elsewhere in another hand 'Benja Adams | Benja Adams'. A total of 78 individuals are named (including six deleted) over three narrow pages, with 32 (including three deleted) on the first page, 6 on the second, and 40 (including three deleted) on the third.

On one side of a piece of 11 x 22.5 cm card. In fair condition, aged and a little worn, with one crease. Crude but attractive design, within a thick-thin border, depicting a gymnast within a sylvan setting, holding a laurel wreath over the head of a bald and bearded figure (presumably Schlieder). To the gymnast's left is a large banner bearing the motto: 'FRISCH FROMM FRÖHLICH FREI'.

2pp., 4to. In poor condition, heavily-aged and with loss to a few words of text caused by chipping to extremities. Smith thanks him 'le Chevalier' for his 'obligeant cadea vos traits et rappelant ainsi l'expression de la bienveillance, la Philanthropie et l'esprit d'observation qui vous caracterisent'.',>

Printed in black on one side of a piece of thick laid paper, 30.5 x 19.5 cm. Aged, and separated into two parts by a neat tear along a vertical fold line 13 cm from bottom (repaired on reverse), and with slight wear at the head. An attractive and characteristically Victorian design, entirely drawn onto the stone (i.e. none of the text set in type). The design displays a quirky and charming amateur energy, with the text within a decorative border incorporating what appears to be 'IOD POONA' at the foot. Headed by the words 'STATION THEATRE .

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

Both items in good condition, dusty on lightly-aged paper. ONE: Headed 'Little Ryle June the 12 1732 | an account of what my plate come two that I take with me from ye house'. Docketed on the reverse: 'Account of Plate and other Things taken from Little Ryle to Acton in 1732. by Elizabeth Collingwood'. 1p., folio. Twenty-one items, beginning with 'for my Coffie pote fourteen pound ten shillings' and ending with 'for six brickfast [sic] plates of nine shillings | in all eight pounds eleven shillings'.?>

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

1p., 8vo. On yellow paper. On lightly-aged paper, with slight wear and creasing along one edge, and thin stub from previous mounting adhering to the reverse. The poem is twenty lines long, arranged in five stanzas, and signed at the foot 'George Steele Seymour'. Beneath this, in Seymour's hand: 'Special greetings to Mrs.

344pp., 4to. 26 essays (one of them in two parts), comprising 332pp. in manuscript and 7pp. in typescript, with three full-page illustrations, and five printed pages at the start. In good condition, on lightly-aged paper, in worn and rebacked blue buckram binding, with an elaborate design in the style of Walter Crane in gilt on front board, depicting a Grecian maid plucking apples, incorporating the words 'The Portfolio Socy.', a Latin motto and the date 1894. This design is duplicated in print on the recto of the first leaf of the volume, with the date '189' completed with a '4' in pencil.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

2pp., 12mo. 27 lines. E. H. Sieveking was the son of Amalie Sieveking's brother Edward, who in his youth had settled in England as a merchant. In the letter she requests her nephew's assistance in the case of Miss Lempfert, 'as you are her only personal acquaintance in London'. She writes: 'I hope, you will remember her; but to help your memory, I will mention to you, that during your stay at Hamburgh she was living with her friend, Emma Poel [(1811-1891), her future biographer, see below]. If I am not mistaken, you had once or twice an interesting conversation with her.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

1p., 12mo. Good, on lightl-aged paper. A short letter, in which he thanks Brett-James for writing to him 'about the Macmillan speech': 'I really feel badly at having put you obviously to so much trouble'. He suggests that Brett-James sends him 'the tape' and lets him 'have it transcribed here, by my secretary'.

The image is 9 x 5.5 cm, mounted on brown card, 10.5 x 6.5 cm, printed on both sides in red, with large facsimile of Disdéri's signature on reverse. In fair condition, somewhat aged. Page is shown seated at a table with a sculpture of a stag on it, with legs cross and the sole of his left show showing, smoking a pipe. In addition to being an MP, Paget held several positions in the Royal Household, acting as Equerry to Queen Victoria from 1837 to 1841. The present image is not among the four representations of Paget in the National Portrait Gallery collection.

16mo, 36pp. Printed in small type. Disbound. In good condition, on lightly-aged paper. A separate title-page may have been printed on a front wrap, now lacking. The pamphlet begins in stirring style: 'The conflict between labor and capital becomes more and more the struggle of the age. On both sides there are titanic powers engaged in what appears to be headlong and indiscriminating war. There may be now and again a lull in the contest - there may be some kind of truce proclaimed - some good sort of people may approach the combatants andn induce them for a season to lay down their arms.

xii + 56 pp., 12mo. Disbound. In fair condition, on lightly-aged paper. Presentation inscription on half-title: 'W. W. Hull Esq | With the Authors | Respects'. Uncommon: four copies on COPAC (not counting the 'electronic resource' ones).

2pp., 12mo. On bifolium with mourning border. Very good, on lightly-aged paper. He will be 'very happy, if it suits the Committee, to present a Cup somewhat similar to that they accepted fm me last year - as the Paxton Cup.' He prefers to leave the conditions to them, and asks for 'due notice when the time of the Regatta is fixed'.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.