ART

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.

Printed in black and red on one side of a piece of 14.5 x 20.5 cm brown card. Designed in a style showing the influence of Art Deco. Within a decorative border with floral corners. Text, in capitals, reads: 'Wedgwood | Aztec Lustre | On the original cane body | Reminiscent of the brilliantly coloured | pottery made by the Aztecs, a cultured | race who inhabited Mexico and the | northern part of South America | before the Spanish Conquest in 1520.'

Medium-length unpaginated volume, 16mo. With ten fold-out plates (Perugino, Raphael, Giulio Clovio, Paolo Veronese, Rubens, Nicolas Poussin, Jean Marc Nattier, Thomas Gainsborough, Raeburn, Francois Millet). In printed wraps. On aged and worn paper, in heavily worn wraps. 118 items, well described, with prices.

Medium-sized unpaginated 8vo. With frontispiece, one plate, and reproductions in text. Stitched, in printed card wraps. Internally in good condition, on lightly aged and worn paper, in grubby, aged and worn wraps with slight loss to one corner of back cover. Subtitle reads: 'With special significance to Linguistics, History, Politics and Economics, covering the Five Centuries of Mexican Civilization from the Aztec Period to the Present Time'. Descriptions of 1580 lots sold over five sessions. Catalogue preceded by three-page 'Resume of the collection written by Mr.

Printed in black on one side of a 12.5 x 17 cm card. In fair condition, on aged and creased paper, with a little light staining. To the right of the page is an illustration by Tenniel of Mr Punch holding Yorick's skull, while a pug dog looks on. Text reads: 'Sir John Tenniel requests the honour of a visit from [blank] and friend, On Saturday, March 30th, To the Private View of some of his Drawings for "Punch Cartoons," etc., At the Fine Art Society's, 148, New Bond Street. 10 to 6 o'clock.'

1p., 4to. In good condition, on lightly aged and creased paper. With Royal Society stamp of acknowledgement. Written on behalf of Crouch, who is 'desirious of securing recognition by the R.S.A.', and who has 'supplied us with many designs of high artistic merit or many years and has made a considerable contribution to theh success of our fine art productions.' He praises the 'originality of design and the high artistic merit of his work', and considers that 'his work for industrial art deserves the highest recognition', being 'easily recognizable' and in a 'style distinctly his own'.

1p., 12mo. In good condition. In stamped envelope addressed by Dicksee to 'Shirley Slocombe Esq. | 27 Warwick Gardens | Kensington | W.14'. He apologises for his late reply to Slocombe's 'kind congratulations', explaining that he is 'faced by over 500 letters all needing answers'. Dicksee was knighted the following year.

1p., 12mo. In good condition, on lightly-aged paper. He acknowledges receipt of a cheque for 35 guineas, for 'the small drawing of Constantinople', adding that 'Prince Hohenlohe called and saw it here today, and liked it very much'. He ends with the news that he has engaged 'Heffer to call here for it, & pack & send it to its destination'.

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

The first item with discoloration to the first leaf; the rest in good condition, lightly aged. ONE: To Miss Macerone. 15 March 1866. 3pp., 12mo. Bifolium. He is sorry he missed her earlier, it being 'such a rare thing for me to be out at that time of the afternoon'. He has been 'nearly wild with rheumatism lately', and is 'taking some hot air baths'. He is 'obliged to be at 40 Gt. Marlborough St. at 5 O'Clock' and trusts that 'another bath or two will make me fit to work for I am most shockingly behind hand for the Gallery'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

Document, typed, three pages, sm. fol., good condition. A "Mr. Benoist" of 36 Piccadilly (where he provided luxury food: CUISINE, CHARCUTERIE ET COMESTIBLES "FRANCAISES, on behalf of the proprietors of the Grafton Galleries, facilitates the letting of the Galleries to "Messrs Montague Morris and V. Fodor of 12 Talbot House St Martin's Lane". The document is signed by Benoist as Director of the Galleries, and by "Montague & Fodor". Clause as follows: 1. & 2. agreement that "picture and Fine Art Exhibitions" allowed from 20 Oct. 1908 to 25 Dec.1908; 3.

3pp., 12mo. He is pleased to find that Scharf is 'making progress with the catalogue and with identifying the pictures'. He thanks him for sending information 'on various points', and assures him that 'Ash [...] will be most ready to carry out anything for you'. Scharf's 'Catalogue Raisonné; or, A List of the Pictures in Blenheim Palace; with Occasional Remarks and Illustrative Notes' was published in London in 1862.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

Print: 16.5 x 12 cm. Plate: 19 x 16.5 cm. Paper: 21.5 x 20 cm. In fair condition: aged and worn, with 8cm closed tear unobtrusively repaired on reverse. Depicts Figg and another with weapons on a platform, with a crowd looking on from pit and gallery. Text reads: 'James Figg | Master of ye Noble Science of Defence | on ye right hand in Oxford Road | near Adam & Eve court teaches Gentle- | men ye use of y[e] small backsword & |Quarterstaff at home & abroad'. Copy in the Metropolitan Museum of Art, whose description provides information.

Each of the sets of two engravings on a separate strip of paper, each roughly 7 x 15.5 cm. Printed in black. In good condition, lightly aged and worn. The three strips laid down on the same side of a 35.5 x 26 cm leaf removed from an album. In pencil in a contemporary hand at head of page: 'Anaglyptographic Engravings', and beneath the second strip, 'William Hogarth 1697-1764', and beneath the third, 'Christopher Wren Born 1632. Died 1723'.

4pp., 8vo. Bifolium. Disbound. A frail survival, on aged paper, with chipping to gutter and extremities.

All items in fair condition, on six pieces of lightly aged and worn paper. ONE: Black ink pencil drawing, signed in bottom left-hand corner '"King Lear" | Peter Ustinov'. On 38 x 27.5 cm paper. Striking caricature of a hawkish and hairy Lear, eyes blazing, clutching his crown in his right hand while a courtier looks on from the bottom right. TWO: Black ink drawing, captioned by Ustinov at bottom right 'Carlo Goldoni'. On 38 x 27.5 cm paper. A head and shoulders portrait of a bewigged Goldoni, staring impishly to his right.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.

Printed, 4pp., 8vo, fold marks (partly stained), sl. chipped, mainly good condition. 243 paintings listed, with prices. Paintings selected from various sources from Manchester (243) to Edinburgh (15) to the RA (8), etc. A shilling ticket gave entry to a lottery.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

One page, 12mo, black border, speckled (foxing?) and smudged, text clear although hand difficult. She tahnks him for enquiries and tells him all are "fairly well". She has heard form a Mrs Coben that "Coben is very ill" and encourages him to visit him, giving him directions and expressing sympathy with the wife.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

11pp., 4to. With three plates and five figures in text. Paginated 292-302. Stapled in card wraps. Inscribed on front cover: 'with best wishes | B.A.R.C.' The only copies on COPAC at the Warburg Institute and V & A.

1p., narrow 12mo. In fair condition, lightly aged and worn. He explains that he has 'not written since my Vol in 1920 any Book on Le Blond except the one just published of which I enclose the Prospectus & do not contemplate any other'. He points out the differences between the two volumes and ends with an offer of help.