ENGLISH

4pp., folio. Paginated 1-4. Unbound bifolium. On aged and worn paper, with chipping to extremities and closed tears along folds. Docket title: 'The Yearly-Epistle, 1761.' Marginal subtitles include: 'Theh Salutation', 'State of the Meeting', 'Account of Sufferings', 'Account of fthe Prosperity of Truth' and 'The Conclusion'. Ends: 'Signed in and on Behalf of the Yearly-Meeting, | By William Fry, | Clerk to the Meeting this Year.' No copy in the British Library, and now scarce.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

3pp., 12mo. Bifolium with mourning border. In fair condition, on aged and worn paper. She apologises for the delay in writing, explaining: 'my hand has been dreadfully lame, & I have no secretary'. She explains that she has spoken to 'Mr. Craufurd' regarding the cottage, but that there is 'an old lady here, the widow of a farmer, a certain Mrs. Mead, who is supposed by Mr. Craufurd to have a prior claim'. She discusses whether Mrs Mead truly wants the cottage, and the possibility of making alterations to it, ending with remembrances to the recipient's father and mother.

Green folder. [4] + iii + 89pp., 4to. Each page on a separate piece of paper, and the whole enclosed in a folder, on which Lister has written his name and address, and 'Prester John | R. P. Lister | 1st Carbon'. In very good condition, lightly aged, in aged and worn folder. With two-page 'Note to the Publisher' and page of 'Contents', the latter with dates pencilled alongside the 25 sections.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

15 x 21 cm print laid down on 17.5 x 23.5 cm piece of card. Faded and aged, with wear to extremities of card (not print) and staining to reverse. The men are posing in four rows, in front of a large window in a brick wall. They are hatless, and wear single-breasted jackets with seven gilt buttons at the front, with black belt and metal buckle. Four numbers embroidered on either side of collars. In the centre of the group is a sergeant. Most of the men sport moustaches, and many pomaded hair and centre partings. From the papers of the gunsmith C.

On piece of 9 x 14.5 cm card. In fair condition: aged, lightly-stained and with traces of mount adhering to reverse. Reads: 'To | Lord Jeffrey | With Kind regards from | Thos: Hood'.

ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. TWO: Typed Note, signed on behalf of T. Van Heerden, Head of External Services, SABC. 16 March 1972.

Collection of eleven items. In fair condition, lightly aged and worn. ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. With a few manuscript emendations by Moore in black felt-tip pen, and other editorial emendations.

Print: 16.5 x 12 cm. Plate: 19 x 16.5 cm. Paper: 21.5 x 20 cm. In fair condition: aged and worn, with 8cm closed tear unobtrusively repaired on reverse. Depicts Figg and another with weapons on a platform, with a crowd looking on from pit and gallery. Text reads: 'James Figg | Master of ye Noble Science of Defence | on ye right hand in Oxford Road | near Adam & Eve court teaches Gentle- | men ye use of y[e] small backsword & |Quarterstaff at home & abroad'. Copy in the Metropolitan Museum of Art, whose description provides information.

In two columns, on one side of piece of 50 x 30.5 cm paper. Aged and worn, with chipping and loss to margins. Two pencil notes in margin: 'this was ommitted [sic]' and 'the truth acquired mostly forgotten'. Clearly not intended for publication, and apparently the advice of a knowledgeable and well-educated man of scientific bent to his family, regarding the future of 'Charlie' (his grandson?). A reference to Clifton College may suggest a West Country origin. The piece begins: 'The subject of Education is in a great state of confusion, and great diversities of opinion exist about it.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

Both transparencies negatives on plastic sheets. The two images attached by a thin vertical strip of Scotch tape. On the right (22 x 14.5 cm) the image of the ragamuffin boy fisherman, with net and rod, looking to the left. On the left (22 x 16.5 cm) his young sweetheart, with fishing nets aand lace apron, waving a lace handkerchief. His image with caption (old Breton poem): 'Dear God be good to me | The sea is so wide | And my boat is so small | Sold in aid of the R.N.L.I.' Her image with the same caption, but with the word 'his' replacing 'my'.

three pages, 12mo, bifolium, fold mark, good condition. Not an easy hand. Docketed with her name and the date of the letter. She is delighted at the invitation but can't attend the concert since she'll be in North Wales at the time, and "for some months". She would like to offer the ticket to a friend of her "dear son Alfred who has just come from Australia [ ...]. We live so retired in our hill that we see but little - almost nothing of the world [of society?] or I should have occasionally, nay very often, the pleasure of meeting you [...] [Postscript] I do not know if Tennyson is in town.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

One page, 4to, bifolium, damp-stained, one leaf partly stuck to second blank leaf, text clear and complete. "Under the present state of politics I am not to suspect you have any altered sentiment respecting our sapient Rulers, & that I do any thing injurious to your feelings when I propose to you to continue yr support to yr old friend by renewing your proxy. I should have submitted my name instead of Ld [Sd's?] but I am too uncertain an attender to be intrusted with your vote.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

Watson's translation of 'La Cantatrice Chauve' (1950) was first published in London by Calder in 1958, and his version of 'Le Salon de l'Automobile' (1951) by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style, on rectos of leaves, and stapled together. ONE: 'The Bald Prima Donna'. 19pp., 8vo. In good condition, on aged paper, with somewhat-appropriate child's markings in black ink on blank parts of first page.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

16mo. 1p. In fair condition, with slight traces of glue from mount. He has received Dyer's 'parcel p[er] Coach', and informs him that his party is 'expected at Mr. Fry's' on the following day. He is returning with the letter 'all the Books you first forwarded for Mrs Jacksons inspection'.

Around 190 items, fifteen of them loosely inserted. (The firm was already a century old at the time this material was assembled, boasting that it was 'established the year after Waterloo', 1816.) Contained within a sturdy album of grey paper (dimensions 48.5 x 33.5 cm.), stitched with string into covers with brown cloth spine. Label on front cover: 'ADVERTISEMENT FILE. | CHAS. THURNAM & SONS.' In manuscript on label: 'OLD MATTER | NOT TO BE DESTROYED'.

22 + [1]pp, 8vo. Unbound, and stabbed as issued. Last page carries an advertisement for five books 'Just publish'd in Octavo'. In fair condition, on aged and worn paper, with wear to fore-edge, and loss to bottom outer corner. Text entirely undamaged, apart from a tear through two words on the last page. The dialogue between the well-spoken curate and the dialect-spouting cobbler, on the subject of 'the Election-Business', takes place at 'the Cobler's Shop'. Seven copies on COPAC, but now uncommon.

2pp., 8vo. 29 lines of neatly-written text. In fair condition, on aged paper, with two 5 cm closed tears to leaf. Addressed to 'My dear Marshall'. He regrets that his letter should contain 'so truly painful an account of the state of your family & affairs in the West Indies', but was 'glad to receive it, since after my last communication I was at a loss, not seeing you in Oxford, to explain your silence - I hope at some future occasion, I shall see you again under my roof'.

2pp., 12mo. Bifolium. With mourning border. In fair condition, on lightly aged and ruckled paper. Declining a dinner invitation and expressing regret at not being able to call, being 'very much occupied'.

Both sets of proofs unstitched and unopened (and both opening out into a folio sheet), and both with title-pages printed in red and black. Both in very good condition, on lightly-aged paper, and both stamped on first page 'PLEASE PASS FOR PRESS | MARGINS' in blue, with purple oval dated printers' stamp. FIRST SET: 16pp., 8vo, paginated to xvi. Title: 'THE WORKS OF MR. FRANCIS | RABELAIS | [...] | Illustrated by W. HEATH ROBINSON | The Second Part'. Publishers' details at foot on pasted label at foot of title-page: 'MCMLIV | THE NAVARRE SOCIETY LONDON'.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

Pp.[3 title]-27[1 blank], 8vo, disbound, presumably missing hf-title, title and final blank dingy, small hole on p.27 with loss of part of page number and a couple of letters. ESTC R205565. Multiple copies in British and US libraries. No copy currently on the market.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).