ENGRAVING

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

Of the fifteen items in this collection thirteen are in very good condition, lightly-aged, the two others, both photographs, are in fair condition, creased and aged. The typescript is 12pp., foolscap 8vo, on eleven leaves, pinned together in one corner.

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

1p., 12mo. Good, on lightly-aged paper. Addressed to 'J. Sainsbury Esq'. The letter reads: 'Dear Sir | My friend, Mr Charles Smith, is engaged by Mr. Colborn to engrave the portraits of Sir Hudson Lowe, Madame Bertrand and M.

Letter: 2pp., 4to. In good condition, on lightly-aged paper, in a windowpane mount. Addressed to 'Mr Georges | East Beach St | Hastings'. He begins by explaining that he did not call on Georges while in town as he was indisposed, and goes on: 'with respect to the drawing it is a portrait of a game keeper in the service of Charles Dixon Esqre Stanstead Park the identical drawing was never exhibited but about five years since I had a longer drawing of the same figure with more game dog and other matter, painted for the above gentleman'.

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

1p., 4to. Bifolium. In very good condition, on lightly-aged paper. Addressed on reverse of second leaf 'To Mr: Pennant | Downing in Flintshire', with two postmarks, and carrying a fair impression of his seal, cracked but intact. The letter reads: 'Sr | The portrait of ye Admirable Crichton is very near finished - I shall send you a proof in a few Days - Shall be oblig'd to you - for what writing you propose under the Head - that I may get it done in theh neatest manner'.

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

1p., 16mo. In good condition, on aged paper. Addressed to 'David Roberts Esqre. R.A.' The letter reads: 'Sir | I will relinquish all claim on and interest in the plate I am engraving fom your picture of Jerusalem and make it over unconditionally to you on your paying me the sum of Fifty pounds. I hereby bind myself to this offer until tomorrow'.

Both items in good condition, on lightly-aged paper, with slight rust spotting. Manuscript: 12pp, 4to. On twelve leaves, paginated 1-12. With emendations and corrections. Note at head of page: 'Dates & title meant to be typical only: subject to revision from collection catalogue etc & to fit later details of book.' Also at head of page, in red pencil: 'Aquatint collection draft first chapter'. Manuscript: 9pp., 4to. On nine leaves attached with stud (last leaf loose).

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

2pp., 12mo. Bifolium. Good, on lightly-aged paper, with reverse of second leaf laid down on part of leaf removed from album. Addressed to 'Fredk Chapman Esq', the letter reads: 'My dear Sir, | Will you hear what Mr Swaine [sic] (long since principal engraver upon Punch) has to say & if you can serve him you will oblige | Yours very truly | Mark Lemon'.

11 x 17.5 cm., with the original margin of the print, with caption, trimmed away, and the engraving laid down on a piece of 24.5 x 30.5 card. From the papers of Marie de Grasse, Lady Evans, wife of Sir Francis Henry Evans, and originally Marie de Grasse Smith, daughter of Hon. Samuel Smith of Albany, New York. In pencil on the mount: 'Albany 1837.'

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

3pp., 4to. Fair, on lightly-aged paper, with slight smudging to outer margins of both leaves. Addressed to 'My dear Jack'. He is pleased to have heard from Driberg, but disappointed that there is 'no immediate chance' of seeing him, as he has not 'strayed from home for moons.

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

Plate: Portrait of 'Peter Morris, M.D. | Printed at the Ballantyne Press'. 'Painted by John Watson. Engraved in alto relievo by W. Lizars.' Dimensions of plate 10.5 x 9.5cm., on 12mo leaf. The frontispiece to the first volume of the 1819 Ballantyne edition of Lockhart's 'Peter's Letters to his Kinsfolk'. In fair condition, on foxed paper. Letter: 4pp., 12mo. On bifolium. Fair, on aged paper, with remains of stub adhering to margin.

Nicely printed on laid paper, on sheet folded to make a bifolium, with the facsimile of the letter on the reverse of the first leaf, and the photograph of Bridges facing it on the recto of the second. As he is unable 'to write personal thanks to each of the many friends who contributed to honour my 80th birthday by their lovely gift', he asks them to accept the photograph 'as a memento'. 'Apart fr.

Each wIndow is 22 x 20 cm, with a central 16 x 14 cm panel of white glass, surrounded by a border made up of eight pieces (2 x 2cm corner squares with stars in orange glass, connected by 2 x 14cm rectangular purple panels). Each window has a set of two metal loops at head, for hanging. Metal frame rusted on both, and two border panels cracked on one, otherwise in good condition, with both white glass reliefs undamaged. The two housed in a contemporary silk-lined black leather box with brass clasps.

3pp., 12mo. Good, on lightly-aged paper. A friend of Lupton's 'has just arrived from Paris with a few choice matters, among others is as I understand an extraordinary Collection of Autographs'. Lupton told his friend that Trench was 'no buyer, but from your knowledge of such matters you could advise him'. The autographs 'consist of official documents connected with the Custom House & Police from the time of the first revolution (1790) to the present date, and about a hundred letters'.

89pp, 4to; consisting of half-title, title, three-page introduction by Rylands, seventy-three page unpaginated facsimile of the main work on consecutive pages, and eleven pages (each with a blank reverse), each carrying a hand-coloured plate. On watermarked wove paper, with top edge gilt, and other edges deckled. Good, on aged paper (first and last pages dusty), in recent black-cloth quarter binding, with grey boards and white label on spine.

8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

2pp., 8vo. Good, on lightly-aged paper, with two unobtrusive pinholes to second leaf (not affecting text). He is sending the 'matter' to Bramief 'as an earnest of my good nature, for I think I am somewhat justified under the circumstances in the impression that you have been a trifle <?> and exacting.' He still considers the form of is second letter 'was all that you could reasonably have asked for and that the request for so called "copy" was especially needless in the facce of the fact that it was in any event to be trusted turned, cut and otherwise subdued to suit your requirements'.

4pp., 12mo. Fair, on lightly-aged paper. Addressed to 'My dear friend', and with the name of the recipient obliterated from the valediction: 'Will you give my sincere and grateful remembrances to your noble hearted husband? and believe me | dear <...> | Every affectionately, | [signed] Charles Swain'. He can put off 'the evil day' no longer, and must now 'give in to circumstances' and reluctantly inform her that he cannot come and visit.