ENGRAVING

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

8vo: [ii] + xxiv + 178 + [ii] pp. With half-title, and final leaf containing two pages of 'New Publications printed for T. N. Longman, No. 39, Paternoster-Row.' Frontispiece, becoming detached, of 'Catherine II. Empress of Russia, Taken from an Original Bust.' Tight copy, on aged and lightly discoloured paper, in worn and stained contemporary half-binding of chipped vellum spine and corners and marbled boards. Minor staining at foot of frontispiece, title and first leaf of prelims.

Printed on one side of a piece of thick wove paper, 21 x 17.5 cm. At the head of the page is the engraving, enclosed in an oval 12.5 cm high and 15 cm wide. A clear impression of a scarce print, on grubby, spotted paper. Within the border is engraved in red 'Part of Christs Hospital taken from the Stewards Office 1765.' According to the six lines of copperplate text at the foot of the page 'It was 129 feet long and 31 feet in breadth, [...] It was furnished with Books at the expence of £556 . 10s of which £400 were given by the founder, and the remainder by Dr.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 12 x 18 cm. Dimensions of paper 19 x 24 cm. Good, clear image on aged and foxed paper. A pleasant rural view over the harbour, with a house nestling between trees and a couple walking among the hills. Tastefully coloured in light blue, green, red and pink.

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.

All nine are printed on art paper, roughly 18 x 12.5 cm. Tipped in onto 27.5 x 21 cm leaves. The mounts have the title, 'THE GLOOMY THICK WOOD | By Kay Nielsen' and a border surrounding the plate, both printed in olive. The collection is in very good condition, with occasional nicking to the mount. None of the items carry any indication that they have been cancelled or rejected. Providing a fascinating insight into the quality-control process in early twentieth-century book illustration, with most of the items rejected because the colours are slightly off-register.

On one side of a piece of wove paper 19 x 14.5 cm, and with the image extending almost to the edges. Lightly aged and creased, but good overall. An usual design, with the coat of arms within a fleece held up by two figures of Hercules, both on pedestals, the one of the left marked 'HUMUS' and that on the right 'SUMUS'. The fleece folds over the left-hand Hercules's right shoulder and reads 'LE CULTE EN' with 'DIFFICULTE' over the left-hand Hercules's left shoulder. Topping the whole design, above a coronet, is a harpy, and at the foot of the paper is 'Hereson de Brecksel'.

Printed on one side of a piece of thick wove paper, roughly 11.5 x 9 cm. Dimensions of image 9.5 x 6.5 cm. A little grubby, but good. An attractive production, with a mediaeval-style illustration of two flying fish flanking a tree on the branch of which is hung a shield with the words 'Books & Prints | Old & New. | 84, Nassau Street | New York. | 14 York Street | Covent Garden | London.' In gothic type at foot: 'J.

12mo (dimensions of leaf roughly 15.5 x 10.5 cm). Fifteen leaves each with a page of letterpress, and twelve engravings. Uncoloured. Foxed and slightly dogeared, in aged, worn and spotted wraps. Each of the twelve engravings is accompanied by a leaf carrying a page of letterpress with an illustrative quotation from Scott's work. First leaf with printed page listing four works 'Designed, Etched, and Published by G. Cruikshank', with prices; printed title; final leaf with printed page listing six priced 'Works Illustrated by George Cruikshank.

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

Printed on one side of a piece of thick wove paper, watermarked 'G REIG', roughly 53 x 41 cm. Worn and a little spotted and grubby, with creasing and wear to extremities, but good overall, with text and design clear and entire. Handsome boldly designed certificate. Not filled in and with no manuscript additions whatsover. The illustration, an oval roughly 12 x 17 cm, shows the ship approaching white cliffs on shore, with a boat containing seven natives in the foreground.

Dimensions 21 x 25 cm. No margin. No indication of artist, engraver, publisher or date. A good, clean image, with slight wear to extremities and evidence of previous mounting on reverse. A striking and attractive image, showing a young Napoleon, in dashing and colourful costume, his left hand extended towards an eagle perching on a branch of a tree behind him, and his right hand holding the left hand of an aged and dejected napoleon, seated on a rock in front of the tree, a stormy and windswept St Helena sea before him.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

On one side each of two leaves of thin laid paper (quality of tissue). Both leaves are good: lightly creased and spotted on aged paper. The first leaf (roughly 19 x 18 cm) carries six illustrations, arranged 2 x 3, and with the captions reading: 'Price 2s/6d | a way of purifying sea water'; 'Price 1s/6d | preparation Acid Sulphuric'; 'Price of block | 1s/- | Physician Galenical School'; 'Price 1/- | cold still'; 'Price 1/- | Pelican'; '2s/6d | distillation'. Printers blue pencil around third woodcut.

Dimensions of print roughly 12.5 x 18 cm. On original white paper windowpane mount (23 x 28.5 cm). Engraved label (3 x 9.5 cm), with text printed in gilt on navy blue paper. Bright, clean impression, on discoloured mount with creased label. Depicts fashionably dressed pedestrians proceeding along the length of the tunnel. Two children play on the cobbled central track. A series of small holes have been neatly cut within the alcoves of the tunnel. On display of the print within a lightbox, these would simulate the gas lighting used to illuminate the tunnel.

The portion of the caption, missing in the description above, reads '[...] Virginia Water. This Print at first represents this enchanting lake by day, and upon holding it before the light, you will be presented [...]'. Dimensions of print roughly 16.5 x 22.5 cm. On original grey paper windowpane mount (24.5 x 35.5 cm). Engraved label (4.5 x 18.5 cm) beneath the print. Good, bright impression, but with damage affecting an area roughly 2.5 x 2 cm in bottom right-hand corner. On lightly aged and spotted mount.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.

Very good. Dimensions of leaf 12 x 17 cm; dimensions of image 10 x 15 cm. Signed by Raverat in pencil in the bottom right-hand corner, and with the title 'Bowl [sic] players' by her in pencil at bottom left. Striking and evocative image showing five working men, on a village green at dusk, gathered around a sixth figure who is measuring the distance between two bowls. Selborne/Newman 109.

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

Originally on a piece of paper roughly 405 x 315 mm, with the dimensions of the print roughly 295 x 250 mm. In poor condition: torn and stained and laid down on a piece of thin card, and with the extremities of the margins chipped. Loss to top-left and bottom-right corners. The loss to the top corner includes a corner of the print (roughly 40 x 20 mm), but this only features the sky. A scarce item, with the caption continuing 'The Balloon ascended at 3 O clock in the afternoon and descended safe near Tilbury Fort in Essex at 20 Minutes past four'.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

Dimensions of paper roughly 10.5 x 4.5 cm. Two edges straight and two rough. Aged and grubby, with a 3 cm closed tear (repaired on reverse with archival tape), extending from the right and affecting the last two letters of Cruikshank's bold signature, which is 7 cm long and initially 3 cm high, with the final 'e' of the Christian name in superscript and the surname underlined in a backwards stroke continuing the final letter. Neatly mounted on a piece of card (roughly 9 x 14 cm) and presented in a plastic sleeve.