ENGRAVING

Printed in black on two sheets of watermarked laid paper, attached to make a long panel, 84 x 39 cm. Image clear, on worn and aged paper, with minor staining at head (not affecting image), and slight repair to reverse. In bottom left-hand corner: 'G. Herreijns invent. Ao. 1773.' Above this is printed a 19.7 cm rule, marked 1 to 11, to give an idea of scale. In centre at foot: 'Klauberi, Cath., Sermi. et Revdmi. Archiep. et Elect. Trevir: et Episc. Aug.uti et Sermi. Elect. et Com. Pal nec non Cels Princ. Kampidun. Chalc. Aulici, Sculp. Aug.

8vo, [ii] + 30 pp. All nine illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'Preparing for Publication, | JACK AND THE BEAN-STALK. | EDITED | AND | ILLUSTRATED | BY | GEORGE CRUIKSHANK.' Internally good, on aged paper (the last print particularly foxed), in fair binding with light wear and slight staining.

8vo, 32 pp. All eight illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'ALREADY PUBLISHED, | HOP O'MY THUMB AND THE SEVEN LEAGUE BOOTS, | ILLUSTRATED WITH SIX PLATES, CONTAINING NINE SUBJECTS, | BEING | No. 1 OF GEORGE CRUIKSHANK'S FAIRY LIBRARY. | Preparing for Publication, | No. III. | CINDERELLA AND THE GLASS SLIPPER.

The eight proofs, each 24 x 38 cm, some with tissue guards, are bound into a blue folder with triangular printed Burlington Engraving label. In pencil on the folder: 'Connoisseur | April 1937 | German Enamelled Glasses | 4 colour'. In fair condition, on lightly worn and aged paper. The final illustration (first in the folder) shows the six glasses, enamelled in various colours, against a black background.

On one side of a piece of wove paper, roughly 400 x 250 mm. Dimensions of engraving roughly 130 x 180 mm. Good, on heavily-foxed and lightly-creased paper. The sketch shows a well-dressed flautist playing his instrument in a market square, with money, clothes and food drawn to him from onlookers as if by magnetism. Beneath the print, in a variety of types and point sizes: 'Speedily will be Published, Inscribed to all Lovers of Tweedledum Tweedle, The Art of Playing upon People: or, Memoirs of the German Flute. Interspersed with The Character of Baron Steeple; [...]'.

The volume ('White & Pike's Diary 1880') is a folio, in green cloth gilt. Recently rebacked and renovated, with one leaf of advertisements under archival paper. A few leaves have had the slips laid down on them cut away or removed. Pages 1-20 and 77-93 carry advertisements, mostly for the Birmingham metal and jewellery trades. The 269 slips of rubbings, together with 37 slips with pencil drawings of designs and engravings, are mostly laid down on the rectos of twenty-five leaves of the diary proper. One loose leaf carries rubbings of designs around monogram initials.

The twelve McDowall engravings each on separate cards of shiny art paper, each 90 x 130 cm, and all but the card with the image of the Scott Memorial (see below) in landscape. The Menzies engraving of Loch Ness, in similar style to the others on shiny art paper, but slightly larger, at 90 x 140 cm and landscape. Delicate items, in fair condition, with browning to edges, but images clear and complete. The engravings on the McDowall cards are as follows. By T. G. Flowers: Heriot's Hospital (founded 1628); and 'Assembly Hall, Heriots Hospital and Castle'. By G.

One page, 12mo, creased stained at edge, mainly good. "Will you be so good as to have this por[rai]t engraved - I col. wide, as soon as possible, as it is [?] wanted. Mr Dickinson had some trouble about this por[trai]t at the British Museum, & I would think expects to engrave the block."

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

On one side of a piece of wove paper, roughly 400 x 250 mm. Dimensions of engraving roughly 130 x 180 mm. Good, on heavily-foxed and lightly-creased paper. The sketch shows a well-dressed flautist playing his instrument in a market square, with money, clothes and food drawn to him from onlookers as if by magnetism. Beneath the print, in a variety of types and point sizes: 'Speedily will be Published, Inscribed to all Lovers of Tweedledum Tweedle, The Art of Playing upon People: or, Memoirs of the German Flute. Interspersed with The Character of Baron Steeple; [...]'.

12mo (leaf dimensions 16.5 x 12 cm): 96 pp. In original blue printed wraps. Very good and tight, on lightly-aged art paper. Short closed tears at foot of back wrap, and at spine on front wrap and first leaf. Seven full-page engravings by Mate: 'Old Woman from Vologda', 'A Zyrianin', 'Father Varnava, the Monk', 'North Dvina River', 'Church in Putschega', 'Wooden Column in Putschega' and 'An Old Steward'; with three vignettes by eye-witnesses. The series of paintings was executed in Moscow in 1893. No copy at the British Library.

Printed in double column on both sides of a wove piece of paper, 44 x 28.5 cm. Clear and complete. Very good, on slightly-aged and grubby paper. In a variety of types and font sizes, but mostly in small print. The whole clearly laid out for folding as a packet. Includes a description of Dorrington's business, in which he boasts that his is 'The Cheapest Establishment in London for Wood Engravings', supplying 'Lithography in all its branches, At lower charges than by any other Artist'.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

On a piece of thin card, 30.5 x 23 cm. Dimensions of illustration 23 x 17 cm. Signed by Twidle in bottom right-hand corner. The image itself is clear and sharp, in spotted and grubby margins. Docketed in pencil on reverse 'Monkish Robes | 491 | to 5 inches width | with rule as in picture'. An attractive, detailed watercolour, in black and grey, and picked out in white, showing three monks processing with eyes cast to the ground in different directions in the grounds of stone temple overgrown with foliage.

Printed on one side of a piece of cream wove paper, roughly 41.5 x 60 cm. Central vertical crease. Fair, on lightly-aged paper. A little grubby, with a few closed tears and slight creasing to extremities. Consists of two rectangles (each 29 x 22.5 cm) in black ink, each containing four illustrations, surrounded by an ornate thick blue decorative border of intertwined mermarids, rowers, children in boats, swans, fishes and other aquatic motifs.

India paper engraving (dimensions c. 22 x 16 cms) neatly laid down on piece of wove paper c. 29 x 22 cms. Very good, with the slightest spotting, and with minor creasing and staining to the extremities of the mount. A pensive Murray sits in an armchair, reading a manuscript.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

A scarce piece of Liverpool printing ephemera. Dimensions approximately 63 x 51 cm. Both sides printed in light blue. Text and illustrations complete. In need of expert cleaning and repair: grubby and stained, with chipping to extremities and some closed tears. At the head of the one side is the masthead of 'The Employment Exchange | Edited by Charles H. Megson' ('The only recognized medium for speedy Employment. Absolutely without rival.') with illustrations of figures at work.

12mo, 61 pp. In original brown printed wraps. Engraving of Sheldonian Theatre on front, otherwise the item is not illustrated. 2864 items, ranging from '1 AARON, Rev. born 1695, engraved by Vertue. 5s 6d' to '2864 Zonelli (Anton. Maria) after Joan. Anton. Faldoni, Man blowing Horn, with hounds. 5s'. Fair, on aged paper, with a few leaves dogeared, in worn wraps chipped at extremities, and with 4.5 cm closed tear at foot of spine. Presentation inscription at head of front wrap: 'R. G. Bartelot. from Fredk. Bennett'.

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.

An important contemporary engraving, apparently unrecorded, with no record of the engraver S. Pearse, or of the Comus Press (probably connected with 'The Comus', a periodical launched in Bengal in 1857). On one side of a piece of wove paper, roughly 22.5 x 28 cm. On lightly-spotted and aged paper. Discreet repair to tear which had split the item in two. A crude but accurate representation of the well and environs, with the following text beneath: 'THE WELL AT CAWNPORE. S. Pearse.| Into which the bodies of the Women and Children were thrown after the Massacre.

National Portrait Gallery no: NPG D913 (only acquired in 1966). Dimensions of paper roughly nineteen and a half inches by fourteen wide. Dimensions of print roughly seventeen and a half inches by thirteen and three-quarters wide. Backed by a piece of cream card. Heavily aged and spotted, and with one small worm hole. Slight loss to lower right-hand corner, not affecting print. Closed tears to mount. Apparently printed before the name, and very likely a proof.

Dimensions of paper roughly twelve and a half inches by fifteen and a half. Dimensions of plate roughly eleven inches by six and a half. On top of a stone plinth two eagles support a crowned crest with shell motif, showing a crowned eagle over a castle. The inscription on the base reads 'DIANAE FABVLAS | OLIM | A DOMINICO ZAMPERIO | PICTORE | VVLGO DOMENICHINO | IN PALATIO BASSANI | PRINCIPIS IVSTINIANI | DE PICTAS'. Apparently the frontispiece or engraved title to an oblong folio volume published in 1713.

Two pages, 8vo. In good condition despite paper discoloration and smudging of text by author. Traces of stub adhering to one edge. An interesting letter from one of the engraver's to Dibdin's Northern Tour (1838), and important for the light it sheds on the book's production. Douglas greets Dibdin as 'Rev Sir'. He is sending his draft and has 'revised all the plates and sent them to Mr Johnstone to be proved'. Johnstone will send them on with the drawings. He has seen 'Mr.

12mo: [ii] + ii + 390 pp. In contemporary quarter-binding with burgundy leather spine ('CARTES A JOUER' in gilt) and red paper boards. Top edge gilt. Binder's ticket of Bone & Son, Fleet Street. Tight copy, on aged and spotted paper, in worn binding with damage and loss to spine. In French, with Boiteau's preface dated 'Juin 1854'. Evidently the sheets of the French edition, with Hotten's new title-leaf. An interesting and informative work, with attractive engravings in text by Coppin. Scarce: the only copies on COPAC at the British Library and the National Library of Wales.

On piece of paper 6 x 9.5 cm. Lightly-aged, and tipped-in onto front free endpaper removed from book. A simple design, within a restrained decorative border, consisting of 'William Barnes.' in gothic letters in an arch, centred above a wavy rule beneath which are the words (adapted from the Dream of the Rood) 'BEARNAS AER BEORNAS.' A contemporary note on the endpaper beneath the bookplate (transcribed in a modern hand above it) states that the item came from Barnes's Rectory Sale, 25 November 1886. Uncommon.

Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.

Both 12mo: 4 pp. Item 1 (21 May) Text clear and entire. On aged paper with small unobtrusive spike holes through both leaves. Slightly manic letter, casting light on the relationship between author, printer and engraver in the Victorian period. Tayler lists four 'plates for a chapter on the Essex Martyrs' which Leonard Seeley of Thames Ditton, who is printing and publishing Tayler's book 'Memorials of the English Martyrs' (Seeleys, 1853), has not yet received from Williams. Suggests other engravings for the 'last chapter'. 'It has occurred to me that the plate in Foxe 7th.

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.