ROYAL

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

On one side of a piece of vellum, dimensions 28 x 33 cm. Folded three times to make eight rectangles. Red wax seal under paper in top left-hand corner, embossed with the Admiralty anchor. One blue 5s stamp in left-hand margin, with '£5: 7: 6' and an illegible signature above it in manuscript. Small paper stamp on the reverse. Text clear and complete on lightly discoloured vellum. The body of the document is printed over thirteen lines, with the specific information added in manuscript.

On one side of a piece of vellum, dimensions 24.5 x 31 cm. Neatly folded to make six rectangles. Entirely legible on discoloured vellum, with one small hole (not affecting text) caused by wear at one fold. The body of the document is printed over nine lines, with the specific information added in manuscript. Also in manuscript at the head: '[By] Sir George B Rodney Bart. KB.

One one side of a piece of vellum, dimensions 28.5 x 33 cm. Neatly folded to make eight rectangles. Red wax seal under paper in top left-hand corner, embossed with the Admiralty anchor. Two blue 2s 6d stamps in left-hand margin. Small paper stamp on reverse. Text entirely legible on lightly discoloured vellum, with one small hole (not affecting legibility of text) caused by wear to a fold. The body of the document is printed over fifteen lines, with the specific information added in manuscript.

12mo, 1 p. Very good on lightly-aged paper. Reads 'Dear Mr Wright, | I am sending you a photograph which I hope you will like, | Yours faithfully, | [signed] E R Fremantle'.

12mo: 1 p. Very good on lightly-aged paper. Reads: 'The Marquis of Lorne presents his compliments to Mr Wright and thanks him for the copy he has sent him of "The Spanish Armada." Wright's 'The Spanish Armada: a descriptive historical poem' was published in Plymouth by G. P. Friend in 1874.

Three pages, fol., fold marks, ink-stain, foxing but text clear and complete. From the Paterson/Tonyn archive and addressed to Charles William Paterson, Captain of the "De Vries" , informing him of the suspension of various Acts of Parliament (detailed) by which classes of people had previously been exempted from Impressment (the Coal Trade, "the Greenland and Whale Fishery", "And also so much of any other subsequent Act or Acts as grants the like protection to any Person of Persons therein described".

4to: 1 p. Good, on lightly aged and creased paper. 'I have great satisfaction in acquainting you that a Commission has this day been signed promoting you to the Rank of Rear Admiral of the Blue.' Docketed by Paterson twice on the otherwise-blank reverse '12 Augt. 1812 | Lord Melville informing me I am made Rear Admiral of the Blue'.

Stitched notebook, in original marbled wraps, containing 19 manuscript pages on ten leaves. Leaf dimensions 32.5 x 20.5 cm. On laid paper with Britannia watermark. Good, on aged paper, in worn and creased wraps. Text closely and neatly written, clear and complete. From the Tonyn and Paterson family papers, but not in Paterson's hand. Contains transcriptions, in Paterson's hand, of thirty-three orders, twenty-four of which are addressed to him personally, the other nine being general orders 'To the respective Captains Commanders & Commanding Officers of H.M. Ships & Vessels'.

4to: 23 pp. Paginated 1-23. Twelve leaves; verso of last leaf blank. No title (presumably none called for). In early twentieth-century marbled boards, with green cloth spine. Text clear and complete, apart from damage to three words on title leaf. Ruckled and stained. Slight loss at head and foot of title, which also has a long closed tear repaired with gummed paper. Ownership inscription of Captain N. F. Duff. An excessively scarce survival, relating to the Battle of Quiberon bay, one of the greatest of English naval victories, rightly described by A. T.

4to: 6 pp. Unbound. Leaf dimensions 26 x 19.5 cm. A bifolium, with a third leaf attached. Good, on lightly aged and creased paper. With a few manuscript emendations by Paterson. One page is taken up with a copy of a letter, originally dated from Brockhurst House, Gosport, Hants, 1st May, 1860.', but with a manuscript label reading 'Victoria Lodge | Osborn Road, Fareham | Hants | April 15th. 1868' laid down over the printed text. In the original printed text Paterson offers himself as 'a Candidate for the Appointment as GOVERNOR of H.M.

All three items 4to. All good, on lightly aged and creased paper. Letter One (2 pp, 14 lines), addressed to 'My Lord'.

One page on the recto of the first leaf of a bifolium of laid watermarked paper. Leaf dimensions 32 x 20 cm. Text clear and entire on aged and lightly-spotted paper.

Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.

8vo: 334 pp. Portrait of Northcliffe as frontispiece. Three facsimiles of letters in text and fold-out with facsimiles of three of Northcliffe's letters. Inscribed by Owen on front pastedown 'To Elaine from Louise and Northcliffe. | Nov. 1938'. (The reference to 'Northcliffe' is explained by the fact that Owen considered herself a spirit medium, in contact with the deceased Viscount.) Internally good: sound and tight, on lightly aged paper. In original worn red cloth, with slight bloom on front.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On piece of laid paper (roughly 8.5 x 16 cm) cut from diary. On aged paper with wear and 1 cm closed tear at head. Clear and clean signature, beneath the heading 'July 17'.

On a fragment, roughly 11 x 16 cm, of a page of laid paper from a diary. Good, on lightly aged paper. Two signatures, under the heading 'July 22': 'Spencer <?> | Steuart Wilson.' Lightly docketed in pencil.

On a piece of yellow wove paper roughly 565 x 455 mm. Text and illustrations clear and entire on creased and spotted paper with some wear to extremities. The order of the procession is given in three columns, divided by decorative rules. At the foot is an illustration (120 x 195 mm) of the queen's coach reaching Westminster Abbey, with crowds and a banner reading 'LONG LIVE VICTORIA'.

Folio bifolium (dimensions of leaf roughly 32 x 20 cm): one page, with the reverse of the leaf and the whole of the second leaf of the bifolium blank. Unbound. Good, on lightly aged and creased laid paper with a Britannia watermark. Eighteen lines of text, mostly taken up with comments on the teaching at the College of Latin and Greek, followed by an 'Extract from the General Report transmitted to the Admiralty Office' with room for the Student's name, his date of admission, and progress in mathematics, English, Latin and Greek, History and Geography, French and Drawing.

Title continues: '[...] Aldermen, and Common Councell of the City of London.' 4to: 8 pp, paginated [ii] + 6. Trimmed (leaf dimensions roughly 165 x 135 mm) causing loss of the last line of text (the publication details beneath the word 'LONDON') on the title. Stitched as issued. Unbound. In poor condition, on aged, spotted and creased paper, with chipping to extremities and with the lower part of the last leaf torn away causing loss of around a dozen lines of text. A few lines in a contemporary hand on the first couple of leaves.

4to: 2 pp. 35 lines of text. Good, on aged paper. Text clear and entire. Minor damage to one corner (not affecting text) through breaking open of wafer. He has received the letter with the 'observations de milord', whose 'propositions' are not 'acceptables'. Mentions a 'Mr. Tournal'. How could he offer 'Mr. Gerrard' 'les quatre cent quarante francs proposé par milord et meme les six cent francs fixé par vous?' Mentions Madame la Marquise de Sainte-Aulaire. Suggests a sum which would be acceptable to Gerrard and would thus avoid a trial the success of which would be uncertain.

12mo: 1 p. Seven lines of text. On creased and lightly-aged watermarked wove paper. Regarding Sir Henry Bate Dudley's farce 'At Home', performed 'with universal approbation' at the Theatre Royal, Covent Garden, in 1813. 'Should the Box of the Prince Regent be disengaged on Monday next at Covent Garden Lady Landsdowne [sic] (the Dow-) is anxious to see "At Home" Could she have it?'

8vo bifolium: 4 pp. On art paper. Unbound. On aged and creased paper. Clear and complete. Arranged as a magazine article, with the text in two columns. Six photographs of the exterior and interior of the plane. Two diagrams, including one full-page and extremely detailed cross-section, captioned 'The Bristol Bombay Bomber-Transport | (Two 1,010 h.p. Bristol Pegasus XXII motors).'

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

12mo, 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper [...] with the greatest of pleasure', although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him.

From the third son (1845-1917) of Baron Lionel de Rothschild to the noted botanist (1843-1928), Director of the Royal Botanic Gardens at Kew (1885-1905). Stamped, printed Post Office telegraph on discoloured high-acidity paper, roughly twenty-centimeters by thirteen centimeters. Mounted on larger piece of better-quality paper, also discoloured with age. Reads 'TO { Thiselton Dyer | Kew Gardens | Very many thanks Kind congratulations | Leopold Rothschild'. The reason for congratulations is unclear.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.