Art and Architecture

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

In excellent condition. Pinned to grey printed backing label, headed with engravings of a row of 'the highest prize medals & diplomas' awarded to Stevens, and of the 'Stevengraph Works' in Coventry, and Stevens' trade mark. Folded horizontally three times. The bookmark is headed 'A BLESSING' and carries a picture of Jesus with arms outstretched, ascending over Holy Land rooftops. A scriptural passage follows (Matt. 28.5-6), with 'IHS' within a decorative pattern at the foot, which carries a yellow tassel. In rich colours: purple, lilac, green, blue and yellow.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Total (Smith letters) 7pp., 8vo, RSA stamp on all, good condition. Subjects: (1917) letter from a Mr. W. Foxton; a word with a Mr. Kendrick about judging; reception of parcels for the Owen Jones Competition; (1918) measures taken because of possible increase of risk from attack by hostile aircraft; need for the RSA to take back some works deposited by them to make room in the basement for withdrawals from exhibition (pencil note attached about the deposit); arrangements for Mr.

Two pages, folio, 3 small closed tears, small part of a corner torn off, some marginal staining, mainly good condition. The article states that Trench some years since proposed forming a continuous quay along the nothern shore of the Thames, has published other proposals: A Proposition for the Disposal of Buckingham House, for a National Picture Gallery, A National Statue Gallery, and for the King's College; leaving one entire end of the Palace and one Wing, with the whole of the other Attics, for other public purposes.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

Part of letter, 11 x 5cm, good condition, saying, yours try | Lancelot Speed.

Paper, 11 x 4cm, incudes name of address, To Mrs Warner., formerly laid down in an album, some remnants of process on reverse, showing through faintly not impinging on the signature, mainly good condition.

Paper, 11 x 3cm, formerly laid down in an album, some remnants of process on reverse, otherwise good condition.

4to, 68 + viii pp. Frontispiece and eight plates, as well as numerous illustrations in text. In original printed wraps, with advertisements. Eight pages of advertisements at end. Text and illustrations clear and complete. A scarce item (the only copy on COPAC at the V & A Libraries) on aged paper, in chipped and worn wraps, with title page creased, and some sections detached. Inscribed by the editor, at head of front wrap, 'From Edward King | to his Brother Savage W. Linnell | In Memory of a joyous afternoon in Venice. | Nov.

Total 10pp, 12mo, good condition. Subjects: (1) as executor of a lady who by her will directs that a copy should be made of the portrait of her husband by the late Sir George Reid to the Aberdeen Infirmary . . .; National Gallery suggested her; he wants to fix up appointment to discuss; (2) agrees to her terms; discusses the house being locked up by Sothebys who are conducting the sale; (3) commission discussed; (4) discusses the circumstances which lead to his asking he to copy the picture in his house; (5) Aberdeen Infirmary happy with her work.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

C.14 x 9cm, calligraphic writing style, good condition. "Of course it's allright about the reference for the Pilgrims. I hope it comes off. W.M. Rothenstein, Walter Bayes and Hagedon have all worked for the Trust. | All pretty well here. It looks as if Alice and Bish may get married about Easter: no details yet. Our love to you -" Note: Entries referring to the Schwabes in Jean Inglis's diaries indicate a strong friendship involving meals, films and plays.

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.

One page, folio, fold marks, good condition. With RSA stamp. He's received a circular asking if I would like my name to be added to the list of the supporters of the Society. | In reply I beg to state that I am perfectly aware of the long and useful services rendered to the public by the Society but as I am not now a resident in London, and therefore should have but little opportunity of taking part in the transactions of the Society, I would rather not at present time, consider the question of Membership.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

Colophon: "Here endeth the story of Hand & Soul by Dante Gabrile Rossetti which has been set in eighteen-point Garamond type. Designed and printed by Leonard Jay; assisted by Vernon S. Ganderton, presswork; Henry S. Sands, decorative title page; A. Michael Fletcher and Frances Woof, lettering. Sixty-five copies only have been printed on an Hayle Milltoned paper in black, red, and green, for private circulation only." It's followed by Jay's Phoenix device.

One page, 8vo, some marking but text clear and complete. "Iam glad that your messenger caught me here, & that the picture could at once be returned. There is nothing to bid fo. It is a wothless painting, clumsily touched upon to make high lights &c. & is in miserable condition might be any child of the period".

Laid down on 114 quarto pages; the leaves disbound and loose. The items themselves in good condition, on aged paper. Also included is a mass of loose material (having become detached from the album's pages), including 21 colour drawings (many marked as having been drawn by Wingfield between the ages of 8 and 12), 10 black and white drawings, 10 cut-out grotesque figures (three in colour), three loose quarto Colnaghi engravings ('Wm. Fredk. King of Prussia', 1814; 'Field Marshal G. L.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

On eight pieces of 8vo paper, one of which has ha d a 3 cm horizontal strip cut away at the foot (not affecting the image). On a variety of different paper types, all wove. Good, on aged paper. Attractive images, ranging in height from 7 to 9 cm, of four women and four men, all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images, of a young woman with curls and a bow, treated twice in slightly different styles.

4to album of 33 leaves, with the 112 illustrations each on a separate piece of paper, and all laid down on 59 of the album's 66 leaves (the blank leaves of the album bearing traces of other illustrations having been removed). The illustrations range in size from 19 x 15.5 cm to 6 x 3 cm, with the average around 15 x 11 cm. The album's brown cloth covers are faded and worn, but internally the album is sound, with the illustrations themselves in good condition, on lightly-aged paper. Around twenty are signed, half with the spelling 'Duchene' and the other half 'Du Chene'.

Folio, 1 p. Text clear and complete. Fair, on lightly-aged paper. The heading states that the presentation will take place 'at Free Masons' Hall, Great Queen Street, to the respective Candidates by His Royal Highness the Duke of Sussex, President, in the following order.' The text, laid out in double column, lists a total of sixty-four successful candidates, numbered under five headings: Agriculture, Chemistry, Polite Arts, Manufactures, Mechanics.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.