Art and Architecture

8vo: [38] pp (unpaginated). In original quarter binding, with buff boards and vellum spine on which is stamped in black 'ECCE MUNDUS'. Good copy: internally tight and clean, in slightly-grubby and worn binding bumped at foot of spine and at one corner. Presentation copy, with autograph inscription by Cobden-Sanderson on the front free endpaper: 'To Mr. Wheatley [the bibliographer Henry Benjamin Wheatley] with the compliments of the writer'. With green leather and gilt bookplate of Alfred Sutro on front pastedown.

8vo: 42 pp (paginated 131 to 172). Stitched pamphlet. In original printed wraps, with title and illustration. Two photographic illustrations in text and forty-eight numbered illustrations by Zaborowska. Good, on aged paper, with light notes in blue pencil on pp. 144 and 145. Blanchard explains that Quy, a doctor from Hanoi, came to Paris to further his medical studies. He had a position under Blanchard 'au Laboratoire de Parasitologie'.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (7.5 cm square) and second (7 x 10 cm) pages; full-page black and white illustration ('Derby Day') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Blomfield would be pleased to join Dollman, but has 'already promised my subscription to Pomeroy' (presumably acting as steward for a rival dinner). Addressed to Dollman at Hove House, Newton Grove, Bedford Park.

8vo, 1 p. Nine lines. Text clear and complete. Fair, on aged and lightly-spotted paper, lightly-creased and with small closed tears at edges of central crease. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Hassall writes that the previous year he 'got into trouble through giving subscriptions to stewards of other society's than the R[oyal]. I[nstitution].', so that 'if there's to be an R. I. table this year I must support it for all I'm worth'.

Two pages (but large handwriting), 8vo, conjoined leaves, good condition. "I write to thank you most sincerely, for your kind letter about my picture. I think it was very kind indeed to trouble to write. I appreciate it very much."

The collection in fair condition, on lightly-aged paper, with occasional wear and chipping to extremities (but see Item Fourteen below). Text of all but one item clear and complete. The first seven items were formerly attached through a pin-hole in the top inner corner of each. The others carry traces of the stubs and leaves to which they were attached in an album. Ranging in size from 26 x 21 cm to 19 x 12 cm. ITEM ONE: 'St. John's College Kitchen' by 'Wm. Garnett, Steward'. 12mo, 2 pp. On bifolium. Undated.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

4to, 2 pp. 36 lines of text. Clear and complete. Good, on aged paper, with slight wear at on the reverse. Written as Comptroller of the Royal Household to Poynter as President of the Royal Academy. He is returning Poynter's letter, which he has shown the Queen, and reassures him that he has 'nothing [...] to fear about the contents of it ever being divulged'. The Queen has told Probyn to tell Poynter 'how very sorry she is to see how the business has worried' him. It concerns a plaster bust of Kitchener which the Royal Academy Council accepted as an exhibit.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

On one side of a piece of wove paper, 32 x 20 cm. Laid down on a leaf from an autograph album. In fair condition, aged and dusty with slight wear to extremities. The item is of added interest, dating as it does from the year of the Society's inception. The nine-line application is in the hand of the artist John Frederick Lewis (1804-1876), and is addressed to 'Dear Sir' - presumably the final signatory 'Henry Graves. Esq. [1806-1892, printseller] Sec. to the Artists and Amateurs Conversatzion. [sic]'.

All but three of the silhouettes are laid down on 23 pages of an album of 32 leaves (leaf dimensions 31 x 25 cm) bound in worn brown buckram, with attractive metallic cobweb endpapers. In very good condition. The three silhouettes not in the album are laid down on a loose piece of blue paper (22 x 27 cm) and consist of three full length portraits of infant girls. One of these is the largest silhouette in the collection at 14.5 x 7 cm. The smallest, less than a centimeter high by half a centimeter wide, is of a golfer taking a swing. A delightful collection, including portraits of 'J.

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.

12mo: 4 pp. Bifolium. Sixty-three lines. Text clear and complete. Good, on lightly-aged paper. Headed 'Duke of Devonshire'. A couple of minor corrections. Begins 'I must now ask permission to offer to your R H in behalf of Univty expression of our hearty thanks to you for having done us honor of unveiling statue of your illustrious Father.

12mo, 3 pp. Bifolium. Thirty-three lines of text. Good, on aged paper, with slight traces of glue from mount on blank reverse of second leaf. Apologising for not being able to join Reynolds' party, because of the visit of 'a gentleman' who 'is coming from the country to me on business of importance to me'. This is also disappointing to his daughter, who would have accompanied him. He hopes his 'excellent friends', Reynold's 'colleagues', will not suppose him 'indffierent to their invitation! Especially now that my renewed health has permitted me to accept <?>'.

Foolscap (31.5 x 20.5 cm): 1 p. 24 lines of text. Address, with postmark, on reverse. Good, on lightly aged and creased paper. Discussing a picture he has been painting of 'Captain Tonyn', which 'is within one days work of being finished'. Points out that there has been a misunderstanding about the price: 'fifty five pounds [...] could not be the case because I never yet reced from any body pounds, but always Guinneas'. Because of 'the great work that so large a Canvas wod. require (it being bigger than a whole length for which I had at that time 50 Gs. and now 60 Gs.

4to, 4 pp. Bifolium. 59 lines of text. Clear and complete. On lightly-aged paper, with 4.5 cm closed tears to the outer edge of central horizontal fold to both leaves. A large part of the letter would appear to concern washing machines, including a reference to a new one on the American market, called the 'Waterflex'. A few lines in English at end: 'Many thanks for your Birthday-carte. Sorry year it arrived 1 month to [sic] late.' Sends love to 'Dorothy', and reference in text to 'Kajitan': 'Das wird Dir bestimmt Freude machen. Das ist alles viel besser als die Politik.

All the items except the cut-out and the last card (in which he gives the price of a painting) are damp-stained, with part of the text of the letter illegible. One card in French. The first card, from 1982, thanks Ives for payment for 'watercolors'. The cut-out, in red paper, is roughly 10 x 10 cm. Intricately-cut, it depicts a long-leaved plant in a basket on legs. Although found with the other items, there is no indication that it is by Duramel. Ives made the news in 2000, when his extensive collection of paintings by L. S. Lowry was put up for sale.

India paper engraving (dimensions c. 22 x 16 cms) neatly laid down on piece of wove paper c. 29 x 22 cms. Very good, with the slightest spotting, and with minor creasing and staining to the extremities of the mount. A pensive Murray sits in an armchair, reading a manuscript.

Dimensions of print roughly 17.5 x 13.5 cm. On original grey paper windowpane mount (28 x 23 cm). Engraved label (2.5 x 11 cm) beneath the print, with a couple of remarque-style illustrations. The print itself is good, although a little aged and spotted; the margins and mount being rather more heavily affected. Attractive and unusual item, the image changing when held up to the light. Two soldiers are shown dwarfed by the high ceiling of the chapel, which is decked with brightly-coloured flags. When held to the light the chapel is filled with the mourning congregation. Scarce.

Folio (34 x 21 cm): 32 pp. With all eighteen foldout plans. Unbound and stapled. Text and plans clear and complete. In fair condition, with slight rust to staples and the last leaf (carrying Plan XVIII) loose. The report is addressed to 'The Honorable the Premier of the Colony of Victoria', and dated 'University of Melbourne, 2nd November, 1891. This is, as Allen sets out his aims in the first paragraph, explaining that he is submitting 'the Third and Final General Report concerning my visit to Great Britain and the Continent of Europe.

All seven items 4to, 1 p. Each good, on lightly-aged paper. All bearing the Society's stamp, and six docketed. Letter Two to Sir Henry Trueman Wood, Three to Six to G. K. Menzies, and Seven to W. Perry. Letter One: 9 July 1914. Querying whether members of the Society can describe themselves as 'Fellows'. Letter Two: 22 March 1916. Being 'unable to get an earlier passage [to America] owing to cancellation of boats', he will be delighted to preside over a meeting.

4to, 2 pp. Thirty-six lines. Text clear and complete. Good, on lightly-aged and creased paper. Rylands thanks Conder for the trouble he has taken 'about this plate of the Temple'. Discusses an edition of Josephus, and a possible painting by Parmentier of 'the building of the Temple and not the Temple built'. Discusses the origin of the plate Conder has sketched, with architectural references. 'Schott's engraving was often copied, [...] Fergusson, with all his study, did not come to anything better'. Rylands was initiated in the Lodge of Faith and Unanimity No.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

8vo, 12 pp. Stapled pamphlet. Text clear and complete. On aged, worn and spotted paper. A total of 204 lots. Pencil notes to lots 4, 9 and 11, with slip indicating their purchase prices, totalling £10 12s 0d. Lot 179 ('Another Property') is given prominence: 'FRANCIS COTES, R.A. A PORTRAIT OF A LADY in White Dress with Green Sash and Pink Cloak, her hair dressed high and adorned with pearls, 3.4 length | 50in. x 40in. | Signed and dated 1788.' No copy in the British Library, on COPAC or WorldCat.

12mo (15 x 9.5 cm), 1 p. In fair condition, on lightly-aged paper with crease to bottom right-hand corner. Slight smudging to the address ('H. E. Hewitt Esq'). Arranging a meeting, with postscript: 'Sorry to hear of Mr Wards indisposition'.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.