B.

4to, x + 64 pp. In original grey printed wraps. In fair condition: on aged paper, with slightly dog-eared with a little creasing and a couple of short closed tears at rear. In lightly-worn wraps. Becker's introduction to 'Diarmuid and Grania', dated 'Oxford, November, 1950', covers pp.1-4, with the play itself on pp.5-41. This is followed by 'Dramatic Commentary' (not on the play) by A. J. Leventhal on pp.42-44, 'Art Notes' by Edward Sheehy on pp.45-46 and book reviews on pp.47-64.

4to, 8 unpaginated pages. In original grey printed wraps. Text clear and complete. Neat vertical fold. On worn and foxed paper, with rust to staples and slight wear and chipping to wraps. The second of the five issues to appear in Yeats's lifetime. (In the 'W. B. Yeats Commemoration Number' of Summer 1939, 'The Arrow' was described as 'an occasional, a very occasional, publication by the Abbey Theatre', with only five numbers to have appeared up to that point: 'two in 1906, one in 1907, 1908 and 1909') Contains three articles signed 'W. B.

On a piece of grey paper roughly 25 x 22 cm, with card backing. The backing is rough-edged, the picture having been removed from its mount, but the edges of the print itself are undamaged. A little grubby, and with minor spotting and staining. Depicts the moustachioed sitter's head in profile, looking to his right, wearing a white guthra with decorative igaal. The image includes a reproduction of Jemmett's signature in the bottom right-hand corner, with the sitter's signature, in Arabic script, reproduced in the bottom left-hand corner.

12mo: 4 pp. Bifolium with mourning border. 30 lines of text. Good. She has heard that he has 'been good enough to speak kindly of "Pauline" so far as it has gone', and wonders whether he would distribute, to 'such of yr. Friends as belong to Circulating Libraries', cards 'to let people know in time to order the book before it is out'. Her family are pleased that Macmillan has 'been able to spend a night at this beautiful sad home - It did my Father good, I know.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

8vo, 47 pp. In original grey printed wraps. With frontispiece portrait of Madvig and one plate. Good, in dusty wraps. Presentation copy, with card 'With the compliments of Dr B. A. Van Proosdij, Scientific Advisor to Messrs. Brill' loosely inserted. Divided into four parts: 'The Intellectual Background', 'Preparations and the Eve of the Day', 'The Dies Natalis' and 'Epilogue', with six appendices of passages from original sources, and a postscript of 'Four Letters from Madvig to Geel, Bake, and Cobet'.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.

12mo, 1 p. Very good. He hopes she will bring her paper out soon, 'as there is room' for it, 'especially if you are careful to steer clear of mere nonsense'. Asks her to ask her 'paper' to send the cheque to him, 'and not to Peters, as he had no hand in the transaction'. He 'travelled 2,500 miles doing those articles on our war-time effort', and is 'now very glad to be back home, picking up the threads of my own work again'. He has just finished 'a comedy', and hopes 'to start another soon'.

On piece of paper five inches by six and a half. Good, with slight smudging to a couple of lines and a strip of archival tape on blank reverse. The four lines of text, in a different hand from the signature, were presumably written out by the purchaser, in order to indemnify himself in case of dispute. Reads: 'I hereby certify that these four papers signed respectively by Nelson, Hardy, St Vincent & Trowbridge have descended to me through my grandfather Richard Longfield Davies.-' Signature reads 'R. Hedges Davies | Nover. 10th. 1883.'

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

Landscape sketchbook of twelve leaves. Dimensions of each leaf roughly 26.5 x 38 cm. Unbound and stitched. In original brown patterned wraps. Good, on lightly discoloured and spotted drawing paper, with some wear to extremities, heavy wear at head of spine, and in heavily-worn wraps. The first leaf, otherwise blank, has had a small square taken out of it, and there are stubs indicating the removal of a couple of leaves.

Both items (previously pinned together) in good condition, with text clear and entire, on aged paper. Woollett's letter (one page, 12mo, 'Reading, Bay') places at Prenderville's disposal the letter 'which you have seen in the Library here from Captn. Ross of the Northumberland when conveying Napoleon to St. Helena [...] I have no objection to your sending the copy to any periodical for publication'. Prenderville has copied the letter onto five pages (each c. 32 x 20.5 cms) of around thirty lines each, spread over the rectos of three bifoliums.

On piece of paper four inches by three and a half, neatly mounted on slightly larger piece of blue paper, docketed 'FLOTSAM & JETSAM | 2 POPULAR ENTERTAINERS'. The crude caricatures (probably by Hilliam rather than McEachern) consist of a crude and highly-stylised image of the heads and shoulders of the two, looking to the left, in hat and cap and both smoking pipes. Beneath is 'Yours very sincerely | [signed] Flotsam and [signed] Jetsam'. Among the duo's recordings is a comic song entitled 'What was the matter with Rachmaninov?' (1927).

LETTER (9 December 1954; 71 Carter Avenue, Exmouth, Devon; one page, 12mo, good in stamped, addressed envelope): Discusses accompanying eight-line errata slip correcting 'a stupid mistake' in 'The Ostrakon': 'I was so wrapped up in the related problem that I failed to see the point you were making [...] Luckily The Ostrakon has not yet been generally distributed, so the correction is in time.' Signed 'L. A. S. Jermyn'. PAMPHLET: fifteen pages, small octavo. Unbound, in original printed wraps. Good, though slightly aged and creased. Unobtrusive ink marks at foot of front wrap.

10 pages on 5 8vo leaves. In good condition, but with a few large blots. The first part of a letter by a writer who appears to be English. Straight out of B. Traven. The author wants Joan to join him and Gwen in partnership with Hamerly. 'Hamerly is down here from one of his expeditions & we became friendly through his having lived & travelled widely in the Paraguayan Chaco.