B.

1p., 4to. Fair, on lightly-aged paper, laid down on the remains of a leaf of grey paper from an album. Sprague has only just received his recipient's letter, 'with its invaluable accompaniment', presuming that it was detained at New York for more than two months. He will send a proper letter in a fortnight; in the meantime he writes 'to introduce to you my worthy and much respected friend Mr Solomon Stoddard of Northampton, a direct descendant of the venerable divine whose name he bears [i.e.

Nos, 21-24 (all 1906), clean apart from rust to staples , some wear and staining, mainly good condition.'. No. 21 "Free Sample Copy" stamped on first page top. COPAC lists copies at the British Library, Cambridge, and Trinity College Dublin (the latter incomplete). The National Library of Ireland has a set (whether complete unclear).

4pp., 12mo. On two bifoliums. Good, on lightly-aged paper. To an unknown recipient. The letter begins: 'Dear Sir | I shall be glad to be of any service to an intending fellow traveller in the Holy Land.' In eight numbered paragraphs, discussing: dragomans ('I was fortunate enough to secure a trustworthy native servant at Jaffa, who had all the knowledge & experience of a dragoman, without the insolence & extravagance which is common to the class. His name was Abdullah of Bethlehem. [...] He charged me on an average £1.

An interesting correspondence by an author about whom little is known. The 54 items (including one TLS to Gardiner from Methuen & Co Ltd) are in fair condition, on lightly-aged and worn paper. Four letters are signed 'Chas. Inge' and the others 'Chas. I . Gardiner'. The earliest items (1904-1911) are on the letterhead of 'CHAS. I. GARDINER', Blenheim Mansions, Queen Anne's Gate, London; thereafter he moves to 9 Irving Mansions, Queen's Club Gardens, West Kensington, and thence, while serving in the First World War, to York.

2pp., 12mo. 42 lines. Bifolium. Fair, on aged paper. Addressed on reverse of second leaf to 'I. P. Cory Esq'. The letter begins: 'A friend of mine Mr. Jackson having told Mr. Rowbotham [Ruskin's tutor John Rowbotham] that I had discovered a method of trisecting an angle that gentleman said he had done it himself, which I believe he has, upon the proposition you showed me - he says it was originally published by Professor Leslie'. Inglis considers that 'Mr. R. seems to have hit upon something he does not quite comprehend'.

Sent by Niven to his literary agent J. B. Pinker, whose date stamp is on the first of Secker's letters. All four items in fair condition, on aged and lightly-creased paper. Secker's first letter: 1p., 4to. He begins by praising 'Denny's display' [a window display of Niven's work in Denny's bookshop in the Strand]: 'I am wondering whether you managed to get the photograph into any of the papers. Shall I send it to the Bookman?' He continues: 'The sales [of Niven's novel The Porcelain Lady] up to date amount to 434 in England.

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

1p., 4to. Good, on lightly-aged paper. He writes that he has 'received the package containing the Cultivator up to the end of 1850', and that he will pay him after the Ohio State Board of Agriculture meeting on 13 February. He suggests exchanging 'he Western Agriculturalist with the Cultivator that year. 'It has, I presume, been sent to you by the publisher. The first number is not a fair specimen of what the work is intended to be, either in variety of matter, or in the style of mechanical execution; but hope the work will improve on acquaintance'.

Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.

Forster's main objection is that the National Service questionnaire, sent out by the Society of Authors 'at the suggestion of the Ministry of Labour', asks members to 'give general particulars of their political opinions' (see Hansard, 25 May 1939). Four items. ONE. Priestley's letter, addressed to 'My dear Forster' by 'J. B. Priestley'. 1 p, 4to. Twenty lines. Fair, on aged paper.

4to, 2 pp. On bifolium. Good, on lightly-aged paper. Text clear and complete. The letter, of 39 lines, requests Herbert's opinion of 'the feasibility of a plan for the domestication of the Primated Grouse of the western prairies in this section of the country'. He writes because 'some few passages in your own writings have led me to know that one who has the heart of, and a desire to be a true sportsman, would not, if requesting a favor at your hand be overlooked'. Signed 'Titrao Cupido | Box 841 O.O. | Cleveland Ohio'. This has been lightly crossed-out in pencil, with the signature 'Jno.

Five manuscript items, all in the same pencil hand. The name and address of Jean B. Maclachlan written twice on Item One indicates the identity of the notetaker. All texts clear and complete. Fair, on aged paper (but see slight damage to Item Two). Item One: Manuscript notebook. 12mo, 61 pp. Stapled. In original blue wraps, 'SUPPLIED FOR THE PUBLIC SERVICE'. Repeatedly and untidily stamped in red ink on front cover 'PLYMOUTH', with 'CAPTAIN, R.M. | ASSISTANT PAYMASTER' and 'ROYAL MARINES | PLYMOUTH'.

12mo, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. He requests 'the favour of a copy of Dr 's work "The Hoe & the Canoe," for review'. He claims to be 'a friend of Lord Elgin the Governor', and to have been 'a long resident in the Canadas' in his 'official capacity', ending: 'it will afford me the utmost pleasure to say all I can in behalf in [sic] the reviewing publication with which I have the honour of being connected, of Dr 's work'. The truth about 'J. B.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

4to, 2 pp. 23 lines. Text clear and complete. Very good on lightly-aged paper. Reporting the 'record character' of the 'financial result of the recent Anniversary Festival', and thanking Harmsworth for his 'great personal interest in the Festival which has led to the Funds of the Institution being so considerably increased' and 'splendid service', and requesting permission for his 'name to be thus permanently connected wtih the Charitable Work which your kind efforts have so very materially advanced'.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

4to, 1 p. Twenty-six lines of text. Clear and complete. Very good, on aged paper. Minor traces of mount adhering to reverse. Vignette of riverboat beneath heading. Signed by Handly and five others, ending with 'Chauncey H. Castle, Of the Comstock-Castle Stove Co.' Begins 'The division of the Mississippi river between the mouths of the Des Moines and Illinois rivers having been in a notoriously unfavorable condition for the purpose of navigation for the past two years, it has been deemed advisable to call a River Convention'.

8vo, xvi + 57 pp. Final blank leaf. Stitched as issued. Text clear and complete. Aged and worn, with damp bloom to prelims and final leaves. INSCRIPTION, in Pusey's hand, at head of title, 'Rev. The Master of Balliol | with the author's respects'. Sermon on Exod. xiv. 13'. Preface begins 'Non-resistance or passive obedience, in the sense to which they are generally limited, are but two sides of the same doctrine, and, together, are only a particular application of a general principle.'

Wade A289. 12mo: viii + 80 pp and errata slip. In original cream buckram binding, with title and harp decoration in gilt on front board. Black endpapers. Internally tight, on aged and spotted paper. Binding grubby, stained and worn, with slight damage at head and foot of spine. Some ink marking to the fourth stanza of the dedicatory poem to John O'Leary (p.1). Housed in a green solander box. Inscribed at head of title: 'Elizabeth Monteagle from Rose Kavanagh | June 21. 88'.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (7.5 cm square) and second (7 x 10 cm) pages; full-page black and white illustration ('Derby Day') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (4.5 x 7.5 cm) and second (6 x 7.5 cm) pages; full-page black and white illustration ('Marionettes') on third page. Final page blank.

Folio (34 x 21 cm): 32 pp. With all eighteen foldout plans. Unbound and stapled. Text and plans clear and complete. In fair condition, with slight rust to staples and the last leaf (carrying Plan XVIII) loose. The report is addressed to 'The Honorable the Premier of the Colony of Victoria', and dated 'University of Melbourne, 2nd November, 1891. This is, as Allen sets out his aims in the first paragraph, explaining that he is submitting 'the Third and Final General Report concerning my visit to Great Britain and the Continent of Europe.

One page, on the recto of the second leaf of a bifolium, leaf dimensions 31 x 20 cm. In fair condition on lightly-aged paper with slight wear to extremities. According to his entry in the catalogue of the Bibliothèque Nationale, Charles was a 'Géographe attaché au Dépôt général de la guerre en 1933 [sic], ancien membre de la Société de Géographie. - Dessinateur, il eut une production cartographique très abondante à partir de 1823'. Neatly laid out.

Laurence A201. 12mo: 15 pp. Stapled eight-leaf pamphlet. Very good, with a little rusting to staples, and in slightly grubby covers. Attractively printed. Note beneath title: 'This is a verbatim report with only trivial corrections of an impromptu speech at a luncheon given by Mr. Eric Macfadyen on October 30th, 1930, at the Savoy Hotel, on behalf of the building fund of the Settlement. It is thought that it would be interesting to have Mr. Shaw's words just as he delivered them without any attempt at rearrangement or revision.' Loosely inserted are a printed donation and bequeathal slips.

4to, 24 pp. With four pages of illustrations (by J. B. Yeats, Charles Shannon, Sean O'Sullivan, Max Beerbohm and Edmund Dulac). Stapled. In original grey printed wraps. Aged and dog-eared, in worn wraps. The introduction, by 'L. R.', explains that 'THE ARROW is an occasional, a very occasional, publication by the Abbey Theatre. Only four numbers of it have appeared, two in 1906, one in 1907, 1908 and 1909.' Essays by John Masefield ('William Butler Yeats'), F. R.

8vo, 16 pp. In original buff wraps. Text clear and complete. On aged and slightly-creased paper, with rust to the staples resulting in the detaching of the central bifolium. Wraps discoloured. Photograph of Yeats seated in his library on front wrap, and reproduction of Augustus John's portrait of the poet on p.2. On the first page is the facsimile, captioned ' "A Song," from W. B.

4to, x + 64 pp. In original grey printed wraps. In fair condition: on aged paper, with slightly dog-eared with a little creasing and a couple of short closed tears at rear. In lightly-worn wraps. Becker's introduction to 'Diarmuid and Grania', dated 'Oxford, November, 1950', covers pp.1-4, with the play itself on pp.5-41. This is followed by 'Dramatic Commentary' (not on the play) by A. J. Leventhal on pp.42-44, 'Art Notes' by Edward Sheehy on pp.45-46 and book reviews on pp.47-64.