CENTURY

The two advertisements are variants of one another, with much the same text in two columns of small type, surrounded by a decorative border with oriental influence (featuring flamingo, vase, bamboo). Both printed in black ink on one side of a 33 x 26cm piece of tissue. They are frail and unusual survivals: aged and creased with wear and slight loss to the extremities. Both are headed 'UNITED KINGDOM TEA COMPANY | SUPPLY THE FINEST TEA IN THE WORLD | FIRST HAND, DIRECT FROM THE MINCING LANE MARKET.' One is headed, in fancy type: 'THIS PAPER IS MADE IN JAPAN & IS A CURIOSITY'.

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Laid out in the customary fashion, with two tax stamps, one embossed and the other in black ink. Signed 'Cardiff' beside a good impression of his seal in red wax. Witnessed by 'L. Dutens' and 'D G Jacmar'. The indenture is 'Between The Right Honourable John Lord Cardiff of Cardiff Castle in the County of Glamorgan of the first Part John Smith of Wilton Gilbert in the County of Durham Gentleman of the second Part and Thomas Shafto of Dunston in the said County of Durham Esquire off the third Part'.

On 8 x 20cm. piece of paper from official document. In good condition, lightly aged. With embossed seal.

2pp., 4to. In good condition on a lightly-aged leaf of wove paper. The recto gives a list of some of Gladstone's speeches and actions on religious matters between 1834 and 1846, beginning with 'IN 1834, MR. W. E. GLADSTONE, then recently returned to Parliament, first made himself known to the public by his speech against the admission of Dissenters into the Universities.' The page ends: 'In 1846, MR. W. E.

On one side of a 15 x 39 cm piece of Whatman paper. A fragile survival: aged, worn and stained. Drawn to a scale of two inches to 30 feet. Central ground plan ('The Court 73 feet') showing, with size, 'Malting', 'Ale Tonhouse', 'Bear [sic] Tonhouse', 'Brewhouse', 'Milhouse', 'Hop Room' and 'Office', 'Spirit Cellar', 'Tender Trade'. The ground plan is flanked by two elevations. The first is captioned 'The Front of Malting &c to South 71 Feet', and the second, 'The Front of the Malting in the Court Side &c 47 feet'.

On 4 x 11.5 cm piece of paper cut from letter. In fair condition, lightly aged and a little creased. Reads: 'purposes. | Yours very truly | John Francis Maguire'. On reverse: '[...] printer can easily understand my marking. Buf if you have any difficulty [...]'

75pp., 12mo. Internally in good condition, on lightly aged paper with 1860 watermark, and some leaves torn out. In worn red leather half-binding, marbled boards, with damage and loss to spine and front free endpaper torn away. The illustrations cover 19pp in the middle of the volume. Those on 15pp are in black ink, with the rest in pencil, one of them coloured. The butt of many of the jokes is music teacher 'Mr [Jack] Hardie'.

Both items 1p., 12mo. ONE: Letter to Mary. In good condition, lightly-aged. He thanks her for 'the beautiful Plums', before continuing, 'The wee lassie was a little at home with me - She is very bonnie.' Faed's daughter was named Beatrice, so it is likely that the note was addressed to his daughter-in-law, the wife of Jack. TWO: Note to Jack. In fair condition, lightly-aged and creased, with traces of wax from mount on reverse. Reads: 'My Dear Jack | Very glad that Mary is a ltitle better. | Your aff Father | Thomas Faed'.?>

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

1p., 12mo. In good condition, lightly-aged, with small part of paper mount adhering at head. Accepting a dinner invitation on 20 November.

Good firm signature, written diagonally across a 9 x 12 cm piece of grey card, the reverse of a printed advertisement for the American & Colonial Exchange, 8, The Haymarket, London, S.W. In good condition, lightly-aged, with minor traces of glue from mount on the printed side of the card.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

3pp., 12mo. Bifolium. In fair condition, on lightly aged and worn paper. The second leaf has traces of mount on reverse, and slight loss and a closed tear at the foot (not affecting text). He begins by stating that she 'has been collecting money for us at Chester, Stockport & in south-west Yorkshire', and that, although she has not mentioned the visit, he 'can have no doubt that she it is to whom you refer.

On 8 x 22 cm piece of paper. In fair condition, aged and creased, and laid down on piece of card. Note in a contemporary hand in red ink in the margin: 'George Combe the Phrenologist | (Holograph) [sic]'. With five emendations and deletions.

3pp., 4to. Bifolium. In good condition, on aged and lightly-worn paper, with a few minor rust stains. Addressed on reverse of second leaf to the Secretary of the Commission of the Peace. In the hand of a secretary, and signed by Lansdowne. Addressed by Lansdowne on reverse of second leaf 'Sec[retar]y. of Commission'. Docketed: 'Decber. 20th 1861 | Wilts | Ld. Lansdowne recd several | <?> all but the 2 parsons'.

4pp., 12mo. In good condition, on lightly-aged paper. The second page carries photographic reproductions of the bas-reliefs of Tennyson and Carlyle, in frames. The third page gives details of the twelve portraits (Carlyle, Tennyson, Hawthorne, Longfellow, Dickens, Whittier, Lowell, Thackeray, Bryant, E. A. Poe, Ambriose [sic] Thomas, O. W. Holmes), executed by 'Mr. RALPH BARTLETT GODDARD, the eminent Sculptor', stating that they are available in plaster or bronze, and 'form a most suitable adornment for the walls of a private or public library, schoolroom, or study'.

3pp., 12mo. Bifolium. In fair condition, on aged paper, with strip of glue from mount discoloring second leaf. Written in a difficult hand, the letter begins: 'My Dear Sir | I have not forgotten a conversation with you on returning from Bradfield which first opened my eyes to the horrors of Turkish Rule'. He is sending 'a small contribution to a fund to which I am led by your name'. Mentions 'the League', 'Lady ' and 'Col Lindsay', stating that he is 'a little puzzled'. Postscript refers to 'Mr Probyn Editor of the Cobden Club', ending 'I am just going to a meeting at Barnstaple'.?>

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

The two items each 4pp., 4to, and bifoliums. Both on the same grey paper. ONE: 10 August 1854. Signed 'J G MacWalter' and addressed to 'My Lord Archbishop'. He hopes that the Archbishop's 'health is quite restored and that the petty war waged against you will have no ill effect upon it. I received a long abusive letter on the subject which I boldly refused to insert.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

The four items in good condition, on lightly-aged paper. The first two items originally pinned together. The signature on the first letter clearly written out, the other three signatures more hurried. ONE: 8 February [1880]. 1p., 12mo. 'I am going to take a rest. Supposing I can give you a week (two sketches an evening) between Feb 21 & March 13th. What will you stand?' TWO: Signed undertaking. 1p., 12mo. Not addressed. Begins with quotation: 'Right you are says Moses'. States: 'This is an equivalent for booking you for 23rd. 7 performances'. THREE: 17 February [1880].

6pp., 12mo. Cyclostyled in purple ink on two loose leaves of 8vo paper (one printed on one side only, and the other on both sides). A facsimile of small handwriting, with five illustrations, including one captioned 'Steamer on the Hudson River' (the others a view of the Brooklyn Bridge from the river, a silhouette of a racing 'sulky' carriage, a steamer, and an ancient statue 'From Cyprus'). In fair condition, lightly-aged, with light rust marks from a paperclip. The second sheet, of four pages, ends abruptly, with a pencil note: 'concluding pages wanted'. The text begins: 'New York.

A short-lived periodical, of interest as a forerunner of the ISBN system: the Cambridge Bibliography of English Literature states that it ran from September 1895 to August 1898, and gives Armistead Cay as joint-editor. The eight numbers are as follows: Vol. 1 No. 2 (March 1896); Vol. 1 No. 7 (August 1896); Vol. 1 No. 8 (September 1896); Vol. 1 No. 9 (October 1896); Vol. 1 No. 11 (December 1896); Vol.1 No. 12 (January 1897); Vol. 2 No. 4 (May 1897); Vol. 2 No. 9 (October 1897). The eight 8vo pamphlets are stapled into printed wraps, and are uniform in design.

On 5.5 x 18.5 cm strip of paper. In good condition, lightly aged. Good firm signature. Reads: 'Yrs: very faithfully | R. Jenkyns. | Balliol College | Jan: 28. 1835.' Annotated at foot in a nineteenth-century hand: 'Master | and also 1845 Dean of Wells'. Reverse reads: '[...] & hasten to inform you thhat although the Term began on Saturday last the 24th: Inst:, yet if the state of your Son's health should render it desirable for him to remain [...]'.

2pp., 12mo. On leaf with mourning border. He thanks him for his letters, and expresses disappointment that he 'could not come to the Cricket Match', which was 'not finished, but decided in favour of Knebworth according to the score of the first Innings'. He asks him to obtain 'estimates for lightening [sic] conductors to each of the 8 turrets at Knebworth'. He fears that 'these copper domes are themselves lightening conductors which are now cut offf from all communcation with the earth'.

Rochefort's letter: 1p., 12mo. Thirteen lines of text. In fair condition, aged and worn. Following an 'aimable visite' he thanks him for 'le plus charmant article', with reference to 'Mr. Dufaux' (Rochefort's future son-in-law) and 'son tableau ' and 'son buste'. After more graceful thanks and a request he ends, 'Mille poignés de main avec la moitié pour Neville'. The copy of 'La Laterne d'Arlequin' (not to be confused with Rochefort's 'La Lanterne') is 16pp., 12mo, in its original orange printed wraps. In good condition, lightly aged.

1p., 12mo. In good condition, lightly-aged. He writes that he has had 'a very fine p' sent to him, and asks if Pearson might accept it. 'If you dont care about it yourself you may have friends here to whom you might like to give it. Only, unluckily, I must have back the top'. He ends with a complaint regarding a 'Bronchial cough'.?>