ENGRAVINGS

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

The engraving, which is not in the collection of the National Portrait Gallery, is on a piece of 19 x 14 cm paper, with tissue guard. The image measures around 8 cm square, and shows Landor's head in profile, looking to the left, with 'A. D'Orsay' beneath to the left, and 'H. W. Smith' beneath to the right. In good condition, lightly-aged, with small stain to one edge of border. Attached to a piece of paper, along with the piece of Landor's autograph, which is on a 1 x 18.5 cm strip of grey paper cut from a letter, and is in fair condition, lightly-creased.

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

Most of de Lairesse's plates were, as the British Museum Department of Prints and Drawings notes, 'originally published by Nicolaes Visscher, who published a collected edition under the title "Opus Elegantissimum" in c.1675. The BM holds an album bound in vellum containing the Gerard Valck edition of 'Opus Elegantissimum', a selection of numbered etchings by Lairesse and 13 unnumbered etchings and mezzotints by other printmakers (Valck, van den Berghe and Blooteling) after Lairesse'.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

Original hand-coloured engraving, two hundred years old. Landscape 8vo, with the dimensions of the plate 19 x 24 cm, on paper 20 x 27 cm. In fair condition, on lightly-aged paper, with smudge to top left-hand corner (not affecting the image). A striking and attractive print, tastefully coloured, showing a boat filled with attendants, dwarfed by the Hindu goddess Kali (the Black One), who is garlanded with skulls and wielding a sword in one of her four arms, with a temple in the background.

Printed on one side of a piece of laid paper 28 x 23.5 cm. The hand-coloured engraving (showing Mathews in riding garb with long whip in foreground, and a coach and four in the background) is 16 x 22.5 cm. Fair, on aged paper, with wear and slight loss to extremities (not affecting the engraving or text), and the reverse showing signs of removal from an album. Above the engraving are the words 'BANG UP - RANDOM, OR TANDEM.' and beneath are the publication details, followed by the full title: Some Push Along With Four In Hand, While Others Drive At Random. Written by J.

Grant's work has been undergoing a reappraisal of late. According to his entry in the Oxford DNB, 'Every Body's Album' forms a 'substantial body of work, using the tonal qualities of lithography in an extremely subtle manner, and constituting some of his finest work in the medium. The series often made use of a thematic, though not narrative, unity to picture a world in the grip of folly and distraction and can be read on more than one level—as harmless fun, meaningless nonsense, or social critique.' No.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.

2pp., 12mo. 21 lines of text. Good, on aged paper. She lists four 'figures of St Alexis' which she has found among her memoranda (the first: 'By B. Lutti - much praised by Lanzi - but I know not whether engraved'). Following the four is 'St Adrian. Domenichius Engraved by Gregori'. She asks: Have you any of these or could you procure them for me?' She will be in town the following day, and is 'in desperation about the St Alexis because the press is stopped for want of him - pray help me if you can!'

Note: 1 p, 4to. Addressed on reverse to 'W. S. Tuckerman Esq | Post Office | Boston', with red ink postmark and remains of red wax seal. Good, on lightly-aged paper. Reads: 'Boston 30 Octr. 1843 | [name deleted] Esq | Sir | I have much pleasure in complying with the request conveyed in your letter of Saturdays date. | I remain yours very truly | [signed] Dion: Lardner'. Print: 11.5 x 17.5 cm (including 0.5 cm white border). In good condition, neatly laid down on piece of wove paper, 22.5 x 29 cm, with black ink border.

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

In fair condition, on lightly-aged paper. Twelve of the engravings are on paper roughly the same size (12mo), with the thirteenth smaller, but laid down on a leaf of the same dimensions. The majority of the women are writers, and the collection may well have been assembled to illustrate a work such as Byron's Letters and Journals. The thirteen women depicted are Hannah More, Maria Edgworth, Lady Noel Byron, Teresa Guiccioli, Caroline Lamb, Mrs Henry Tighe, Lady Morgan, Joanna Baille, Felicia Hemans, Mary Russell Mitford; Anne Maria Porter; Jane Porter. Artists are G. Freeman, W. J.

On paper roughly 33 x 25.5 cm. The illustration itself is clear and complete on lightly-aged paper. Creasing around extremities and to left of caption. Tenniel's monogram, with number 61, in bottom left-hand corner. Britannia grips King Mob by the throat, while a paper crown (with 'MOB LAW' written on it) falls from his head.

On paper 52 x 33 cm. Tenniel's monogram, with number 58, in bottom left-hand corner. An giant female figure, with black mask, blazing torch and sash on which is written 'MURDER', directs an assemblage of Fenians and Sheffield trade unionists. The caption reads 'Fenian conspiracies and outrages in Ireland and Manchester - co-incident with the revelations of murderous Trade-unionism at Sheffield and elsewhere - agitated the public mind, and seemed like an evocation of the Spirit of Slaughter to trample on the Law.

Oval head-and-shoulders portrait of a bare-headed Franklin, roughly 8 x 6 cm. Well coloured. Good clear impression, on aged paper with some spotting. On paper 16.5 x 10.5 cm, laid down on leaf from autograph album.

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

On piece of paper roughly 29.5 x 44 cm. The image itself is 30 cm wide, with an arched top 18 cm high at sides and 22 cm at the highest point. The image is clear and complete, on dusty spotted paper with fraying and loss to top edge especially. A charming image, showing Victorian middle-class townsfolk comporting in the town centre, with a wide main street with two carriages, and shop names including 'ELLIS' and 'WILSHER BUILDER'. Towards the centre is 'CHEEKS PRINTING OFFICE', 'BOOKSELLER STATIONER'.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Both engravings 8vo. Both by W. & J. Walker, from drawings by J. Dixon. Both impressively detailed, with that of the Royal Box showing crowds of fashionable people in the foreground. Both engravings are clear an complete, but with creasing from folding into the European Magazine. Both a little grubby, an with wear to the margins. The engraving of the organ has a strip of backing along the left-hand margin, and that of the royal box is mounted in a paper windowpane.

4to, [xiv] + 479 + [Appendix:] 56 + [Index:] [lxxx] pp. Uncut, in original quarter-binding of grey paper boards and green cloth spine, with chipped red paper label, gilt, 'CATALOGUE OF BRITISH PORTRAITS'. Internally sound and tight on aged paper, apart from detached half-title and flyleaf. In worn boards, with closed tears to hinges. Ownership inscription of 'F. Walker' on flyleaf, and armorial bookplate of Captain Neville Rodwell Wilkinson, Ulster King of Arms and Principal Herald of All Ireland, on front pastedown.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The original metal plates for 102 engravings by Thomas Downey, caricatures of leading English theatrical figures, including Mrs Patrick Campbell, Herbert Beerbohm Tree, George Robey, George Alexander and Marie Tempest, in performances on the London stage between 1913 and 1917.A friend of the artist Alfred Bryan (1852-1899), Downey was active from the late 1890s (when he contributed to J. K. Jerome's Idler magazine) to the 1930s.

8vo (23 x 15 cm), 32 pp. Stapled. Outer pages in blue. In fair condition, with a little damp-staining at the head of the first leaf (with minimal effect on the text), and a tiny dab of the same staining continuing at the corner of each leaf (not affecting the text). Title-page on cover illustrated by C. H. Dennis, showing Uncle Sam sharpening a razor of 'GOOD CUTS'. Note on page 2 begins: 'THIS CUT BOOK contains a few of the many varieties and styles of cuts which we carry in stock and use on your printing free of charge. We have many more and are constantly adding new designs. [...]'.

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.

Landscape 12mo (leaf dimensions 12 x 16 cm): 27 pp. Stitched with no jacket as issued. Covers a little grubby, but a good copy of a scarce item. Title page and twelve delightful full-page pochoir illustrations by Arnoux, all hand-coloured: 'En temps de Paix', 'Premier contact', 'Le sous-lieutenant', 'Les Indiens', 'Black-Watch', 'Le capitaine et l'infirmiere', 'Les Irlandais', 'Le Major', 'La Mascotte', 'Ship ahoy!!', 'Le bon Ecossais' and 'God save the King'.

8vo: 32 pages. Stitched pamphlet. In small type. Good on aged paper with light wear to covers and dog-eared corners. Text clear and complete. A few pencil notes. Prices are given. The last four pages consist of an 'Extrait du Catalogue de Librairie Furne, Jouvet et Cie, éditeurs'. No illustrations. Scarce: not in the Bibliothèque Nationale, which does however contain a copy of an 1871 catalogue by the firm. No copy on COPAC. The British Library has one of the firm's catalogues from 1890.