STAGE

4to, 1 p. 19 lines. Text clear and complete. On aged and lightly creased paper, with strip of sunning to left-hand margin. Neat signature: 'Nicolas Bentley'. The film and television rights to the book were all 'bought some years ago by Herbert Wilcox, who, as I understand it, still owns them'. Bentley has reports the opinion of 'Messrs A. P. Watt, my late father's agent', on the question of the radio rights. 'I control the stage rights', Bentley states, giving the conditions on which he would agree to a stage adaptation.

Small 4to, 140 pp. Paginated by Whelen. Notebook of good laid paper, in boards covered in patterned paper, with the word 'BIOGRAPHICAL' in faded red manuscript at head of front cover. Text neatly written and clear and complete. Good: internally sound and tight on lightly-aged paper; in worn and chipped boards. The flyleaf is dated 1939, with Whelen's addresses given as the Royal Societies Club, St James's St, and 5 Place de la Taconnerie, Geneva.

Small 4to, 61 pp, with the first four pages unpaginated and the last ones paginated 1-57. In notebook of good laid paper, in decorative boards. Text clear and complete. Very good, on lightly-aged paper; in worn and chipped wraps, with 'U.S.S.R.' on spine and front board. Various addresses by Whelan inside the front cover, with the date 1936 amended to 1945 and 1950. Pages of slogans and abbreviations are followed by the notebook itself. The volume intersperses notes on the visit (ending at p.31) with extracts of quotations, statistics and other matter about the Soviet Union.

Five of the items are 8vo, with the other on a 12mo slip. All texts clear and complete. Fair, on slightly-aged and worn paper. A total of five typed 8vo pages, and two autograph 8vo and two autograph 12mo pages. Four of the lettters have 'The Fol-de-Rols' printed on the letterhead. Dealing with practical everyday theatre matters, with Newman writing, for example, on 19 November 1955: 'I have bought a few costume from the Punch Revue which died an early death at the Duke of York's theatre last Saturday.

12mo, 7 pp. Text clear and complete. On aged discoloured paper, with rusting staple having been removed. The last page carries a 'List of Characters' played by Gatty, from the 'First Gravedigger' in 'Hamlet' in 1866 to 'Tony Lumpkin' in 'She Stoops to Conquer' in 1882. The reviews, in small type over the previous six pages, are highly favourable, from a range of papers from the Guardian to the Sheffield Daily Telegraph. The last set of reviews relates to the 'Harmonomaniac Concerts, Oxford'. From the residue of Sir Stephen H. Gatty's papers.

Two pages, 12mo, to "Mrs Chapman". She explains that she has had to give up her role in "Dear Charles" because she us "over-tired". Sir Horace Evans has ordered "complete rest for a month, the two more months recuperation". She is "sad and upset about it". She hopes her correspondent willl still enjoy her work when it resumes.

4to, 1 p. Trimming at head has resulted in loss to the first line of Disher's address; otherwise text clear and complete. On lightly-aged and creased paper, with jagged trimming at head and in bottom right-hand corner, and three punch holes to margin. Bearing the stamp of the Secretary's Office, Clarendon Press, Oxford. He is returning the 'corrected typescript' and is setting out his qualfications. The bottom section to the letter contain eight lines of these. Disher describes himself as 'contributor to leading journals on the subject of public entertainments in general'.

12mo, 2 pp. Thirteen lines. Text clear and complete. Fair, on lightly-aged and creased paper, with small hole to one margin. The stub of the second leaf of the original bifolium attached to a leaf removed from an album, docketed in a contemporary hand 'Autograph of Lady Becher - formerly Miss O'Neill'. Suggesting that she direct her 'Concordance to Shakespeare' to 'Messrs. Dowbiggin & Co. Upholsterers, Mount St. Grosvenor Sqre., to be sent over with the Furniture for Sir Wm. Becher', in which case it will be examined 'in due time'.

4to, 1 p. Text clear and complete. On creased, aged paper. He will not be able to visit Margate that season, as he is 'entirely occupied with private business', and is 'as much "nail'd to the Counter" as if I had to act every Night at Cov[en]t. Garden'.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

4to, 2 pp. Text clear and complete. On aged and lightly-creased paper. 'The nature of my business is a desire to become a tenant of the Prince of Wales Theatre, for a long or short time, and entirely subject to existing arrangements in order to produce a play which good judges (as well as myself) regard as one (if not the) play of the present generation'. The name of the play is not given. Barnes states that 'if Mr Harvey is your permanent tenant it would quite suit me to do the play at any time <?> another provincial Town'. He offers 'a short or long lease [...] with unimpeachable security'.

12mo, 2 pp. On bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. Part of the leaf to which the item was attached in an autograph album adhering to blank part of reverse of second leaf. 'Miss Cross' has written to him again, 'desiring me to use my influence in obtaining an engagement for her. - She states she is "quite disengaged now" '. Sothern states that when she made a similar request on a previous occasion 'there was some little misunderstanding', so he considers it best to 'drop you a line'.

Dimensions 25 x 20 cm: [ii] + 87 pp, all on rectos. Bound in stained yellow wraps, with black tape spine. Well-thumbed, but in fair condition internally, tight, clear and complete. The names of the eight actors are added in pencil in the list of characters. In the first six cases only the christian names are given ('Dracula' is given as 'Alan'), but 'Professor Abraham van Helsing' is played by Andrew Turner, and 'Lucy Westenra' by Jannina Tredwell (who featured in a 1974 revival of the musical 'Hair').

All four items good, on lightly aged paper. Two of the five leaves have small dog-ears to corners. Goodman has done his accounts on the blank reverse of one leaf. An important collection, in which the most important British post-war play agent reveals, in entertaining and increasingly-brusque terms, the criteria by which she judges scripts. Goodman was hailed by Jacques Barzun as 'the greatest living master of true-crime literature', but his first love was, as his obituary in the Daily Telegraph (16 January 2008) states, the theatre.

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

12mo, 4 pp. Bifolium. On grey paper. Text clear and complete. Good, with one minor stain not affecting text. Two punch holes at head through both leaves. He congratulates her 'on the success of yr. most clever little play!', and wishes she 'had been there to see it, we had to add a little here and there to fill it out for a big stage [...] it went wonderfully well and the notices are fine!' Proposes, with her permission, to do it again 'at a Lyceum matinee Joe Hurst'. Ends by informing her that 'Mr. Mellish was simply fine.'

8vo, 72 pp. Stapled and unbound. Complete. On aged paper. The outer leaves are worn and coming apart at the spine. Otherwise the item is sound and tight. 1976 items. Items 783 to 883 concern 'the Bacon-Shakespeare Controversy'. Items 888 to 893 are 'Books from the Library of the late Dame Ellen Terry.' ('Only a few Books from her Library were sold, and Association Books are very difficult to obtain.'). Items 894 to 982 are 'Books on the Drama and Shakespeare, from the library of Henry Arthur Jones'. Items 983 to 1976 are 'Books on the Drama'.

The greater part of this collection consists of the responses of the British actor-manager Sir George Alexander (1858-1918) - best known as the first producer of Wilde's 'Importance of being Earnest' and 'Lady Windermere's Fan' - and his representatives to the requests of the scrapbook's compiler, Harry E. King. Twenty-eight leaf quarto scrap book, in which twelve leaves have been used. Items in good condition, with occasional spotting and fading. Album itself, on discoloured, high-acidity paper, in poor condition: binding loose and worn, with damage to spine.

On one side of a piece of green paper, 8 x 15.5 cm. Aged and spotted, and with traces of glue and paper from mount still adhering. Central closed tear (not affecting text) caused by removal from mount. In Cushman's florid hand, with the signature roughly 3.5 x 9 cm. Reads ' "Oh! I am fortunes fool!" | Charlotte Cushman | Dublin April 4th. 1846.'

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.

The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'

Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.

On a leaf (roughly 15.5 x 18 cm) removed from an autograph album. Aged and a little grubby. Both hands bolder than usual. Recto reads '"Courage Mounteth with occasion" - | Yours sincerely | [signed] Violet Vanbrugh'. Verso reads 'Yours sincerely | Dora Labebette.'

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

The collection is in good condition, with items on lightly aged and creased paper. Letter One (12 September 1951, Onslow Gardens; 12mo, 1 p, in envelope): As Kyrle Fletcher 'may have seen', Speaight is engaged in a biography of William Poel, and is 'anxious to trace the letters he received from Shaw & which were sold about 1930'. Kyrle Fletcher has docketed the envelope with a precis of his reply. Card (postmarked 14 September 1951): Thanking Kyrle Fletcher for his 'letter & most useful suggestions'.