Literature

Friends of Horace Walpole. [Mary} ANS, One page, trimmed 12mo. She cleverly expresses an invitation to visit. The wit is obvious, some of the words not. With: autograph note, trimmed 12mo, Richmond Hill, 2 Aug. (no year), saying simply "Yes certainly pray come to us tomorrow - We dine at 9 - this is all the Post hour will give me leave to day". Two items,

4to, 2 pp. On bifolium. Good, on lightly-aged paper. Text clear and complete. The letter, of 39 lines, requests Herbert's opinion of 'the feasibility of a plan for the domestication of the Primated Grouse of the western prairies in this section of the country'. He writes because 'some few passages in your own writings have led me to know that one who has the heart of, and a desire to be a true sportsman, would not, if requesting a favor at your hand be overlooked'. Signed 'Titrao Cupido | Box 841 O.O. | Cleveland Ohio'. This has been lightly crossed-out in pencil, with the signature 'Jno.

16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.

12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'

Both items in good condition on aged paper. A dramatic, almost novelistic correspondence, regarding 'the Signora' (named in the second letter as 'Mme Sineo', who is staying at her house in Torquay and is apparently too frail to return to her London house. Letter One: Docketed 'No 1'. 12mo, 4 pp. Peard states that she has not 'written of late about the Signora. She has got fairly well again, but she does not seem to us fit to return to London, & I hear that her doctor does not think she ever will be fit.

Four pages, 12mo, good condition.He thanks him for his letter and some enclosures which he lists (Baker's [African explorer] letter, [Smithers'] reply, Lady B.'s letter), continuing, "Your letter to Baker enters fully into the subject, and makes the state of affairs quite clear, and we can now only await the return of Lady Burton and Dr Baker to England. I hope that you will go on with Catullus [trans. Richard Burton] and your proposals about bringing out two editions of that work appear to be good and commendable ...

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

Cheque, printed in blue. Good, on lightly-aged paper. Written out for ten pounds and signed 'Ella R. Christie'. With various stamps and perforations, not affecting Topelius's signature. Christie's translation from Topelius, 'Fairy Tales from Finland', was published by T. Fisher Unwin in 1896.

8vo, [ii] + 30 pp. All nine illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'Preparing for Publication, | JACK AND THE BEAN-STALK. | EDITED | AND | ILLUSTRATED | BY | GEORGE CRUIKSHANK.' Internally good, on aged paper (the last print particularly foxed), in fair binding with light wear and slight staining.

8vo, 32 pp. All eight illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'ALREADY PUBLISHED, | HOP O'MY THUMB AND THE SEVEN LEAGUE BOOTS, | ILLUSTRATED WITH SIX PLATES, CONTAINING NINE SUBJECTS, | BEING | No. 1 OF GEORGE CRUIKSHANK'S FAIRY LIBRARY. | Preparing for Publication, | No. III. | CINDERELLA AND THE GLASS SLIPPER.

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

Both 12mo, 2 pp. On bifoliums, the first with mourning border. Both texts clear and complete. Aged and lightly creased, with the first item bearing traces of being mounted in an album. Letter One: He hopes to be 'present at the next Sessions', and will be 'quite prepared after the County business is over, to attend the Committee of Subscribers to Sir William Heathcotes Portrait'.

xvi.208pp., 16mo, one foxed plate, very attractive red leather, gilt decorated binding, corners bumped, 2 or 3 small spot, aeg. Conclusion of Preface, "The Editor would take this opportunity of acknowledging the kindness of those of his poet-friends who have furnished him with pieces hitherto unpublished; and forming not the least attractive feature of the present selection. | Bedford | Feb.19th, 1842". Poets include Wordsworth, LEL, Felicia Hemans, etc, etc.ViaLibri site ascribes the one copy (but published by T.

xxxviii.80pp., 8vo, printed red cloth, slight hinge strain, endpapers discoloured, cover has minor defects, but is attractive. A drama. Scarce: COPAC lists only the BL copy but WorldCat lists five other British repositories.

138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.

[viii], 199pp., 8vo, green boards, gilt, with embossed green shamrock, gilt outline, some foxing, especially first few pages, mainly good condition, . Scarce.

12mo, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. He requests 'the favour of a copy of Dr 's work "The Hoe & the Canoe," for review'. He claims to be 'a friend of Lord Elgin the Governor', and to have been 'a long resident in the Canadas' in his 'official capacity', ending: 'it will afford me the utmost pleasure to say all I can in behalf in [sic] the reviewing publication with which I have the honour of being connected, of Dr 's work'. The truth about 'J. B.

8vo (A4) handbill, printed on one side. The heading 'FREE MARIJUANA PRISONERS' and part of the text reproduces handwriting (printed not cursive so to speak - see image on my website - Ginsberg's or Saunder's?) , the rest is typed. Text clear and complete. Fair, on lightly-aged and creased paper. The part of the text reproducing manuscript reads 'Many New Yorkers are arrested each year for possession of the harmless herb marijuana. Woman prisoners are kept in the Women's House of Detention. NYC Lemar will demonstrate at the Women's House of Detention Greenwich Ave. & W.

On piece of good quality art paper, 15 x 19 cm. In good condition, in grey card frame. Shows a cheery Acton in profile, drawn in grey and black. Signed in ink on drawing 'b.g.b. | 82', with 'Sir Harold Acton at the Arts Club 20.I.82' in pencil at foot. On the reverse of the drawing Bagnall has written 'Brian Bagnall | Sir Harold Acton at a private view of Russell Forman paintings Arts Club 20.I.82'.

31pp., 12mo, illustrated blue wraps (a warrior), contents crudely joined to wraps with sellotape, wraps sl. chipped and worn, contents mainly good. No copy listed on COPAC; four copies listed on WorldCat (3 in South Africa, and Texas).

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

Typescript of 'The Balloon': landscape 8vo, 24 pp. Text clear and complete. On aged paper. With pencil emendations (including the deletion of a number of passages) on practically every page. Described by Cross as a 'radio composition' and a 'fantasy for broadcasting', 'The Balloon' presents an absurd take on T. S. Eliot's verse plays. It was transmitted on the Scottish Home Service of the BBC in 1946, with music by Cedric Thorpe Davie (1913-1983). There is no record of it having been published. The five typed letters total seven 4to pages. The autograph letter is landscape 12mo, 1 p.

Folio, [ii] + 16 pp. Text clear and complete. Fair, on aged and spotted paper. First page headed in pencil 'Mr. John Keir Cross' and with the following, also in pencil, at foot: 'Transmission: Sat. 29th January, 1949. | 7.45-8.25 p.m. Third Prog.' First two pages give details of the production, including the names of the producer Noel Iliff and of the seven 'Speakers': Alan Wheatley, Laidman Browne, Valentine Dyall, Patricia Jessel, Anthony Jacob, Robert Marsden and Raf de la Torre. Second page includes instructions regarding the characters of the 'Voices' and a 'Production Suggestion'.

Reproduction of black and white drawing in Blake's inimitable style. 4to (34 x 29.5 cm). Good, with a little light creasing. Reproduction of black and white drawing in Blake's inimitable style. Depicts anthropomorphic bear, pig, chicken, squirrel and hedgehog in a line from largest to smallest, all with party hats, smiles on their faces and forepaws and other front limbs aloft. Blake's address, as part of printed piece, written upwards along left-hand margin.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

Two pages, 12mo, bifolium (second leaf blank), very good condition. "There is a book of mine 'On Academical Organisation' but it is hardly likely to be interesting to any but university persons. | Also in 'Report on Elementary education in Germany' but I believe out of print. | Editons of portions of Pope's works with notes & Prefaces - and all editions of Milton's sonnets just now on the point of appearing. | I enclose a photo. the only one I have by me - my friends don't like it.

One page, 12mo, bifolium, fold marks, good condition. Tamarton [sic for Tamerton] Church Tower & other Poems are now included in a volume called 'Amelia and other Poems.' It is published by Geo. Bell & Co. York Stret, Covent Garden. I do not know Mr Palgarve's address, but a letter to Macmillan & Co, his publisher would reach him.

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.