AUTOGRAPH

12mo, 1 p. Text clear and complete. On aged and creased paper. As 'Archdeacon Manning was unable to call in Clifford street' on the previous Saturday, he would like 'Messrs Stulz to finish his frock coat, & to send it to 22 Tavistock Square, not to be forwarded.' The address was the home of Manning's brother-in-law John Lavicount Anderdon.

12mo, 1 p. Fair, on lightly-aged paper. He is 'unable to make an offer for the back Vols of The Athenaeum - our stock in house being sufficient to meet demands'.

12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.

12mo, 2 pp. 22 lines. Text clear and complete. Begins by explaining his reasons for not supporting Humberstone in an unspecified election. Humberstone has 'valiantly' supported 'the cause for Research at the Universities', and his 'knowledge of University affairs' is 'profound', but 'after a time new minds have to have their turn!' He remembers a paper of Twort's 'on airborn infection problems' which interested him 'much'. 'I know he was an original investigator, but somehow he seems to have got across people in his line of work. I don't propose to go in for Biological Warfare!

Both items in fair condition, on lightly-aged paper, with traces of mount on reverses. Letter One: 4to, 1 p. He is away from the office and out of town, and has asked 'P. O'Donoghue, who deals with publications for the News Chronicle', to get in touch with him: 'I know you will find his counsel very sound'. Letter Two: Thanking him for his endorsement of his book. 'There is nothing that could possibly give an author greater encouragement than to receive such informed and stimulating words from someone such as yourself.'

12mo, 2 pp. Nineteen lines. Text clear and complete. Fair, on lightly-aged paper. Thanking him for his 'excellent book on University Reform in London': 'I read it carefully when it came out and was much impressed by your clear statement of the problem and the thoughtful discussion of possible solutions'. He will now prize his own copy, as it is 'a really important contribution to a subject which has naturally interested me for the past 18 years'.

4to, 1 p. Twenty lines. Text clear and complete. Good, on aged paper, with slight traces of mount on reverse. Having read Humberstone's article on the London School of Hygiene, he is 'sending it to the printers to be set up'. He commends the article for dealing with the subject 'in an interesting and useful way'. He rejects the five plans Humberstone has sent, as they would not 'reproduce satisfactorily', and a photograph which is 'too large to go across a page', and would like 'a photograph of the elevation of the School' and 'either a photograph or an electro of the design of the Seal'.

4to, 1 p. Fourteen lines. Text clear and complete. Fair, on aged paper, with negligible hole caused by wear (not affecting text). He is enclosing a 'notice of the Joint Resolution', which 'recites facts, gives reasons, & is outspoken'. He has 'not had time to dwell much on its literary shape wh. is however not of great moment'. He has 'partly read Armstrong's book' (Edward Armstrong, fellow of Queen's College?), and is 'in sympathy' with 'a considerable part of the early addresses'.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on lightly-aged paper, with slight trace of mount on reverse. In reply to his address of 'gracious lady' she must reply 'gracious sir'. She is 'so pleased' to get his commendation of her 'The Best of Friends: Further Letters to Sydney Carlyle Cockerell', and is sending his letter on 'to Sir Sydney, who has long been bed-ridden', as she knows it will give him pleasure.

12mo, 2 pp. Twelve lines. Text clear and complete. Good, on lightly-aged paper. He is sending 'a copy of my little book' and asks his correspondent to 'treat it as confidential'. He will accept the 'copy of the Year-book', although he is 'no longer a schoolmaster'. Humberstone is not named, but the item is from his papers.

Both items fair, on lightly-aged paper, with evidence of previous mounting. The signature ('A W Head') is on a piece of 12 x 10 cm paper cut from a typed business letter, and reads 'Yours sincerely, | [signed] A W Head | A. W. Head.', with the reference 'AMH/MKP'. Neatly written in blue capitals, underlined in red, is 'FORMER SECRETARY TO LORD ALFRED DOUGLAS AND AUTHOR OF "IT COULD NEVER HAVE HAPPENED"'. The photograph by 'Photo Lenare', 10 x 14 cm, apparently cut from a magazine or book jacket, is captioned 'ALICE M. HEAD - a recent photograph'.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

Eric Barton's letter: 4to, 1 p. Nineteen lines. Text clear and complete. Fair, on aged paper. His wife wishes him to apologise for not replying: her illness and that of their 'small son' prevented them both from 'attending to a huge mass of correspondence following the Oscar Wilde ceremonies'. He will attend to Bright's order and will also 'put you on our mailing list for books by and about Crowley and Summers. I too met both these gentlemen when they lived in Richmond, and visited Mr. Crowley at his flat in the Paragon'.

4to, 1 p. Good, on aged paper, with light traces of mount on reverse. Giving the results of his enquiries 'with regard to the statement attributed to one of our Inspectors by a speaker at the January Educational Conference at University College', with reference to W. N. Bruce.

12mo, 1 p. Good, on lightly-aged paper, with slight traces of mount on reverse. Regretting, given his 'keen interest' in the affairs of the Association and of the College, that Humberstone cannot attend a meeting of the RCS Association. The influence of the Association is 'probably considerable' regarding 'the development in progress', as many members are very active in the matter.

12mo, 2 pp. 25 lines. Text clear and complete. Fair, on aged paper, with thin neat strip from mount along left-hand margin on reverse. The letterhead, printed in brown, is headed 'JOHN CARVETH WELLS, F.R.G.S.' and features a small caricature portrait of Wells, apparently seated in a pram, reading from a book. Beneath his name is printed 'Poems, Short Stories, Articles, Lyrics and Music. | Travelogues and Talks. Hand-made Jewellery. | Colour Linocuts. Radio Talks, Acting, Writing.' The author of this letter published an autobiography, 'My Candle at Both Ends', in 1944.

12mo, 1 p. Fair, on aged paper, with brown paper mount along one margin. The letterhead, with design of three swans, is printed in purple. Having seen a notice by Freeman in the Sunday Times, he has 'jotted down (at high speed) the enclosed notes' (not present). Typed at foot of page: 'Presented to my collection by William Freeman Esq.' Laid down on the reverse is the caricature of Fothergill by Bert Thomas, printed in colour, from the dust-jacket of 'John Fothergill's Cookery Book' (1943), with attractive manuscript caption in blue and red ink.

Both items 12mo, 1 p, and both in fair condition, on lightly-aged paper, with minor traces of mount on reverses. Letter One. Thanking him for his 'publication on the public school system, and for the other larger work'. Letter Two: She is in 'complete sympathy' with Humberstone's resolution, and would have wanted to second it, 'but I dare not undertake to do so', due to a clash of engagements. Humberstone 'had better make sure of a more reliable seconder'.

More than 120 Items, laid down or loosely placed under coloured ribbon on the leaves of a 4to album. In original black waxed cloth binding. The collection is aged but in good condition, with very few items removed; binding worn and shaken. Includes a few cuttings from letters, laid down by the compiler, Anne Helen Margaret, second daughter of JSCSS. The archive consists of the charming and affectionate correspondence of a leading family of the Victorian Scottish gentry.

Both items 12mo, 1 p. Both good, on lightly aged paper. Pinned to one another. Letter One: He is'enclosing two leaflets on disc manipulation'. He has a third, 'fuller and illustrated', and if they interest Milne, he will be 'delighted'. Letter Two: He had 'much rather be found right than wrong', but would 'enjoy either experience, in meeting you again'. Could see Milne's 'pictures' after easter, and hopes to have 'one or two you may like to see as well'. Dunning had served in the United States Army Medical Corps before going to England to practice osteopathy.

Items are in fair condition, on lightly-aged paper, and mostly laid down on two pieces of card. Candy's letter to Burton (who is not named, but identified from the context): 12mo, 2 pp. Headed 'Private'. He thanks him for 'the very kind and too flattering way in which you refer in to-day's Advertiser to my remarks at the Balloon Society's meeting anent the "Direct Veto Bill".' Claims that his 'services have always been at the disposal of "the trade", Wholesale & Retail.

Programme: 12mo, 4 pp. Bifolium. Printed in green on orange paper. Text clear and complete. On lightly-aged paper with slight wear to extremities. Dargavel's signature is in pencil in the top left-hand corner of the second page: 'Best Wishes, | Bruce Dargavel'.

4to, 1 p. Eleven lines. Text clear and complete. Good, on lightly-aged paper. Laid down on a leaf removed from an album. Stuart has sent him copy from his newspaper, with the remark of some un-named clergyman that "Teetotalism, at any rate in hard times like these, is dangerously likely to help on unrest and revolution". Far from being the 'cause of revolution', teetotalism enables people, in Joynson-Hicks's view, 'to save money which they would otherwise spend on alcoholic liquor', and so 'helps them to acquire a stake in the country and so forces a real bulwark against revolution.'

12mo, 3 pp. 38 lines. Text clear and complete. The two leaves attached along the margins. Signed in Devanagari and European ('So: Rustam Khan Captain') scripts. He acknowledges 'receipt of the Commission conferring on me the honorary rank of captaincy with a deep sense of gratitude to you and all the Officers of the Regiment'. States that he will 'ever cherish a grateful remembrance of all that the Officers and Regiment have done for me'.

Folio, 1 p. Twenty-six lines. Text clear and complete, with three minor autograph corrections. On wove paper with an American watermark. Good, on aged paper.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

Both signatures on the same side of a light-green leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. The first signature is the larger of the two: 'Wilhelm Backhaus | Nov. 20th. 1922.' The second reads 'Lindley Evans. | 20/11/22'.

On one side of a leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. On the reverse has been laid down an oval photograph, causing minor ruckling. The title of the piece is written at the top, with the part of the score ('Largo') in a line beneath it. Beneath the score is Pollain's bold signature: 'With best wishes | F. Pollain | Stoke on Trent 12 October 1925'.

On one side of a piece of pink paper, roughly 18 x 7.5 cm, cut from an autograph album. In good condition, on lightly-aged paper. At the head James has written ' "The Sun-God" W. G. James', with the opening two bars beneath this, beneath which he has written the words 'I saw the master of the Sun -' In the bottom right-hand corner: 'Yrs Sincerely | William G. James'. James's music for Aubrey de Vere's poem was first published in 1921.

On neat rectangle of grey paper, roughly 14.5 x 5 cm, laid down on piece of pink paper removed from autograph album. Good, on lightly-aged paper. Firm, bold signature: 'Flora M. Woodman./'