ARCHITECTURE

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Headed by Turner: 're, | Cors-y-gedol, near Barmouth'. He thanks Hodson for his letter, explaining that the last meeting of the Committee before the vacation was held on the previous day, but that he will 'write to Mr. Ansell in accordance with your suggestion'. He is indebted to Hodson for his offer of assistance. He will be grateful if Hodson can 'get in touch with Mr. Dangerfield and can suggest his asking the Society for its opinion'. Hodson was a wealthy brewer and patron of the Arts and Crafts movement.

[1] + 7pp., foolscap 8vo. On eight leaves, stapled together in one corner. In fair condition, on aged and worn paper, with slight rust marking to title leaf. The title leaf reads: 'THE MAGDALEN STREET | PROJECT | Further information obtainable from: | THE CIVIC TRUST | 79 BUCKINGHAM PALACE ROAD | LONDON S.W.1. | TATe Gallery 0891'. The background to the experiment is explained in the first two paragraphs: 'This is the story of an experiment in civic design. It is also a story of civic co-operation in which self-help was seen to be synonymous with public spirit.

There is an obituary of Moorsom (who was not, as sometimes stated, an admiral) in The 'Moorsom System' of calculating tonnage became law in 1854, and remained in effect until 1982. Transactions of the Royal Institution of Naval Architects, Volume 8 (1867). Letter: 4pp., 12mo. Very good, on lightly-aged paper. He explains that he has been 'a member of, as well as Secretary to the late Tonnage Commission', and that he is 'aware, from your correspondence with Mr.

79pp., 8vo. In stout, thumb-indexed diary for 1930. In fair condition, on aged paper, in heavily worn binding, lacking spine and bowed by the excess material it contains. Ownership inscription by Richardson on flyleaf: 'A E Richardson ARA | Avenue House, | Ampthill Beds. | St. Catherine's College Cambridge, | 1939-1940 | University College, London.' Richardson published a number of works on architectural matters, but nothing on the history of art.

8pp., 4to, inc. title, stapled as issued, rusted, spine and title damaged and virtually detached. Only one copy listed on COPAC/OCLC, NSW.

Both letters in very good condition, and each in a stamped, postmarked envelope, and each addressed by Summerson to Cuddesdon Manor, Oxon. Letter One (2 May 1972): To Peter Rhodes. 2pp., 12mo. He is 'rather surprised' to find that the ruins of Soane's Piercefield House are 'still there!' The best he can do is 'to warn the National Monuments Record of the approaching dissolution'. They are 'seriously overworked but they might have a photographer in the area who would improve on Miss Stroud's snap-shots'.

Both letters in very good condition, and each in a stamped, postmarked envelope, and each addressed by Summerson to Cuddesdon Manor, Oxon. Letter One (2 May 1972): To Peter Rhodes. 2pp., 12mo. He is 'rather surprised' to find that the ruins of Soane's Piercefield House are 'still there!' The best he can do is 'to warn the National Monuments Record of the approaching dissolution'. They are 'seriously overworked but they might have a photographer in the area who would improve on Miss Stroud's snap-shots'.

[1] + 30pp., folio. In brown printed wraps. Worn and aged, with some damp staining to the first dozen leaves. Printed on art paper, and with the thirty pages of the catalogue filled with illustrations of every aspect of the firm's stock, from 'Composition enriched pine panel mouldings' to 'Fibrous plaster cornices'. The price list is printed on 4pp., folio, in a bifolium, as is one supplement of 'Additional fibrous plaster cornices & bands and composition ornaments'. The other supplement is a fold out poster (44 x 28.5 cm) carrying illustrations of 'Cast lead word'.

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

Both 2pp., 12mo, on bifoliums, and both good, on lightly-aged paper. Letter One: He is sorry Hammerton and his wife came back 'to a very cold & stormy time', but is glad that he could not 'inaugurate your History at present. I am too busy to do anything at it. Work only increases as the world grows older.' He gives the time of his setting of from London to 'Turkey via Bulgaria, hoping not to be shot on the way', and the address of Rev. Dr R. Frew, with whom he is staying in London. Letter Two: He thanks Hammerton 'for the S. Blake [a .

[ii] + 21pp., 4to. With a further eight pages of plates on shiny art paper. Internally in fair condition on aged pages, in discoloured and damaged wraps. With a few light pencil notes. Stitched with thick red thread into binding designed to look like a large envelope, complete with flap with fake red seal. A luxurious production, with fine photographic views of the building, which still stands, and is counted one of the finest in Wales.

1p., 8vo. Good, on lightl-aged paper. He thanks her for her telephone call, and hopes to give 'an illustrated talk about my work from 1980 onwards and culmination of themes towards sculptures for Victoria Square'. He will 'touch upon my conscious concerns for outdoor pieces in public, and working with others'. He ends by giving the title of the talk, 'If it is not too late'.

96 black and white photographic prints, each cloth-backed and with the landscape dimensions 20 x 25 cm. In black leather loose leaf album by Wilson Jones Co., Kansas City. Stamped in gilt in bottom right-hand corner of first leaf, 'HAROLD C. HARVEY'. The prints are in good condition, curling a little at the fore-edge, and with slight creasing at right-hand margin of the first two. The binding is somewhat worn, but still tight, with the three original metal screws holding the album together.

2pp., 12mo. Fair, on lightly-aged paper, with minor water staining and a couple of spike holes. An intriguing communication, beginning: 'I would not, if I were you, allow myself to be so worried.' Smirke feels that, as 'Mess: Saunders & Co have not been backward in representing themselves as Principals in the matter', and as they 'are as largely as - or more largely, interested' than Lloyd himself 'in obtaining a payment, they had better themselves address Sir Robert'.

ONE: 3pp., 12mo. Bifolium. Fair, on lightly-aged paper, with traces of glue from mount adhering to blank reverse of second leaf. Parry begins by exclaiming: 'What a grand example your activity at Tewkesbury is!' Whatever Moore means by 'the Construction of the Cloister walk - and other important business', Parry regrets that his 'obligations in London' will not allow him to join the Abbey Committee. He continues: 'I wish "bad times" did not put another thing out of my Power w[hic]h.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

4pp., 12mo. 75 lines. On bifolium. Very good, on lightly-aged paper. The entire document is in Mary Berry's autograph. The letter proper, of 57 lines, is signed 'Devonshire Cottage / a true Copy / M Berry', the joke, such as it is, being that Mary Berry has copied out a document written by Devonshire Cottage itself to its owner, the Hon. Mrs George Lamb (Caroline, or 'Caro George' Lamb, from whom the Berry sister's were leasing it).

1p., 12mo. Seventeen lines of neatly-written text. Good, on lightly-aged paper. He apologises for the delay in replying to Reid's letter, and knows 'nothing about the staircase you mention as coming from a house in Holborn, & now in a house in Bishopswood.' He 'looked it up in R[oyal]. C[ommision]. H[istorical]. M[onumments]., (Vol. II) Hertfordshire (par. of Walford-on-Wye) but Bishopswood is only mentioned re some romann remains.' He hopes Reid is 'enjoying the Herefordshire countryside', and is himself finding life 'rather hectic'.

All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.

12mo, 3 pp. Text clear and complete. Fair, on aged paper. 'Mr Westmacott [the sculptor Richard Westmacott the younger?]' has called on him, and he has 'shown him the settlement all down my Wall - I told him that you had seen it but did not contemplate any immediate danger - he said that Mr Valpy [Henry Valpy (fl.1851-1885) of the architects Burrell & Valpy] was out of town'. Westmacott will write to Valpy, as he thinks there ought to be 'a conference with' Lakyn, who 'should be requested to make a report'.

One page, 12mo, heavily foxed but text clear and complete: I only got your letter when I came back & too late for a return answer. | I will be at Athenaeum at 5.30 this aft[ernoon] & [then] will go into the matter of the Jesus Coll[ege] picture[s?]. Note: Bodley had been involved in the repair of the Chapel in Jesus College, Cambridge, and Burne-Jones and Morris were also contributory.

Two pages, folio, 3 small closed tears, small part of a corner torn off, some marginal staining, mainly good condition. The article states that Trench some years since proposed forming a continuous quay along the nothern shore of the Thames, has published other proposals: A Proposition for the Disposal of Buckingham House, for a National Picture Gallery, A National Statue Gallery, and for the King's College; leaving one entire end of the Palace and one Wing, with the whole of the other Attics, for other public purposes.

Folio, 3 pp. Bifolium. On paper with 1818 watermark of Joseph Colles. Docketed, lengthwise on reverse of second leaf, 'Copy | Specification of Catch Pier at Cullen Harbour by John Gibb | 1819.' 46 lines of text. Clear and complete. Fair, on aged paper, with two punch holes for a ring binder in margin of each leaf. The full heading reads 'Specification of the proposed Catch Pier for Cullen Harbour, agreeably to the Plan and Section which accompanies this [not present].' Begins 'The Pier is to be of the dimensions marked on the Plan and Sections, and to join the outer end of the rock.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Thirteen files, on the following works by John Gibb: Kelvin Aqueduct; Broomielaw Bridge; Cullen Harbour; Boat O'Brig Bridge; Bonar Bridge; Cartlands Crag Bridge; Almond Viaduct; Northern Lighthouses; Victoria Railway Bridge over the River Wear; Stonehaven Harbour; Aberdeen Harbour; Don Bridge.

4to, 1 p. Nine lines. Text clear and complete. Fair, on aged and worn paper. He apologises for 'not sooner answering Capt Grindlay's note and thanking him for the very beautiful drawing which he sent him'. He reports that he showed the drawing to Prince Albert, 'who expressed himself much pleased with it, & admired particularly the grouping of the figures', referring to one of the original drawings for Grindlay's 'Scenery, Costumes and Architecture, Chiefly on the Western Side of India' (1826-30).

12mo, 1 p. Bifolium. Ten lines. Clear and complete. Fair, on aged paper. Addressed, with three postmarks, on reverse of second leaf, to 'Capt Grindlay | North Bank | St John's Wood'. Letter of introduction for 'Mr Vivian a Subscriber to the Oriental Translation Fund', who is 'turning his mind to Hindostanee Architecture'. Suggests a date for them to meet, when 'any of your Drawings &c he would be glad to see'. Grindlay was author of 'Scenery, Costumes and Architecture, Chiefly on the Western Side of India' (1826-30).

The collection is in very good condition, on slightly aged and dusty paper. Several items bear the Society's stamp. An interesting and significant correspondence. The letters, in a variety of formats from 12mo to foolscap, are often long, and are written in an informal tone. Indicating Baines's deep involvement in the Society's affairs, they most significantly concern an appeal, organised by Baines on behalf of the Society, 'for the preservation of the cottage architecture of Great Britain', with the backing and involvement of Prime Minister Stanley Baldwin.

Stamped on front pastedown 'LE ROY & CIE. | DECORATION GENERALE | 58, Avenue Fonsny, 58 | TEL. SABLON 2061'. In a landscape 12mo (roughly 12 x 17 cm) album of 29 leaves, bound in coarse brown cloth. The majority of the photographs are in good condition though lightly aged, with around 20 showing varying degrees of damage involving staining and chipping. The album itself is worn and aged, in a binding heavily-worn at spine and corners, and with spotted and aged leaves.

12mo, 2 pp. With mourning border. 42 lines. Text clear and complete. On aged and worn paper, with slight chipping to extremities. Herbert has not yet received Wyatt's 'promised letter', but wants 'to say one word [...] about the lighting of the Wilton Chapel. The Gap must be brought to the centre of the Ceiling before the works are completed, as Mr. Olivier wishes to give Eveng. Lectures to the Servants on different occasions & I thought a Corona in the centre would light the whole [...] I can quite trust to yr. Taste to choose one.