BRITISH

One page, 12mo, good condition, saying that illness and the consequences of an accident have prevented him responding courteously to the "notice of my Xmas story in Liverpool Mercury".

One page, part of bifolium, 4to, faintly grubby and foxed, mainly good condition.

17 items, as follows: three photographs, 10 x 9, 16 x 11, 22 x 16cm (i. 14 members of staff captioned News and Newsreel, 40s?; ii. circa 30 people who attended the BBC Staff Dance in 1942; iii. Photo. with stain, Studio view from above, cameras , gantry, sets, and schoolboys posturing in front of camera 2 (Jennings? or William?); c. Plan of BBC Television Studios.Lime Grove.

4to, 3 pp. 106 lines. On aged paper, and with slight loss to a handful of words of text resulting from wear and closed tears to most of the letter's folds. Competently and unobtrusively repaired with archival tape. On the reverse of the second leaf Rocke's original address ('at Mr. M. Lewis's [...]') is scored through, and replaced in another hand by 'at Thos Elsted Esqre [...]'.

12mo, 3 pp. 44 lines. Text clear and complete. Fair, on aged paper, and with the reverse of the second leaf tipped in onto a leaf removed from an autograph album, with manuscript caption reading 'Sir George Cox to Miss Cobbe | given me June 1902.' The letter itself docketed at foot of third page in a contemporary hand. Cox's hand is crabbed and difficult. He thanks her for sending 'Mr Wright's sermon', but can make little use of it: 'The historical portions I must leave on one side.

All photographic prints and negatives roughly 8.5 x 14.5 cm. Prints all black and white. The collection aged, but in good condition overall. The pictures of inmates all landscape, and the two of the officer portrait. The boys are arranged in three or four rows, with as many as forty present in one image. The images are all taken outdoors and in front of prison buildings, the windows in the Feltham images being barred, and the windows in the Borstal images plain glass.

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition. Part of a series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501. Shots of troops marching past the Chateau, of a large body of men in battledress standing in grounds, being addressed by the General and a padre, standing at a rostrum draped with the Union Flag and other allied flags, with officers seated beside it.

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition; one has a short closed tear and another a vertical crease at one side (neither of these in the panorama). Part of the same series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501.

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

12mo, 24 pp. Disbound. Text clear and complete. On aged paper, with the last leaf loose. Two-page preface dated 'Bristol, Dec. 1815.' This copy is significant in that the author and recipient are identified in a contemporary hand on the title-page. The only copy listed on COPAC, at the British Library, is unattributed.

4; [iv],112pp., 8vo, plain brown wraps (original?), worn and nearly detached, contents good. Inscribed on half-title: Presented to the Rt Honble the Lord Brougham & Vaux by his obedt Servt Wm. Tooke | Russell Square 6 Augt 1839. Tooke was the major promoter of the Biographia Britannica Literaria.

Seven documents, all in folio, a total of fifteen pages. Texts clear and complete. Good, on aged paper, with one document with rusted staple. All are police circulars, but only the first is clearly specific to Brighton. ONE: 'Police Box System - Going-off Points'. 3 pp. Short introduction, followed by a list of points to be deleted, and their substitutes. TWO: 'No. 6 District Police Training Centre, Larceny Act, 1916'. 1 p. Table giving 'Time', 'Place', 'Manner' and 'Intent' for four offences from Sacrilege to Housebreaking with Intent.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

All items with texts clear and complete. The collection fair, on aged paper. ITEM ONE: Postcard, 6 April 1927; Culmora, Girton Rd, Cambs. Nine lines. The equation is not exact, but is probably 'a close enough approximation'. He has 'mislaid the working out, but probably made a slip in it.' ITEM TWO: Mimeographed typescript (4to, 3 pp), headed 'Campbell Capacitance Bridge'. On three letterheads of the Cambridge Instrument Company. Begins 'This Capacitance Bridge has been designed by Mr.

8vo, 1 p. Text clear and complete. Fair, on thin aged paper, laid down on a sheet of backing. In small type, with the 'old version' of the nursery rhyme, in the left hand column, transformed into a 'new version' of 78 lines of prose in the right-hand column. The first line - 'This is the house that Jack built' - is changed into 'This is the domiciliary edifice erected by John.' The 'priest all shaven and shorn' becomes 'the ecclesiastical gentleman, the summit of whose pericranium was denuded of its natural covering'. Scarce: no copy in the British Library or on COPAC.

Both items in very good condition, on lightly-aged paper. Letter ('Tuesday Mo[rnin]g'): 12mo, 3 pp. Bifolium. Slight trace of previous mount on blank reverse of second leaf. She wanted to offer her 'a box for the Opera of "L'Elixir" this evening, but as we are not to give it I shall postpone sending to you 'till Thursday when we perform the "Trovatore" hoping you will do me the favour to come out and listen to my first attempt in that Opera'. Mentions 'His Excellency The Admiral' and the news of 'poor Mrs. Clay's child'.

4to, 5 pp. Text clear and complete. Good, on aged and folded paper. An highly interesting and significant letter, responding thoughtfully and in detail to questions posed by Gilbert (author, according to Allan, of the 'special study, "Children and Reading"'). Begins by responding to the question 'Why do I write for children?' Considers that children's books 'are at least a minor form of art [...] I am a professional author. I have published more than eighty books, all but one for young people. But every book I have written has been written because I wanted to write it, for myself.

On piece of paper roughly 29.5 x 44 cm. The image itself is 30 cm wide, with an arched top 18 cm high at sides and 22 cm at the highest point. The image is clear and complete, on dusty spotted paper with fraying and loss to top edge especially. A charming image, showing Victorian middle-class townsfolk comporting in the town centre, with a wide main street with two carriages, and shop names including 'ELLIS' and 'WILSHER BUILDER'. Towards the centre is 'CHEEKS PRINTING OFFICE', 'BOOKSELLER STATIONER'.

Texts of both items clear and complete. Both on grey paper, each leaf headed with an embossed governmental crest. The 'Memorandum' proper is of ten numbered folio pages, on ten leaves held together with a brass stud. The first page headed 'Confidential' and the last dated 'H. B. | 19th. August 1883' Begins: 'The separation of the N. C.

Folio, 3 pp; 8vo, 1 p. Bifolium. With the title lengthwise on reverse of second leaf, which also carries a table of 'The Fleets of the Cunard Company and of its Allied Lines' (both of vessels 'in commission' and 'building'). In small type. Text clear and complete. Fair, on aged paper. Detailed prospectus quoting letter from 'the Chairman of the Cunard Company, Sir Alfred Booth, Bart'. Accompanying printed application form (8vo, 1 p). Both prospectus and application with the stamp of the Edinburgh stockbroker A. W. Banks.

Folio, 1 p. 35 lines. Text clear and complete. Good, on aged paper. Docketed 'Copy of Letter wch. proved the antedate of Major'. He apologises for troubling Torrens again with his 'unfortunate case'. he is 'still on crutches and a very great sufferer in consequence of the numerous & severe Wounds I received in the Battle of Waterloo'. He is 'induced to implore His Rl. Highness The Commander in Chief [i.e. the Prince of Wales] to allow my commission as Brevet Major'.

4to, 14 pp. In original brown printed wraps. Clear and complete. Good, on aged paper, with one central vertical fold, and horizontal mark to blank rear wrap. The description of the 'First General Meeting' covers the first three pages, with the report of the 'Inaugural Banquet' on the next four. On the last seven pages are the 'Report of Council (Presented by Mr. E. K. House.)' No copy at the British Library or on COPAC. The mimeographed circular (4to, 1 p), dated 9 March 1925, is a covering letter with a facsimile of Fluder's signature.

4to, 2 pp. 23 lines. Text clear and complete. Very good on lightly-aged paper. Reporting the 'record character' of the 'financial result of the recent Anniversary Festival', and thanking Harmsworth for his 'great personal interest in the Festival which has led to the Funds of the Institution being so considerably increased' and 'splendid service', and requesting permission for his 'name to be thus permanently connected wtih the Charitable Work which your kind efforts have so very materially advanced'.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Both items fair, on aged and creased paper, with texts clear and complete. Resolutions: 4to, 2 pp. Headed 'British Archaeological Association.' A 'Requisition' having been signed by 'one hundred and sixty-two Members', the Association's treasurer Pettigrew is recorded as following a reading of this with 'a detailed account of the rise and progress of the Association, and of the nature of the dissensions which for months have diverted the attention of the Committee from the objects for which the Association was formed'. The resolutions are stated, and the proposers named as: Rev. R. H.

The three items are in fair condition, on aged and worn paper, with texts clear and complete. Circular by Crofton Croker and Roach Smith: 12mo, 1 p. On bifolium. Headed 'British Archaeological Association'. Enclosing the 'Resolutions', and drawing attention to the fourth of them, with a statement concerning subscriptions. 'Resolutions': 4to, 2 pp.

For more information about Stephen Manton Bradbury, or Stephen Manton as he was known professionally, see his obituary in The Times, 8 September 1970. The collection is in good condition, on aged paper. The correspondence from various figures in various BBC music departments, both London and regional, and in a variety of formats from 4to down to 12mo, breaks down to the following number of items per year: 1944, 8; 1945, 5; 1946, 30; 1947, 34; 1948, 32; 1949, 22; 1950, 11; 1951, 15; 1952, 1.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Each of the seventeen metal halftone printing blocks is roughly 10 cm square, and nailed to a mahogany block (roughly 10 x 10 x 2 cm). Each carries a number, in the bottom left-hand corner when printed: 7, 8, 9, 15 (two), 16 (two), 25, 27, 36, 38 (two), 39, 54, 56, 59, 60. (Three of the numbers are duplicated, but the illustrations are all different.) The last block (60) has the signature 'e. jeffrey' in type at the head.