ENGLISH

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition. Part of a series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501. Shots of troops marching past the Chateau, of a large body of men in battledress standing in grounds, being addressed by the General and a padre, standing at a rostrum draped with the Union Flag and other allied flags, with officers seated beside it.

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition; one has a short closed tear and another a vertical crease at one side (neither of these in the panorama). Part of the same series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501.

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

12mo, 24 pp. Disbound. Text clear and complete. On aged paper, with the last leaf loose. Two-page preface dated 'Bristol, Dec. 1815.' This copy is significant in that the author and recipient are identified in a contemporary hand on the title-page. The only copy listed on COPAC, at the British Library, is unattributed.

4to, 1 p. Twenty-six lines. Text clear and complete. On grey paper. Small spike hole. Aged and lightly-creased. Describes the 'forbodings' which have been realised following 'the heavy rains and floods of the previous Autumn'. 'From 2000 to 3000 Pockets have already come to Market, and these are making, in samples of Sussex £8 to £9, the Cut, and in Kents £8. 8/. to £10. 10/. to £12;- mouldy and blighted, much lower. | Nothing choice in East or Mid Kents has, as yet, made its appearance, [...]'.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

All items with texts clear and complete. The collection fair, on aged paper. ITEM ONE: Postcard, 6 April 1927; Culmora, Girton Rd, Cambs. Nine lines. The equation is not exact, but is probably 'a close enough approximation'. He has 'mislaid the working out, but probably made a slip in it.' ITEM TWO: Mimeographed typescript (4to, 3 pp), headed 'Campbell Capacitance Bridge'. On three letterheads of the Cambridge Instrument Company. Begins 'This Capacitance Bridge has been designed by Mr.

8vo, 16 pp. Unbound. Evidence of previous stitching, but with no remains of thread,. Aged, worn, and with outer leaves somewhat dusty. Preface, dated 'London, June 1864', by 'THE MANUFACTURERS OF THOMSON'S CRINOLINES', states that the judges of the best of 'the immense number of manuscripts received' were 'B. Webster, Esq., J. Sterling Coyne, Esq., Andrew Halliday, Esq., George Rose, Esq., and Thos.

8vo, 1 p. Text clear and complete. Fair, on thin aged paper, laid down on a sheet of backing. In small type, with the 'old version' of the nursery rhyme, in the left hand column, transformed into a 'new version' of 78 lines of prose in the right-hand column. The first line - 'This is the house that Jack built' - is changed into 'This is the domiciliary edifice erected by John.' The 'priest all shaven and shorn' becomes 'the ecclesiastical gentleman, the summit of whose pericranium was denuded of its natural covering'. Scarce: no copy in the British Library or on COPAC.

Both items in very good condition, on lightly-aged paper. Letter ('Tuesday Mo[rnin]g'): 12mo, 3 pp. Bifolium. Slight trace of previous mount on blank reverse of second leaf. She wanted to offer her 'a box for the Opera of "L'Elixir" this evening, but as we are not to give it I shall postpone sending to you 'till Thursday when we perform the "Trovatore" hoping you will do me the favour to come out and listen to my first attempt in that Opera'. Mentions 'His Excellency The Admiral' and the news of 'poor Mrs. Clay's child'.

4to, 5 pp. Text clear and complete. Good, on aged and folded paper. An highly interesting and significant letter, responding thoughtfully and in detail to questions posed by Gilbert (author, according to Allan, of the 'special study, "Children and Reading"'). Begins by responding to the question 'Why do I write for children?' Considers that children's books 'are at least a minor form of art [...] I am a professional author. I have published more than eighty books, all but one for young people. But every book I have written has been written because I wanted to write it, for myself.

Folio, 3 pp; 8vo, 1 p. Bifolium. With the title lengthwise on reverse of second leaf, which also carries a table of 'The Fleets of the Cunard Company and of its Allied Lines' (both of vessels 'in commission' and 'building'). In small type. Text clear and complete. Fair, on aged paper. Detailed prospectus quoting letter from 'the Chairman of the Cunard Company, Sir Alfred Booth, Bart'. Accompanying printed application form (8vo, 1 p). Both prospectus and application with the stamp of the Edinburgh stockbroker A. W. Banks.

4to, 14 pp. In original brown printed wraps. Clear and complete. Good, on aged paper, with one central vertical fold, and horizontal mark to blank rear wrap. The description of the 'First General Meeting' covers the first three pages, with the report of the 'Inaugural Banquet' on the next four. On the last seven pages are the 'Report of Council (Presented by Mr. E. K. House.)' No copy at the British Library or on COPAC. The mimeographed circular (4to, 1 p), dated 9 March 1925, is a covering letter with a facsimile of Fluder's signature.

4to, 2 pp. 23 lines. Text clear and complete. Very good on lightly-aged paper. Reporting the 'record character' of the 'financial result of the recent Anniversary Festival', and thanking Harmsworth for his 'great personal interest in the Festival which has led to the Funds of the Institution being so considerably increased' and 'splendid service', and requesting permission for his 'name to be thus permanently connected wtih the Charitable Work which your kind efforts have so very materially advanced'.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Each of the seventeen metal halftone printing blocks is roughly 10 cm square, and nailed to a mahogany block (roughly 10 x 10 x 2 cm). Each carries a number, in the bottom left-hand corner when printed: 7, 8, 9, 15 (two), 16 (two), 25, 27, 36, 38 (two), 39, 54, 56, 59, 60. (Three of the numbers are duplicated, but the illustrations are all different.) The last block (60) has the signature 'e. jeffrey' in type at the head.

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

12mo, 2 pp. 28 lines. With original envelope. Text clear and complete. Good, on lightly-aged paper. Regarding Saki's membership of two gentlemen's clubs - the Savage and the Author's - he has wished to refresh his memory before replying. Having heard back from both he admits he was mistaken; though he 'had drinks with him on several occasions at both he was never an actual member but, on and off, a guest only'. He recalls that Munro did not have 'any very close friends', but that he was 'much liked' by close acquaintance. 'Alas! I have no longer even a photograph of him'.

Printed on one side of a long sheet, equivalent to two leaves of landscape 4to on top of one another. Text clear and complete. Good, on lightly-aged paper. The opening paragraph lays out the purpose of the notice: 'The Baking Trade Board (England and Wales) hereby give notice that they propose to vary for certain classes of workers in certain areas the minimum rates at present operative in the trade and set out in the Trade Board's Notices BK. (SW.) and BK. (19).

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

12mo, [viii] + 210 pp, together with four unpaginated pages before p. 79 and two unpaginated pages before p. 165. With fold-out list of Knights of the Garter. On aged paper, in worn eighteenth-century binding, lacking spine, and with front board and title-leaf almost detached from rest. Ownership inscription, at head of p.1, 'Mary Standish of Standish - Her Book'; and a couple of ownership initials on title-page.