ENGLISH

1p., 12mo. In good condition, with slight discolouration from glue. Reads: 'Mr Eastlake presents his compliments to Mr. Mauld & begs to enclose a half sovereign for the young lady on whose behalf Mr. Mauld has applied to him. | 7. Fitzroy Square | Octr. 28. 1850.'

1p., 12mo. Good, with the blank second leaf of the bifolium having slight staining from mount, and having laid down on it a newspaper cutting headed 'DEATH OF SIR C. EASTLAKE', docketd 'E & T Dec 26/65'. The note reads: 'Sir Chas Eastlake presents his compts. to Mr Whitaker & begs to inform him that Mr Millais' address is No. 7. Cromwell Place | Kensington. S.W. | 7. Fitzroy Sqr. (London) | Feby 5 1863.'

Two pages, 12mo, remnants from being tipped on to album page, , staining, text clear and complete. "I feel myself compelled, circumstanced as I ma - to decline all invitation. Were it otherwise I should with great pleasure avail myself of yours - | My friends are answering for themselves - & I am very sorry it will be in the negative - but as they have declined similar invitations from the persons who have paid them the same kind attention, they cannot with propriety make exceptions..."

3pp., 12mo. Bifolium. Good, on lightly-aged grey paper. Fildes explains that he has just returned from Paris to find his correspondents' letter of 19 May, inviting him 'to hear Mr Du Maurier's discourse to-morrow night'. He cannot avail himself of the 'great pleasure', and of their' 'courtesy', as he has 'an engagement which cannot possibly be put off'. He ends by apologising for not answering sooner. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

2pp., 12mo. Fifteen lines. On bifolium. Fair, on lightly-aged paper. The male recipient is not named. She apologies that 'the crowd of Christmas engagements' has meant that his letter has gone unanswered until now. 'With regard to the question you ask, my feeling is that where an artist and an author can contrive to work well together illustrations are a decided improvement to novels. But it is most trying to an author to see his characters presented to the public in a way utterly unlike his own conception of them.' In her view it is 'clear gain' if a book can be 'well illustrated'.

2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.

Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. Having received the unnamed recipient's letter of the previous day, Northwick will be 'most happy to give effect to your wishes by granting free access to my Pictures to you, & your Daughter, whenever it may be convenient to you to call at Connaught Place'. If the recipient calls before noon Northwick will probably 'have the pleasure of shewing them to you', if he comes after noon, or Northwich 'shd. happen to be from home, my Servants shall receive directions to admit you to see the Paintings'.

The seven letters total 23pp, 12mo. In good condition, on lightly-aged paper. The third letter, written from Hickleton on 7 January 1907, is in a secretarial hand, Halifax being 'laid up with Influenza' and 'utterly good for nothing'; it carries an autograph postscript by Russell at the head of the first page. The first letter (14 July 1900) invites Russell to fill the 'vacancy on the list of Clerical members of our E.C.U. Council'; Russell's acceptance is acknowledged in the second, which also discusses charges of 'disloyalty'.

Two pages, 8vo, edges sunned mainly good condition. She says, "My fee for reading is highg, 50 guineas for an evening. 40 guineas if [?] for 3 or more evenings. | I don't really care about if it interferes with other work & I have not yet settled my autumn plans".

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

1p., 4to. The beginning of the article only: 21 lines of text, ending abruptly. Torn from notebook. Very good, on aged paper. A corrected draft, with the deleted original title reading 'Work & Wage in Downing St'. An interesting item, casting light on the working practices of a pioneer of parliamentary journalism. Begins: 'The keeness of competition for ministl office in Great Britain is certainly not inspired by sordid motive.'

3pp., 4to. Bifolium. Good, on lightly aged paper. The red wax seal has been cut away from the second leaf, with no loss to text. Addressed, on the reverse of the second leaf, to 'Miss Howard | Mr Jackson's | The Pike | Bolton | Favored by Mr. Harrison'. An affectionate letter from father to daughter. He begins by describing the pleasure he has had in reading her letter to her brother, 'and the more when I understood that you had not only written it, but composed it'. He feels she will 'profit every Day by the kind and good Instructions of your Cousin and Tutoress'.

2pp., 12mo. Good, on lightly-aged paper. Docketed in a neat hand at head of second page. Binyon writes that he cannot be with her on the Friday, as he has to 'go down to Winchester on business. And I am so driven I don't know where to turn.' He has 'had Huxley's Barren Leaves in the house for days', but hasn't 'had one moment to look at it'. He has 'managed to read [J. R.

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

Both letter and description on the same bifolium. Letter: 1p., 12mo. On recto of first leaf. Description (headed 'Johnian System of Marking'): lengthwise across the verso of the first leaf and recto of the second, and thus making 1p., 8vo. Very good, on lightly-aged paper. Calverley begins by wondering whether he has 'made the Johnian System [...] intelligible' in his description.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

Autograph Letter: 1p., 12mo. Good, on lightly-aged paper. In envelope addressed by Tinker to McCamic at Wheeling, West Virginia. He thanks him for sending 'the book on Barber'. 'It enriches my working library, and I shall be frequently reminded of what I owe to your kindness and interest.' Typed Letter: 1p., 12mo. Fair, on lightly-aged paper with light rust stain from staple at head. McCamic's 'file of the British Magazine' is 'rare, if not unknown'.

Totalling 7pp., 12mo. All in good condition, on aged paper, except for the fourth, which has light water staining from the bases of a cup. The first three letters addressed to 'Mr. Reid', and the last two to 'Peter'. In the first letter Colvin discusses Redbourne House in Derbyshire, Salle Park, Norfolk, and Barrington Park, Gloucestershire. 'I am going to Burford on Thursday and will see if I can get a sight of the exterior despite the churlish owner.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

Black and white photograph. Dimensions 15.5 x 21 cm. In good condition, with slight wear to edges. Head and shoulders studio shot of a fresh-faced Rogers, looking slightly upwards with enigmatic half-smile. Caption, at foot, reads, 'To Titania from her loving Bottom.' Rogers acted in several of Jill Balcon's father Michael's films.

1p., 12mo. On aged and creased paper, with short vertical closed tear at head (not affecting text). The letter reads: 'Dear Sir | By a sad mistake the Copies of my Letter to the Students were not sent off on Saturday | But 250 have been struck off which will sufficiently answer for the present demand - | Yours in haste | [signed] T. Campbell

3pp., 12mo. Fair, on aged and worn paper. Wilde explains that he had previously written regarding the case, but 'by some accident the Letter has been mislaid (I believe) among my mass of papers, and I therefore fear it may not have reached you as I cannot learn who among the Servants dispatched it'.

4pp., 12mo. On aged paper, with minor traces of gum from mount. Taylor begins: 'My dear Charles Neville | I was glad to receive your letter, for it showed that the seed I had taken pains to sow had not fallen, as most seed so sown in the theatre does fall, upon an ungrateful soil.

Letter: 2pp., 4to. 28 lines of text. List: 1p., on a 12mo strip. Both letter and list in very good condition, neatly placed in windowpane mounts on the two leaves of a bifolium. Salt is 'just finishing the List of Manuscript Erdeswick's' and will bring it to Nichols when he returns to London. He wonders whether Nichols has 'nearly come to the end of the Book in your reprint? I do not think you will make your first sheet answer satisfactorily - without printing the whole or part of it over again - but of course you will be the best judge of that'.

2pp., 12mo. Very good, on lightly-aged paper. Two years before Gellibrand (whose name Levi misspells 'Jellibrand') made a financial contribution 'towards the Missionary work to the Italians in London'. Levi has not troubled him since, 'but before we close the account of 1868 the treasurer tells me that we must collect some more in order not to be in debt'. He asks if Gellibrand will 'kindly renew' his gift 'to the object'. He is sorry not to have met 'your & our friends at the Bible Society', whose work he values highly, but whose committee meet 'at an inconvenient hour in the day'.