JAMES

On one skin of vellum. Aged and worn, with some loss to text. Laid out in the customary fashion, with tax stamps in margin and the gutter carrying the Earl's signature, its two words on each side of his seal, in red wax, on green ribbon. Signed by witnesses on reverse, and docketed in a later hand: 'Pigeon Close | May be of use in identifying the bounds of the Pigeon Close at the expiration of the Lease of the <?> Rectory house'. The document relates to lands surrounding Fingall's Berkshire country estate, Shinfield House, with reference to Cobham and Peter and Henrietta Floyer.

16 x 20 cm booklet, consisting of a bifolium stitched with black green thread into covers of thicker paper. In fair condition, aged and worn, with remains of clear plastic front covering. On the front cover is a heavily-inked art photograph superimposing an image of a musical score over the edges of an fanned-out signature. On the inside of the back cover is a facsimile of a calligraphic inscription in Latin, in Renaissance style. The inner contents consists of two facsimiles.

1p., 4to. In good condition. The large and unusual letterhead is the point of interest: it is roughly 17 x 11.5 cm, and mostly taken up with an illustration, printed in red, yellow, green, blue, orange and black, depicting an idealised scene in a Victorian bookseller's shop, with a young lady with bonnet and parasol, two schoolboys in top hats with Eton collars and a bespectackled master in mortar board and robes, the last of whom is examining a book shown to him by an elderly bookseller.

Parts 19, 21, 24-31, 35, 37-39, 42-47, 49-55, 57, 60-65, 67-72. Internally in good condition, on aged paper with occasional creasing. In brown printed wraps generally in good condition (worsening as the run proceeds), but with particular damage to three parts: Part 64 has stained wraps, with half of the back cover lacking; Parts 68 and 72 have stained and damaged wraps. The periodical, which ran from 1872 to 1884, was an extraordinary achievement on Burgess's part, and not cheap to produce: a year's subscription for twelve issues cost the not-inconsiderable sum of £2.

Printed in black on white within oval border, roughly 5.5 cm high and 8.5 cm wide. In good condition, laid down on a piece of brown card. Tastefully presented in a style characteristic of the period, and employing the long s. Reads: 'Jas. Kerby, | BOOKSELLER & STATIONER, | NO. 190 | Oxford-Street, near Grosvenor-Square. | Sells all kinds of Papers, Writing & Account Books, | Pamphlets, Magazines, a large Assortment of | Gentlemens & Ladies Pocket-Books, Inks, Quills, | Pens, & every other Article of Stationery. | N.B. News-Papers served at any Part of | Town or Country.

Two stitched pamphlets of uniform design. 15pp., 12mo, and 19pp., 12mo. Tastefully printed, with covers in red and black. Both items in good condition, lightly aged and worn. The first volume - 'A First List' - has a full-page 'Advertisement' by 'D. H.', in which he aspires to 'offer a fair proportion of what is alive in modern writing - a hope which is my raison d'etre as a publisher [...] nothing, if not lack of sense, or lack of the desire, need stop one from printing whatever is available, and has intrinsic vitality or permanence'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. On recto of first leaf of bifolium; second leaf attached to card, which carries notes in a Victorian hand. In good condition, lightly aged, but with thin strip cut away at top, presumably carrying details of place of writing. He is sending 'Mr L<?>'s sheets for the Printer', together with the title page, 'which however should not I think be printed off till we see whether he is to add any new matter - as that should be stated'. After stating that he has cut out a diagram, he concludes: 'I have not yet got any proofs'.

On one side of a piece of 26 x 41 cm wove paper. The map printed in black ink within17 x 21 cm ruled border, with the caption 'Sketch of the Battle of Sobraon' above the border, and the publication details beneath. The British troops, at the foot of the map, coloured in pink and the Sikh troops, at the head, in green, with a tiny dab of the green watercolour in the margin to the right. In fair condition, on aged and creased paper, with small closed tear to margin in top left-hand corner. 'Note' in bottom left-hand corner, relating to troop numbers, and guns and 'Camel Swivels' captured.

[36]pp., 8vo. Stapled in red card wraps with circular cartridge design in silver. An attractive and glossy production, profusely illustrated. In good condition, lightly aged and worn, with dink to spine. Section titles read: '"Who is this C. Eley?"'; 'The Brothers'; 'Together now for 40 years'; 'New Century, new problems'; 'Crisis and congratulations'; 'Pastures new'; 'War and Peace'; '"A policiy of enlightened self-interest"'; 'Eley at 150 years old'. From the papers of the noted gunsmith C.

3pp., 12mo. Bifolium. In good condition, lightly-aged. Scharf had illustrated her 'Life in Ancient India' (1856), and she writes informally, expressing regret at the news of his move 'from the Classic No. 1., a house consecrated to the Arts by your occupation of it & ever to be remembered with respect, regard, pleasure & all good feelings'.

15 x 21 cm print laid down on 17.5 x 23.5 cm piece of card. Faded and aged, with wear to extremities of card (not print) and staining to reverse. The men are posing in four rows, in front of a large window in a brick wall. They are hatless, and wear single-breasted jackets with seven gilt buttons at the front, with black belt and metal buckle. Four numbers embroidered on either side of collars. In the centre of the group is a sergeant. Most of the men sport moustaches, and many pomaded hair and centre partings. From the papers of the gunsmith C.

Charles Harry Lawrence (hereafter CHL) was perhaps the finest gunmaker of the twentieth century. At the age of 14 he joined James Purdey & Sons as an actioner's apprentice, and he remained with the firm for the rest of his life. For fifteen years, ending in 1970, he was the firm's managing director. He was twice (1954 and 1962) Master of the Worshipful Company of Gunmakers, and was Chairman of the Proof House Committee for 27 years from 1954. Having previously received an MBE for his war work, he was awarded an OBE in 1978.

8pp., 8vo. Disbound. In fair condition, on lightly-aged paper. Sixty titles, with prices and some information, arranged under five headings: 'Important Works on the Corn Laws, &c. &c.' (24 items); 'On Banking' (6 items); 'The Chinese and Opium Question' (4 items); 'On Education' (7 items); 'Political' (19 items). No copy traced on either COPAC or OCLC WorldCat.

Print: 16.5 x 12 cm. Plate: 19 x 16.5 cm. Paper: 21.5 x 20 cm. In fair condition: aged and worn, with 8cm closed tear unobtrusively repaired on reverse. Depicts Figg and another with weapons on a platform, with a crowd looking on from pit and gallery. Text reads: 'James Figg | Master of ye Noble Science of Defence | on ye right hand in Oxford Road | near Adam & Eve court teaches Gentle- | men ye use of y[e] small backsword & |Quarterstaff at home & abroad'. Copy in the Metropolitan Museum of Art, whose description provides information.

12.5 x 16 cm. Irregularly-cut and laid down on paper backing. Lightly-aged and worn. Slight loss to extremities. Crisply printed, with characteristic eighteenth-century engraved border of floral and architectural details. Text reads: 'James Salmon | Cambridge Carrier, | Sets out from the Green Dragon Inn Bishopsgate street | London | evry [sic] Wednesday, Thursday, & Friday, in ye. Forenoon, & carry Goods as usual For | [list of places in four columns] Cambridge Ely Lynn Wisbeach Holbeach March Downham Dereham Watton Fakenham Swaffham Walsingham | And all other adjacent Places.

38pp., 8vo. In fair condition, lightly aged and worn. In 'Note Book Made of paper Specially prepared in Japan'. On front cover: 'J. GROSE | British Equestrian Team | Yo-yogi Village | Olympic Diary'. Begins on 23 September with flight from London Airport via Bombay. In Hong Kong he dines with 'Algie (Lady O'Connor)' at Flagstaff House. In the Olympic Village at Yoyogi on 26 September he discusses problems 'in our hut (448)', before inspecting 'the Equestrian Centre (Baji-Koen)'.

Four pages, cr. 8vo, bifolium, fold marks, minor staining, small hole with loss of letter, text clear and complete. He reveals his plan for his visit to Scotland, asking Hughes to make arrangements with his landlady "Mrs S" to take lodgings with her from the 25th for a six month period. For such a long stay he doesn't think lodgings should cost as much as "31.6d". He arranges for a servant for the period, coals, a chest of drawers for his rooms, a wardrobe in a closet. "Will my guardian think 3 guineas a week too much!

Sheena Lilian Grant Tennant (hereafter ST) came from a privileged Scottish family, being the youngest of the six children (five daughters and a son) of wealthy industrialist James Tennant of Fairlieburne, Fairlie, Argyllshire, a nephew of Sir Charles Tennant of the Glen (father of Margot Asquith, wife of British Prime Minister H. H. Asquith, who was hence James Tennant's cousin). Beginning as a partner in the Glasgow chemical manufacturers Charles Tennant & Co., James Tennant became director of companies including United Alkali Co, North Eastern Electric Supply Co, and Eastern Paper Mills Co.

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).

An interesting piece of First World War London social history107pp., 12mo. In good condition, on aged paper, in aged and worn black cloth notebook. On first page: ''Sheena Tennant | 49 Wimpole Street | W. | Concerts, Theatres etc | 1916'. Carefully and neatly compiled, with the date, theatre, production, and often the cast and the names of those she went with.

The collection comprises a large collection of autograph sheet music, together with copies of nine published piano pieces. Accompanying the collection is an autograph note by Sheena Tennant's son Hugh Kendall: 'These books, with accompanying score sheets, represent something rather unusual - the compositional examples of my mother, aspiring as she did to be what she saw herself as - one of the first women composers.

Note: Sylvia Lynd, née Dryhurst, poet, novelist, reviewer, significant member of the Book Society, Irish nationalist, daughter of anarchist and suffragette, Nannie Dryhurst (1888-1952).

Note: Sylvia Lynd, née Dryhurst, poet, novelist, reviewer, significant member of the Book Society, Irish nationalist, daughter of anarchist and suffragette, Nannie Dryhurst (1888-1952).

32pp., 8vo. In fair condition, lightly-aged, no wraps, disbound and side-stitched. Mundella's 'Statements' given in a left-hand column, and the 'Replies' of the employers in a right-hand column. Ends, p.27: 'On behalf of the Association of Factory Occupiers in the four Counties of Lancaster, York, Chester and Derby. | RICHARD HAWORTH, Chairman. | JOSEPH SIMPSON, Treasurer. | HENRY WHITWORTH, Secretary. | 96, KING STREET, MANCHESTER, | 24th July, 1873.' Appendix, pp.30-32, of tabulated statistics.

23pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Three copies on COPAC, but none at the BL.

16pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Several copies on COPAC, but now scarce, with only one copy on the open market.

1p., 12mo. In fair condition, lightly aged and worn. Reads: 'My dear Mrs McClean | Will you accept the accompanying Volume from me, as a slight token of my remembrance of old times & old friends | Faithfully Ever | J. Emerson Tennent'.

1p., 12mo. On bifolium. In fair condition, on lightly-aged paper, with one dog-eared corner, and minor traces of previous mount to blank second leaf of bifolium. The text is neatly written out in the two men's autographs, as follows, with Chorley's writing in square brackets. 'My Autograph? With pleasure. Another Lady begged me to get an autograph of H. F. Chorley. She did not ask for mine. | I immediately wrote to Chorley, and he promptly replied. | [But not for Hope I pray, to day contriving | Tomorrow's dreams. | Only for Patience, through long years of striving | Against the stream.

1p., 8vo. On bifolium. Nineteen lines of text. In good condition, lightly aged and worn. A formal unsigned letter in the third person. Docketed on reverse, presumably by Hering: 'Fagel | Feb 20th/33'. The letter begins: 'I beg Mr.