MUSICAL

The collection, consisting of eighteen items, would appear to derive from J. L. Cocker, to whom one of the receipts is made out. Eight posters, all but the last in fair condition, aged and lightly worn; and all but Number printed in black and white. Items Three and Eight have the firm's address repeatedly printed on the reverse, so that the particular timepieces in which the customer is interested can be cut away from the sheet. ONE (56 x 43.5 cm).

Cut from a letter. On small rectangle of light-grey paper, roughly 2 x 4 cm. Fair, on aged paper with thin light strip of glue staining along top edge. Neat firm signature, underlined and overlined, reading 'John Hullah'.

The six items good, on aged paper, with the copies of Luckhurst's letters lightly creased. Item One: Copy of Luckhurst to Wilson. 5 October 1948. 4to, 1 p. Asking whether Wilson 'would honour the Society by consenting to deliver the third [Cantor] lecture for which the title "Music - and the Audience" is suggested. [...] the first lecture in the series will be given on March 22nd by Mr. Benjamin Britten, and the second on March 29th by Sir Malcolm Sargent.' Gives details of arrangements and fee. Item Two: Wilson to Luckhurst. Typed Leter Signed. 8 October 1948. 12mo, 1 p.

4to, 1 p. Fair, on aged paper, with a couple of closed tears neatly repaired on reverse with archival tape. Letterhead ('Importers of Violin, Violoncello and Harp Strings'), with decorative device of two violins, gives the 'Proprietors' as 'S. Bernard Withers, Douglas S. Withers', but with the first name crossed out. Withers writes that 'In this sad time of the loss of my Brother Bernard' Miss Gunn's 'condolences are sincerely appreciated'.

12mo, 1 p. Good, on lightly-aged paper. Punch-hole in top left-hand corner. Replying to an autograph hunter, she states that she has 'signed the programme' and has 'much pleasure in returning it with every good wish'. Good, firm signature.

Printed on one side of a piece of wove paper, 32.5 x 24 cm. Text clear and complete, on aged paper with chipping and closed tears to edges. The only copy of this title on COPAC is at the British Library (folio, 4 pp, published by Zenas T. Purday), where it is ascribed to Blewitt and tentatively dated to around 1850. Six eight-line stanzas with chorus 'Jump high, jump low, jumping we go.' Possibly written with satiric intent.

Nachez's letter: 12mo, 3 pp. Good, on aged and lightly-ruckled paper. He is keeping his promise and sending the 'autograph of Lord Randolph Churchill, which I found in Norway during my last journey to the midnight sun'. He explains that 'Lord Randolph must have signed his name by his own hand into the Strangers list', because of the 'different handwriting of his private secretary Mr. Wm. Trafford'. 'The slip of paper is out of a book at the Hotel in Trondjhem.' The slip from the hotel register is roughly 8 x 27 cm, with six signatures on each side, including those of 'Dow.

According to Karl Dallas (Morning Star, 16 November 2007) it was he who 'first mooted the idea' of an anti-Vietnam War 'campaign in the folk scene', with the 'singers' group' being formed by Dallas in conjunction with Ewan MacColl and Gordon McCulloch. The four items are excessively scarce survivals, with no copies of any of them appearing on COPAC. All are printed on one side of a leaf roughly 25 x 20 cm. Each leaf is differently coloured. The items are in fair condition, dogeared and with light creasing and chipping to extremities.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

12mo, 1 p. Twelve lines of text. Clear and complete. On aged and grubby paper. A formal letter in the third person. He has 'received with surprise the enclosed invoice. [not present] He has given no orders for any copies of the work & must therefore decline to accept the parcel, should it have been sent out to him in Australia.' If it is 'lying at his London house' he will forward it to the firm 'on his return home'.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.

8vo, 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good, on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin (not affecting text). Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" [?]' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April, where I sing with Madame Donalda'.

On a leaf from an autograph album, 11 x 17 cm. Good, on lightly aged paper. First line by Landauer. Reads 'With best wishes | [signed] Walter Landauer | [signed] Maryan Rawicz'.

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

12mo: 4 pp. On grey paper. Very good, with a small strip of discolouration over the Royal Artillery crest. Bearing the Society's stamp. He is glad that his 'article on the Red Cross' interested Wood: 'in other circumstances it would have given me much pleasure to follow up the article with an address to your Society on the subject', but 'the work of the Cadet school, which I entered a couple of months ago, takes up my entire time'.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Two pages, 12mo. Mourning border. Damp stained. Cowper has told 'P[rofesso]r. Wheatstone' [Sir Charles Wheatstone (1802-1875), Professor of Experimental Philosophy at King's College, pioneer of the telegraph, and seller of musical instruments] of Novello's 'wish to have a little conversation with him'. Gives dates when Wheatstone will be available to see Novello at ''King's College (in the Museum)'. '[H]e will very shortly go to Switzerland & therefore the earlier you meet him the better'.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.