FINE

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

Folio, 63 pp. In original blue cloth binding, all edges gilt, with decoration in gilt and black by 'IMS' (i.e. J. Moyr Smith), with the word 'PROOFS' in gilt at foot of front cover. Binding worn and stained; book with light damp damage around base of spine, spreading to right-hand bottom corner of plates. Nine proof plates by Doré on india paper, with tissue guards. Four of the plates are signed in pencil at the base by the engraver: 'F. Bacon Sct.', 'E. Brandard Sct.', 'A. Willmore Sct.', 'J.

[12]pp., 8vo, unbound, formerly sewn (sewing not present), chipped, outer pages (and inner in parts) grubby and (front) worn at fold mark with minor loss of text, text otherwise complete. Title continued from above "..."in fine condition among which may be names, A MAGDALEN, CARACCI, A Grand Gallery Picture, Landscape and Figures, Very fine, VERMULEN, A Sea Storm, Vernet . . .". Pencil NOTE on front cover "Call for | letters | Herald | Office | James" (perhaps James = James Izod but I don't see why he should have written such a note on somebody's catalogue).

Broadsheet bifolium, 4 pp. Text clear and complete. On lightly-aged paper, worn along fold lines. Poetry collection, containing twenty-eight poems by writers including 'Mazizi Kunene (In Exile, London, 1960)' and Hugh MacDiarmid, whose two poems have the footnote 'We are especially pleased to print these two new poems by Hugh McDiarmid, contributed despite the painful after effects of his recent car smash. We wish him a speedy and complete recovery.' Masthead endorsement by Sean O'Casey: 'I am with you in all efforts to create perfect race equality the world over.

Each issue a single broadsheet, folded twice to make eight pages. On different light shades of paper. In good condition. An energetic collection of Australian 'poetry on the margins', with unconvential typography and striking illustration. Described, on cover of issue 3, as 'An art and literary broadsheet issued on an irregular basis'. Poets include Ian Birks, Jurate Sasnaitis, Philip Sipp, Kris Hemensley, Chris Mann, Raimondo Cortese, and Adrian Rawlins. Excessively scarce: no copies of any issues in the British Library, or recorded on COPAC, let alone a complete run.

4to, 1 p. Twenty-one lines of text. Clear and complete. On aged, stained and worn paper, with a couple of small spike holes. Revealing, in the attention to detail which it exhibits. He begins by reporting that 'the Rosabella arrived safe & the books appear to be correct with the following exceptions'. Two paragraphs follow, carefully describing duplicate plates and other faults in the books received (including "Genus Plantarum"). The replacements may be sent 'through Wilmer & Smith, booksellers, Liverpool - or by Harden's express - or through Messrs. John D.

8vo, 4 pp. Neatly printed on watermarked laid paper. Fair, though slightly grubby and creased. The words 'First Issue' are in the top left-hand corner of the first page. The heading reads 'Trinity College, Cambridge. | June 21 and 22, 1899. | The following Members of the College have accepted the invitation of the Master and Fellows to dinner on June 21. The date placed opposite to each name is that of the year in which the first degree was taken, and the order is that in which the names stand on the College Boards'. The earliest graduates date from 1858 and the latest from 1865.

12mo, 2 pp. In bifolium. On yellow paper. Fair, on lightly-aged paper, with slight traces on the second leaf from the mounting of the letter. An amusing and characteristic piece of Roycroft ephemera. The letterhead describes 'The Roycrofters' as 'Makers of de luxe books, hand-made furniture and ornamental iron work. Printers and publishers of the Philistine and Little Journeys'.

8vo: [38] pp (unpaginated). In original quarter binding, with buff boards and vellum spine on which is stamped in black 'ECCE MUNDUS'. Good copy: internally tight and clean, in slightly-grubby and worn binding bumped at foot of spine and at one corner. Presentation copy, with autograph inscription by Cobden-Sanderson on the front free endpaper: 'To Mr. Wheatley [the bibliographer Henry Benjamin Wheatley] with the compliments of the writer'. With green leather and gilt bookplate of Alfred Sutro on front pastedown.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (7.5 cm square) and second (7 x 10 cm) pages; full-page black and white illustration ('Derby Day') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

8vo: 2 pp. 32 lines of text. Good, on lightly-aged paper. He is willing to help Tomkinson with his book 'Modern Presses', but would not 'have time to be responsible for the writing of any chapters'. Offers to answer 'a questionnaire' regarding 'Flying Fame', and directs Jackson to his 'articles on the work of Lovat Fraser in the "Bookman", the "Fleuron", and "To-day".' Paragraph discusses the 'New Age Press', which 'was not a Press at all, but a publishing business'. In the last paragraph changes his mind, and offers to write a brief chapter.

16mo, 39 pp. Stitched. In original pink printed wraps. Text clear and complete. On aged, foxed paper with slightly dogeared corners. Minor chipping to extremities of wraps. Detailed engraving (7.5 x 7 cm) by J. Adam on title-page and front wrap, showing bearded man at lectern in room crammed with books. Advertisements for works by Brown (best known for 'Rab and his Friends') on inside of wraps, with list of works in the 'Odds and Ends' series on back wrap. A charming and scholarly disquisition on the subject, from a firmly British standpoint. Uncommon in wraps.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (4.5 x 7.5 cm) and second (6 x 7.5 cm) pages; full-page black and white illustration ('Marionettes') on third page. Final page blank.

Landscape 12mo (leaf dimensions 12 x 16 cm): 27 pp. Stitched with no jacket as issued. Covers a little grubby, but a good copy of a scarce item. Title page and twelve delightful full-page pochoir illustrations by Arnoux, all hand-coloured: 'En temps de Paix', 'Premier contact', 'Le sous-lieutenant', 'Les Indiens', 'Black-Watch', 'Le capitaine et l'infirmiere', 'Les Irlandais', 'Le Major', 'La Mascotte', 'Ship ahoy!!', 'Le bon Ecossais' and 'God save the King'.

12mo: 123 + [iv] pp. Engraved title (dated 'Octr. 1823') featuring engraving Heath from design by Corbould. Four pages of publisher's advertisements at rear. In contemporary green leather binding with decorative gilt spine and pattern to edges of boards, marbled endpapers and marbling to edges. Contemporary ownership inscription of 'Miss L. Smith'. A tight, sound copy, on lightly-aged paper, with light staining to engraved title, and wear to binding. COPAC only lists copies of this edition at Durham, St Andrews, Oxford and the British Library.

Number 174 of 'Two hundred numbered copies [...] printed by hand on mould-made paper.' 8vo: [ii] + 9 pp. Stitched pamphlet of twelve leaves, with four vignettes giving it a distinct chap-book feel. COPAC only lists copies at the British Library and Oxford. Prefatory note by 'E. G-H.' [Eddie Gathorne-Hardy].

A scarce piece of Liverpool printing ephemera. Dimensions approximately 63 x 51 cm. Both sides printed in light blue. Text and illustrations complete. In need of expert cleaning and repair: grubby and stained, with chipping to extremities and some closed tears. At the head of the one side is the masthead of 'The Employment Exchange | Edited by Charles H. Megson' ('The only recognized medium for speedy Employment. Absolutely without rival.') with illustrations of figures at work.

Each item is on a sheet of laid paper, 39 x 29 cm, and each with the Roycroft watermark. Both items are grubby, with wear and creasing to extremities, but with the design and much of the margin entirely undamaged. Both have an identical block of printed text (roughly 13.5 x 9 cm) at the centre: 'THE truth is that in human service there is no low or high degree: the woman who scrubs is as WORTHY of RESPECT as the man who Preaches | ELBERT HUBBARD'.

Each copy is identically printed, on a piece of paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Three of the four have a lightly-embossed stationery crown mark in a top corner. All four with text clear and complete, and in good condition, on lightly-aged and creased paper. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it.

On a piece of green paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Lightly-embossed stationery crown mark in top left-hand corner. Text clear and complete. In good condition, on lightly-aged paper with creasing to bottom righ-hand margin. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it. I have travelled every path and part thereof, and know the productions of every kind, it can possibly yield.

Folio. Pagination: [1-7] 8-45 [1-3] = 24 leaves. Unbound. Stitched as issued, unopened and uncut. Printed with the Fell types on good but browning paper. In good condition, but with spotting to recto of first leaf, which has a small closed hole at head and some tiny closed tears at foot, and with two unobtrusive staple-stains to verso of last leaf. Creased and dog-eared at foot. The importance of this item in the history of Shakespeare studies has been emphasized recently by A. J. West (The Shakespeare First Folio. The History of the Book. Vol. 1. Oxford University Press, 2001).

Folio bifolium (leaf dimensions approximately 50.5 x 34 cm). Unbound. Creased, with worn central horizontal fold, and somewhat dogeared at head and foot. Four pages, printed in black, with the first and fourth pages carrying a few words in red.

The collection in a contemporary green leather quarter-binding, with grey paper boards and title in gilt on spine. Good, in heavily worn binding splitting at rear hinge. The letters are expertly mounted on leaves in the volume. 'Excerpta Cantiana': folio: 23 pp of letterpress, with illustrations and with three full-page engravings by J. S. Agar and one fold-out pedigree. PRESENTATION COPY from Streatfeild to the antiquary and historian Charles James Palmer of Great Yarmouth.

On piece of paper 6 x 9.5 cm. Lightly-aged, and tipped-in onto front free endpaper removed from book. A simple design, within a restrained decorative border, consisting of 'William Barnes.' in gothic letters in an arch, centred above a wavy rule beneath which are the words (adapted from the Dream of the Rood) 'BEARNAS AER BEORNAS.' A contemporary note on the endpaper beneath the bookplate (transcribed in a modern hand above it) states that the item came from Barnes's Rectory Sale, 25 November 1886. Uncommon.

Limited to 200 copies and signed by the printer John Kristense. 8vo: [13] + [1] pages. Stitched. In original blue printed wraps. Good, with minor wear at head. The colophon reads 'The London Booksellers - Etymology of the Term Yankey was hand set in English Monotype Baskerville and printed on Curtis Ragston paper in an edition of 200 copies at Firefly Press in Cambridge, Massachusetts, by [signed 'John Kristense'] who sends it as a 1983-84 holiday greeting to his friends. The Society of Printers in particular is thanked for honoring him in 1983 with membership.

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

An attractive item, printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in yellow and black, roughly 2 x 8.5 cm, showing the word 'CHRISTMAS' within a floral border.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.