FINE

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Item One: Handbill headed, beneath the City of London shield, 'Description of the Design for the Ticket of Admission to the Banquet at Guildhall, on Tuesday, 9th November, 1875.' Printed in purple on one side of a piece of lilac paper, roughly 20.5 x 13 cm. Text clear and complete, on creased and aged paper, with 1cm closed tear to one corner. At foot of page: 'BLADES, EAST & BLADES, | 11, ABCHURCH LANE, CITY. | Established 1832.' The description runs to thirteen lines.

All nine are printed on art paper, roughly 18 x 12.5 cm. Tipped in onto 27.5 x 21 cm leaves. The mounts have the title, 'THE GLOOMY THICK WOOD | By Kay Nielsen' and a border surrounding the plate, both printed in olive. The collection is in very good condition, with occasional nicking to the mount. None of the items carry any indication that they have been cancelled or rejected. Providing a fascinating insight into the quality-control process in early twentieth-century book illustration, with most of the items rejected because the colours are slightly off-register.

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.

Printed in red, black, blue, gold, orange and green on one side of a piece of paper, dimensions 20 x 12.5 cm. Good, on lightly-aged and spotted paper. Minor traces of stub on blank reverse. Attractive item, with twenty-six lines of rubricated text, surrounded by an ornated decorative border of foliage and birds in imitation of an illuminated manuscript. Headed 26, Queen's Row, Pimlico opposite the Royal Mews.', beneath which: 'Valentine Elkins Bookseller &c. of Baker St. Portman Sqe. Begs most respectfully to inform the Nobility & Gentry inhabitants of Belgrave Sqre.

4to bifolium of three pages, together a seperate leaf (dimensions of leaf in all cases 26 x 20 cm) carrying on one side one set of the three illustrations. Printed in black, and each page enclosed within a red decorative border. Creased and foxed, but a scarce piece of ephemera in acceptable overall condition. The first page of the bifolium is headed, in a variety of decorative fonts and point sizes, 'John Wright & Co.

On one side of a piece of wove paper roughly 23.5 x 19 cm. A delicate and scarce piece of ephemera, in a remarkably good state of repair. Possibly a proof, as a thin blank strip along one of the vertical edges, intended to be detached and discarded, still adheres. The menu itself is crisply printed in the centre, covering a space roughly 17 x 13.5 cm.

Both items very good, each printed on one side only of a piece of thin shiny card, dimensions 11 x 15 cm. The arrangement of the text is the same in both cases, but one is printed in blue and green, and the other in blue and gold. An attractive piece of Victorian typography, laid out in a variety of decorative fonts and point sizes, with a strong hint of Gothic revival about it. Reads 'HANNAH WALLIS, | Plain & Ornamental Printer, | IN LETTER-PRESS, LITHOGRAPHY, & COPPERPLATE, | ACCOUNT-BOOK MAKER, | Stationer and Bookseller. | ARTISTS' MATERIALS OF THE BEST QUALITY.

12mo: [ii] + 14 pp. Unpaginated. Frontispiece of Blake's celebrated print. Internally tight on lightly-aged and grubby paper, and with the reverse of the frontispiece slightly discoloured. Staples a little rusty. In grubby white wraps. A signed presentation copy. Boldly written on the front wrap: 'Lawrence Binyon C.H. with the compliments of [signed] H. Edward Newton'. A characteristic production by the boisterous author of 'The Amenities of Book-Collecting'. At end: 'A. EDWARD NEWTON | "Oak Knoll" | Daylesford, Berwyn P.O., | Pennsylvania'.

8vo bifolium on good wove paper. Leaf dimensions roughly 22.5 x 14.5 cm. Good, on lightly creased paper. Illustration of horse, 7.5 x 9 cm, on recto of first leaf, with 'JANE BISSELL GRABHORN | 1911-1973'. Memorial, with same title, across inner pages, signed in type by Magee. The following on reverse of second leaf: 'This memorial is presented to the members of the Book Club of California by Andrew Hoyem, who composed the text in Friar, a type given to Jane by its designer, Frederic W. Goudy, and by Lawton & Alfred Kennedy, who did the press work, Nov. 1973.'

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

Quarto (25.5 x 19 cm) bifolium. Attractively-printed on watermarked laid paper. Unbound. Foxed and lightly-creased. Two short 0.5 cm buff strips of cloth from mount neatly adhering to the margin of the reverse of the second leaf. 'PERENNIS ET FRAGRANS.' enclosed within engraved wreath on title. Eighteen-line prospectus for the work on reverse of first leaf, with the recto of the second carrying a full-page facsimile of the title of Pickering's 1844 edition of John Merbecke's 1550 'The Book of Common Prayer Noted', printed in red and black. Printer's slug on reverse of second leaf.

Four paginated pages of small type in a quarto (25 x 20 cm) bifolium. Attractively printed on paper watermarked 'T EDMONDS | 1834'. Unbound. Good: lightly aged and creased. On the first page the author announces the publication of the second part, 'with great regret for the delay which has unavoidably intervened in the publication, from causes impossible for him to have forseen'. The succeeding three pages consist of the double-column list of subscribers, headed by 'Patron.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

Both issues 8vo (roughly 30.5 x 19.5 cm), 6 pp (each a loose leaf in a bifolium). Both printed on brittle watermarked laid paper. Both unbound, and stabbed as issued, and both on aged and chipped paper, but with the text clear and entire. Each issue with the title in an expansive calligraphic design. The full slug, at the bottom of the last page of both issues, reads: 'Printed and Published by ETHERINGTON, at No 25, opposite the South Door of St. Paul's (where Letters, post-paid, to the LITERARY FLY will be received).

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

Quarto. Unpaginated (circa 240 pages?). 1789 lots. Numerous plates. Good, in worn contemporary olive cloth binding, with black label. Front wrap, printed in black and red, bound in at rear. Most lots priced in manuscript. Many fine bindings, privately printed, association and Kelmscott Press items. Preceded by four-page Prefatory Note giving a resume of the collection.

Printed on all four pages of a bifolium, with each leaf roughly 17.5 x 13.5 cm. Lightly creased, and with the outer pages a little grubby, but good overall. A self-consciously well-printed production, with each page encased in a black ruled border, and with an engraving of the sculpture on the front page, beneath which, 'A. C. CHISHOLM. DEL. J. DURHAM. NV.' Possibly complete in itself, but in view of the elaborate title probably a taster for a volume which, considering the fact that there is no record of this item on COPAC, was probably never printed.

8vo, [ii] + 8 pp. Unbound stitched pamphlet. Lightly aged, and with short closed tears at head and foot of outer leaves. Dogeared corner to rear leaf. A 116-line 29-stanza poem, beginning 'The Pilgrims loved Old England, | Their hearts fed on her sod, | Their souls clung close to England, | But closelier [sic] to God.' and ending 'And through those centuries strenuous | In services to Man, | If sometimes sadly tenuous, | We claimed, and kept the Van.' Scarce: no copy on COPAC, in the British Library or Library of Congress.

On one side of a piece of paper roughly 24 x 14.5 cm. With card backing. Good, though lightly aged. Headed by the Royal warrant, the top-half of the handbill features, in a variety of types and point sizes, the announcement of Tuck and Sons' intention to award 'Upwards of 4,000 prizes, of the value of 3,000 guineas, and a number of judges' diplomas', with Besant and Stone as judges. The lower part has two columns featuring fifteen testimonials, by newspapers ranging from 'Windsor and Eton Gazette' to the 'Sheffield Telegraph'.

An unusual, scarce and frail survival. Printed on one side of a piece of tissue paper, roughly 35 cm square. Surprisingly well preserved: heavily creased, with some wear to extremities, one small hole (not affecting text or image) and one closed tear of approximately 4 cm to coloured border.

12mo (dimensions of leaf 12.5 x 9.5 cm): 10 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10 cm). Edition limited to 120 copies, of which this is No. 23. Good.

12mo (dimensions of leaf 12.5 x 9.5 cm): 20 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10.5 cm). Edition limited to 120 copies, of which this is No. 103. Good, in slightly bumped wraps.

12mo (dimensions of leaf 17.5 x 10.5 cm): Stitched. In original brown printed card wraps (dimensions of wrap 19 x 11.5 cm). Edition limited to 136 copies, of which this is No. 100. Good, in lightly worn and bumped wraps.

12mo (dimensions of leaf 17 x 10.5 cm): 20 pp. Stitched. In original brown printed card wraps (dimensions of wrap 17.5 x 11.5 cm). Edition limited to 136 copies, of which this is No. 4. Good.

12mo (dimensions of leaf 12.5 x 9.5 cm): 22 pp. Stitched. In original brown printed card wraps (dimensions of wrap 14 x 11 cm). Edition limited to 120 copies, of which this is No. 14. Good, with light crease to front wrap.