FINE

The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted.

Both letters are addressed to 'Dear Jake'. Both are in good condition, on aged and lightly-worn paper. Letter One: 1p., 8vo. Addressed to Carter at 26 Carlyle Square. Explaining the complications of a planned joint visit to the Hague. Letter Two: 1p., 8vo. Addressed to Carter at Sotheby's, New Bond Street, with Percy Muir copied in. On returning 'the draft note on the S.M. Handlist' (not present) he makes three long comments (totalling 32 lines of text). The first comment deals with two versions of the publication, 'varying in the dedication.

1p., 12mo. In fair condition, on aged paper, attached by a stub to a piece of brown paper cut from an album. A fine, firm signature, employing an alternative spelling of the surname (the Oxford DNB notes that it was in 1835 that Maclise abandoned 'other forms' of it). Trimmed down from a letter, and addressed by Maclise on the reverse to 'Henry Howard Esqr. | R.A. | Secy.' The note simply gives the title, with Maclise's signature and address, as follows, of the painting he entered in the Royal Academy exhibtion of 1835.

1p., landscape 12mo. Good, on lightly aged and creased paper. The letter reads: 'Dear Mr. Shorter: | You were so good as to admire the Stevenson printed by Doubleday, Page & Co., which was my handiwork to a large extent, and so, I am sending you a copy of a little book written and made by me many years ago, which I hope may interest you for an idle quarter-hour, (if you ever have one at your disposal). | Wishing you all the compliments of the season. | Yours sincerely | Walter Gilliss'.

8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.

Both items in good condition, on lightly-aged paper. The facsimile Paas letter: 1p., 12mo. Begins: 'Among our many regular Shipments from Cadiz few wines have attracted more general attention than our C.W.C. a magnificent Dry Sherry, very pale an delicate quite the Amontillado Character, perfectly free from Spirit and harshness'. Printed advertisement: 1p., 12mo. Headed: 'SPARKLING CHABLIS, 40s. doz. - This light, elegant and exhilarating Wine will be found superior to cheap Champagne, and is particularly recommended to Invalids for its purity, at so moderate a price.

2pp., 4to. Bifolium. Fair, on aged paper. De Grey begins: 'You have very much obliged me by accepting a small Present of Game, and many of my neighbours as well as myself will rejoyce in your Correspondent supplying me with a pipe of Port and a Hogshead of Calcavalla, [sic] if a Hogshead of Sherry could be procured without any additional trouble, it would add to the Obligation'.

Nicely printed within a border on one side of a piece of 19 x 12 cm laid paper. In good condition, lightly-aged. Headed: 'THOMAS FRÈRES, | NGTS. A VALENCE, DÉPT. DE LA DROME. | REPRÉSENTÉS VOYAGEUR.' 22 'VINS ROUGES' (from 'Hermitage' to 'Bordeaux') and 13 'VINS BLANCS' (from 'Hermitage' to 'Muscat de Beziers') are listed, followed by six items from 'Eau-de-vie vieille du Languedoc' to 'Truffes noires'. Prices are only given (in pencil) for three items.

An attractive example of provincial printing, in letterpress on one side of piece of 9 x 6 cm card. Headed: 'RICHARD TUCKEY, | WINE & SPIRIT MERCHANT, | High Street, | FAREHAM.' Giving prices in shillings and pence for four Wines (Fine old Port; Sherry; Maderia [sic]; White Cape) and six 'Genuine Spirits' (Cognac, Fine old; Jamaica Rum, old and soft; English Geneva; Hollands ditto. pure white; Porter; Cyder). Printed in roman, with four words in black letter ('FAREHAM', 'Wines' and 'Genuine Spirits') and two words in italic ('High Street,').

1p., 4to. On thin paper. In good condition, lightly-aged, and laid down on a piece of card. The receipt has not been filled in in any way. Beneath the decorative letterhead are the 26 categories, in copperplate: Port; E. J. Madeira; W. J. Madeira; Malmsey Madeira; Cape Madeira; Bucellas; Lisbon; Teneriffe; Sherry; Mountain; Calcavella; Hock; Moselle; Hermitage; Burgundy; Claret; Sauterne; Champagne; Vin de Grave; Barsac; Frontigniac; Constantia White & Red; Brandy Cognac; Rum Jama.; Hollands; Shrub.

4pp., 16mo. Bifolium on pink card. In fair condition, lightly-aged. Attractive cover page, with text in a variety of types within decorative border: 'Price List. | OF | Wines and Spirits. | AVERY & SON, | Wine and Spirit Merchants, | TENTERDEN, | KENT.' Vignette at end of last page, with printer's slug at foot: 'W. THOMSON, TENTERDEN.' The list is divided into: clarets; burgundies; still hocks; champagne; sparkling samur, moselle, etc.; sherries; ports; marsala; madeira; spirits. Prices are usually given per dozen, for bottles and half-bottles.

The inventory (14pp.) is at the front of a 4to notebook, with ten pages of genelogical and other notes at the back. In good condition, on aged-paper, in worn original vellum quarter-binding, with blue patterned paper boards, and ties. Label on front board: 'Mobilier Picard A Faurel'. The inventory is dated 1839 on a title-page, but includes entries from the 1840s. It is divided into the following four sections, under calligraphic headings: 'Argenterie' (2pp.), 'Meubles Meublant' (5pp.), 'Linge' (4pp.) and 'Vins Fins' (3pp.).

In 1868 Joseph Swan (inventor of the incandescent electric bulb) set up the company to commercialise his patented process for producing permanent photographic images. Throughout the nineteenth century it was known as the Autotype Fine Art Company, It changed its name to the Autotype Company Ltd in 1923, and is now MacDermid Autotype. All five items are in good condition, on lightly-aged paper. Item One dates from before the company's move from 74 to 59 New Oxford Street in 1926; and the other four items from after the move.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

The three letters are in fair condition, on aged paper. On a total of four letterheads, each with the names 'Nancy Nicholson | Geoffrey Taylor' printed in red ink in the top left-hand corner. Letter One: From 'Geoffrey Taylor' to Peter [Rhodes]. 18 August [1938?]. 1p., landscape 12mo. He is enclosing paper, and reports that the 'envelopes will come to two shillings a hundred, which is more than I said.

The three letters are in fair condition, on aged paper. On a total of four letterheads, each with the names 'Nancy Nicholson | Geoffrey Taylor' printed in red ink in the top left-hand corner. Letter One: From 'Geoffrey Taylor' to Peter [Rhodes]. 18 August [1938?]. 1p., landscape 12mo. He is enclosing paper, and reports that the 'envelopes will come to two shillings a hundred, which is more than I said.

The note is Item Three below, and the testimonial is Item Six. Items One and Six refer to Tonks's 'large wall decoration at University College', 'The Four Founders', on which Whaite assisted Tonks. (Whaite, who was first cousin twice removed of his more famous namesake, was an excellent artist and tutor, and there is a large collection of his work at the Whitworth Gallery in Manchester.) One: Vale Studio B, Vale Avenue, Chelsea; 22 July 1932. 1p., 16mo. Good, on aged and spotted paper. 'I enclose you a Cheque for £5.

30 + [ii] pp., 12mo. One of 300 copies. Printed in Caslon in red and black on Batchelor handmade paper. Wood-engraved initial and press-mark. Worn grey paper-covered boards with printed labels on spine and front board. Internally good in worn binding with discoloured spine splitting. Inscribed 'With every kind thought from C. Persis Burkitt. | July 17th.' Bookplate in green and black of D. Tecwyn Lloyd. The "second book printed at the Essex House Press".

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

2pp., 12mo. 21 lines of text. Good, on aged paper. She lists four 'figures of St Alexis' which she has found among her memoranda (the first: 'By B. Lutti - much praised by Lanzi - but I know not whether engraved'). Following the four is 'St Adrian. Domenichius Engraved by Gregori'. She asks: Have you any of these or could you procure them for me?' She will be in town the following day, and is 'in desperation about the St Alexis because the press is stopped for want of him - pray help me if you can!'

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

A unique authorial assemblage of excessively scarce items. The nine reports total 344 pp in 8vo. They are bound together (according to a manuscript note) by the Belgian binder Claessens [Art Nouveau binder], who received twenty francs (sixteen shillings) for the job. In brown calf, with marbled endpapers, tooled in black on front cover with Barron's monogram, including a boar and a hand, with the words 'BARRON | REPORTS ON BELGIUM, | 1866 | 1867, 1872, 1873, 1875, 1876, 1879, 1880-82, 1883.' Similar title stamped in black on spine.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

First edition, 312pp., 4to, illustrated. Fine binding, blue morocco gilt, raised bands, gilt tooling, orange silk pastedowns and recto of free endpapers, all edges gilt. In lighter blue custom-made box with silk lining. Book in fine condition, box a little rubbed and marked. Presentation copy from the members of Romford Golf Club to John J. Murray, President of the Club and Past President of Essex Amateur Golf Union, among other achievments in the sport.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

8vo, 17 pp. Stitched. In original grey wraps, printed in black red and dark and light green. Good, on lightly aged paper. A children's book, with attractive illustrations of children playing, either in red or green. Colophon reads: 'Compositors: D. Beech and J. Baker | Pressmen: G. V. Jones and G. Knott | The Illustrations are printed from the original lino-cuts.' Scarce: the only copy on COPAC at Cambridge.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.