TWENTIETH

Scottish scholar, folklorist, poet and man of letters (1844-1912). Four pages, 12mo. Good, but the last page in particular grubby and stained. Shaky hand indicating old age. He wishes his correspondent (presumably a member of the noted firm of solicitors), 'or some other discreet and learned person, had seen the portrait [owned by Freshfield?] in its quite untouched condition. The eyes are not of the usual long heavy lidded kind, and the mouth is rather "restored," I think. | It should be of 1579, when Mary was allowed to send presents to James VI, which he was not allowed to accept.

British soldier and historian (1878-1962). One page, quarto. Very good. Bearing the Society's stamp. '[...] I will be permitted by my duties to have the honour of attending at the Royal Society of Arts on the 17th. Instant at 4.30 pm in order to receive the Medal awarded to me by the Society. | I have also to acknowledge with thanks the kind invitation of the Council to attend in the Council Room before the Meeting [...]'. Signed 'G Duff Sutherland Dunbar'.

Scottish judge (1857-1942). One page, 12mo. Black-bordered. In good condition. Thanks Menzies for the copies of the Society's journal. 'I have ceased to have any active connection with the Copper Company, but I found Professor Carpenter's Lecture very interesting, although it is pretty technical - | I hope you and your wife are keeping well'. Signed 'Edw T Salvesen'.

8vo: 1 p. Good on lightly-aged paper. Small closed tear at head, and traces of glue and grey paper from previous mounting on reverse. He is sorry to say that he will be 'away at the seaside' when Bennett is in London. If he is 'in town again shortly' Jackson will be glad to meet him. 'I am to be found most days at 29 Henrietta St, Covent Garden [the offices of 'T.P.'s Weekly', on which Jackson held an editorial position] - but it is safer to make an appointment.'

4to: 22 pp. Leaf dimensions roughly 280 x 210 mm. Ring binder in original card wraps printed in red. Very good in lightly-spotted wraps. Ring binding slightly rusted. Features ten pages of bright, striking and attractive label designs. The first page shows four 'Colours of Design Separated' for 'William's Extra Stout'. The second page shows, in four diagrams, how 'The colours are printed one after the other' on a label for American Cream Soda. Another page shows the design for 'Smith & Jones Ltd Nut Brown Ale in three colour combinations. Other products include S.

On one side of a piece of pink paper, roughly 18 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Eight bars of music and libretto, with staves for 'Soprani', 'Alti', 'Tenori' and 'Bassi'. Covering most of the page, and followed by 'From "The Waters of Babylon" (Psalm 137) | (May 1935.) | E. Phyllis Roberts. | June 15th, 1935.' Twenty-nine line poem 'To the Gentle Owner of this Album' on the reverse, signed 'Moir Carnegie | 21-6-10'. (in whose name a "prestigious" prize was given).

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

8vo: 2 pp. Fifty lines. Text clear and complete, on two pieces of aged and spotted paper, with rust spots from paperclip. Untitled. Begins: 'I should like to see Chesterton as Lord Rector of a university which stands for Liberal thought. Some people, limited in imagination and hostile to unconventional character, would as soon give their votes to a modern Don Quixote who by some miracle has acquired the corporeal structure of his own Sancho Panza.

On one side of a foolscap (32.5 x 20 cm) page. Eighteen lines. On aged and foxed paper with chipping at head and foot. Chamberlain was Rector between 1925 and 1928.

Landscape 12mo. Good, on lightly-aged paper. Murdoch appears to have been 'misinformed as to Professor Murray having promised to write an article in support of Mr. G. K. Chesterton.' Murray is 'unable to undertake any more writing' as he is 'extremely busy at present'. According to Mair's entry in the Oxford DNB, from 1922 to 1927 she was employed by Gilbert Murray as his secretary-assistant in League of Nations affairs. Murdoch is not named, but the item comes from a batch of his correspondence relating to Chesterton's unsuccessful 1925 candidacy for the Rectorship of Glasgow University.

12mo, 1 p. Twelve lines. Good, on lightly-aged paper. He has had Murdoch's letter 'lying by me in the hope that I might meet someone here who knew G.K.C., or knew his work well enough to tell me something of interest - for, alas, I must confess to ignorance'. As he has not been 'fortunate', he abandons 'hope of contributing to your Rectorial Magazine'. Murdoch edited the magazine 'G.K.C.' in support of Chesterton's unsuccessful candidacy.

Two foolscap (32.5 x 20.5 cm) pages. Seventy-three lines of text. On two pieces of aged paper, with wear at head and foot. Text clear and complete. A witty and light-hearted endorsement of Chesterton's candidacy, beginning 'Rumour reaches me that my name & my past misdeeds h[ave]. b[ee]n astonishingly flung into the Rectorial arena. Things that I said in my haste or my leisure long years ago about the candidates [Chesterton, Chamberlain and Webb] h[ave]. b[ee]n. dragged into the light to exalt this one & prejudice that. [...] Mr. Chamberlain's presence is sufficient & Mr.

12mo: 27 pp. Stapled. In original brown printed wraps. Good, on lightly-aged paper with rusted staples. Divided into five sections: 'Our Ancestry', 'Our Father', 'Our Mother', 'Montacute' and 'The Children'. A scarce item, the only copies on COPAC being at the British Library, Cardiff and St Andrews.

Printed on one side of a piece of cream paper, roughly 33 x 20.5 cm. Good, on lightly aged paper. The address is contained within a decorative border, 27.5 x 16.5 cm, and consists of forty lines of text arranged in seven paragraphs. Ahmad touches on the importance of the 'Mercantile Community', on relations between China and India, and on the 'various causes which have considerably reduced the Import and Export trade in general' ('It is quite apparent that the local economic conditions have deteriorated to an alarming extent, [...]'). He thanks 'our consul general Mr.

The handbill is printed on one side of a piece of cream paper, roughly 33 x 20.5 cm. Good: lightly aged and creased. The address is contained within a decorative border, 27.5 x 16.5 cm, and consists of forty lines of text arranged in seven paragraphs. Ahmad touches on the importance of the 'Mercantile Community', on relations between China and India, and on the 'various causes which have considerably reduced the Import and Export trade in general' ('It is quite apparent that the local economic conditions have deteriorated to an alarming extent, [...]'). He thanks 'our consul general Mr.

On one side of a piece of shiny art paper, 39 x 43 cm. The printed part is clear and entire, on creased and aged paper with chipping to extremities. The typography is a curious mixture, with the heading in gothic, and the fourteen-line address and the rest of the text in sansserif. A decorative picture-frame border extends around the sides and foot. Ornate initial and vertical decorative band to left-hand margin of text. To the right of the names of the two signatories are Chinese characters.

Text of all three items clear and complete. All three on lightly aged paper, creased and with some wear to extremities. Letter One (8vo, 1 p; 20 lines of text): She thanks Bonham Carter for her 'kind and appreciative letter' and 'will see that through the English Embassy' she receives 'a copy of my short story: "I due prigionieri", of which your son is the protagonist'. (An officer in the Grenadier Guards, during the war Mark Bonham Carter had escaped from a prison camp in northern Italy.) Describes material she is sending relating to her 'literary career'.

An attractive item, printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in yellow and black, roughly 2 x 8.5 cm, showing the word 'CHRISTMAS' within a floral border.

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

4to, 1 p. Eight lines in typescript and one line in manuscript. Good, on lightly-aged paper. With stamped Envelope addressed in manuscript. The firm is 'sorry to hear' that she intends to 'take two volumes' over her book on Henry III, not considering that 'a biography of him could succeed in more than one complete volume. To take him to 1237 in the first volume would spoil the completeness of what we feel should be a one-volume biography.' He adds in manuscript: 'I hope we will not prove too unwieldy.'

4to, 1 p. Good, on lightly aged and creased paper with minor rust stain from paperclip at head. Letterhead, in light and dark blue, featuring globe and the mottos 'BOOKSELLERS TO THE WORLD' and 'STOCK OF NEARLY THREE MILLION VOLUMES'. Thirteen lines of text. Bradshaw is clearly unhappy at the price asked for a copy of Cox's 'Memorials of Old Derbyshire'. 'The writer would point out that we received six reports regarding this book from various clients, but in no case at a price allowing us to quote below 15/-.

Both items 4to, 4 pp. Each a bifolium. Text clear and complete on aged, foxed and lightly-creased paper. Both items in small print, the first covering topics from Clay-Modelling to Needlework. Of interest is the section on 'Hygiene (Bare Outline)' which warns against ' "Chewing," harm of "bolting" food, over-eating, dangers of alcoholic liquors'. Number Two contains four time-tables divided into two groups: 'I. - Mixed Department' and 'II. - Infants'; and 'For a Rural School of 40 Scholars.', 'I. - Upper Division' and 'II. - Lower Division'. Scarce.

4to: viii + 257 pp. In original grey printed wraps. Internally tight, on lightly-aged and foxed paper. Wraps spotted and worn, with chipping to extremities. The preface describes the work as 'una bibliografia descrittiva degli studi di Indianistica fatti in Italia nel periodo che va dal 1911 al 1937.' A descriptive bibliography of Indian studies in Italy, 1911 to 1937. Scarce in Britain: COPAC lists copies at the British Library, Oxford and SOAS.

A specialist on Dickens and Tennyson, Cuming Walters was for many years a central figure in the literary life of the north-west of England. Shortly before his death (and as reported in The Times, 28 April 1932) he boasted of having written 'between 15,000 and 20,000 leading articles, nearly 20,000 reviews of books, 8,000 dramatic notices, and 15,000 special articles. He had published about 20 books and had written 250 lectures.' The present collection is divided into two parts. A.

Printed in brown on a piece of watermarked laid paper, 29 x 36 cm. Dimensions of image 18 x 22 cm. On lightly-creased paper, with a few short closed tears to margins at extremities. A bustling scene, from the top storey of a building, showing the traffic of coaches, carriages and carts around the church, which is seen from the front with St Paul's Cathedral in the background. In addition to the pencil signature, the print has the dated facsimile signature 'Hanslip Fletcher 1912'.