TWENTIETH

4to, 5 pp. Text clear and complete. Good, on aged and folded paper. An highly interesting and significant letter, responding thoughtfully and in detail to questions posed by Gilbert (author, according to Allan, of the 'special study, "Children and Reading"'). Begins by responding to the question 'Why do I write for children?' Considers that children's books 'are at least a minor form of art [...] I am a professional author. I have published more than eighty books, all but one for young people. But every book I have written has been written because I wanted to write it, for myself.

Folio, 3 pp; 8vo, 1 p. Bifolium. With the title lengthwise on reverse of second leaf, which also carries a table of 'The Fleets of the Cunard Company and of its Allied Lines' (both of vessels 'in commission' and 'building'). In small type. Text clear and complete. Fair, on aged paper. Detailed prospectus quoting letter from 'the Chairman of the Cunard Company, Sir Alfred Booth, Bart'. Accompanying printed application form (8vo, 1 p). Both prospectus and application with the stamp of the Edinburgh stockbroker A. W. Banks.

Each of the seventeen metal halftone printing blocks is roughly 10 cm square, and nailed to a mahogany block (roughly 10 x 10 x 2 cm). Each carries a number, in the bottom left-hand corner when printed: 7, 8, 9, 15 (two), 16 (two), 25, 27, 36, 38 (two), 39, 54, 56, 59, 60. (Three of the numbers are duplicated, but the illustrations are all different.) The last block (60) has the signature 'e. jeffrey' in type at the head.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

8vo, 17 pp. Stitched. In original grey wraps, printed in black red and dark and light green. Good, on lightly aged paper. A children's book, with attractive illustrations of children playing, either in red or green. Colophon reads: 'Compositors: D. Beech and J. Baker | Pressmen: G. V. Jones and G. Knott | The Illustrations are printed from the original lino-cuts.' Scarce: the only copy on COPAC at Cambridge.

8vo, 1 p. On graph paper. Fair, on aged paper, with traces of mount on reverse. Headed 'Saluto ai combattenti', the eight-line poem (which does not appear to have been published) begins 'O figli' and ends 'l'ora della vittoria'.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

12mo, 2 pp. Printed on thin card. Fair: aged and worn. The front of the card gives contact details, including phone number, for the firm, which is stated to have been 'Est[ablishe]d. in the Reign of King George III, 1814'. Its goods are listed as 'Jewellery, Gold and Silver Boxes, Diamonds, Pearls, Emeralds, etc.

Catalogue: 8vo, 32 pp. Stapled. In remains of original plain red wraps. All illustrations clear and complete. In poor condition: on aged, worn paper, with several leaves and the wraps as separate leaves. Slight loss at head of first leaf. The covering letter (4to, 1 p, undated, on worn and aged paper) is a printed advertisement, on the firm's letterhead ('Established 1877'), with ten small illustrations of figurines in the margins. Scarce: no copy on COPAC.

12mo, 1 p. Text clear and complete. Fair, on lightly-aged paper. Lucas's handwriting is not straightforward, and the recipient's name is unclear. His 'Shakespeare drawings' are 'first rate'. Lucas retires 'into private life again' on the Monday, when 'O. S.' returns.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

All three items in good condition, with texts clear and complete, on lightly-aged paper. Letter One: 9 January 1913. Typed. 8vo, 3 pp. Bifolium. Twenty-eight lines. Sending florid congratulations on Ormsby-Gore's forthcoming marriage, and describing him as 'one who is bearing burdens bravely & buoyantly in the public service, & striving honestly to do his duty to God & man'. His bride-to-be, Beatrice Edith Mildred Gascoyne-Cecil, is described as 'a maiden like-minded'. Letter Two: 28 April 1913. Typed. 4to, 1 p. Fifteen lines typed and a short autograph postscript.

12mo, 1 p. Nine lines. Text clear and complete. Begins 'Selfishly I can't help feeling sad at the announcement of your retirement', which means that he will see 'even less' of him. He rejoices at Senhouse's 'liberation' and sends him 'all love and blessings - not unmixed with envy'.

Both 'Contribution' and 'Notice' 16mo, 2 pp. Both on brown paper. Texts closely printed, clear and complete. Fair, lightly creased, but with rust stains at head caused by staple. Both items completed in manuscript for Hughes (a forty-five year old woman), the 'Notice' informing her that she is in arrears to the tune of five contributions out of fifty.

12mo, 4 pp. Bifolium. Text clear and complete. Fair, on lightly-aged paper. Begins: 'THE object of this leaflet is to draw the attention of Asparagus Growers to some facts regarding the Asparagus plant's 'way of Life' which the close study and observation necessary to successful pedigree breeding of a definite strain have taught me.' Kidner is described as 'Author of "ASPARAGUS" (Faber & Faber)', with the announcement that 'KIDNER'S PEDIGREE STRAIN has been given an Award of Merit by the Royal Horticultural Society in 1953.' No copy on COPAC or in the British Museum.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

All forty-five slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper picture library, all carry the label 'M57 637.1 Box 286', and are almost all captioned in manuscript. A good range of photographs, apparently taken in the nineteen-twenties.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

Each drawing 22 x 16 cm, and each neatly mounted on card 31.5 x 22 cm. In good condition, in slightly discoloured mounts and folder. The mounts numbered in pencil in top left-hand corner. In cream folder, with blue cloth spine. Title in blue pencil on front of folder, together with image of hand holding glasses. Illustration of hand painting with brush, surrounded by ink pots, on back of folder. First illustration signed 'GZ | 5.3.66' and last 'GZ 7.4.66' Folder dated 'GZ. | 20.7.66'. Pleasant compositions, with something of an Edward Ardizzone feel about them.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

12mo, 1 p. Text clear and complete. On aged and creased paper. Giving the numbers of thirteen wagons which are 'still undelivered', 'the position with the Owners' having become 'so acute that a Reward of Ten Shillings per Wagon is offered to anyone who traces either of the Vehicles and takes the necessary steps to ensure delivery of same'.

Landscape 8vo, 85 pp. Sixty small photographs of boats and crews laid down with other matter (see below). Text clear. Apparently complete, but with two loose leaves at rear. In fair condition, on lightly-aged paper, with slight wear to photographs and wear to the two loose leaves. Efficiently records dates and times of voyages, together with other relevant details. First six pages consist of the 'LOG OF THE MIGGO II', an 'Outdoor Cabin Cruiser | Built by Dauntless Coy Feb-Apl Leigh-on-Sea 1930. Launched April. Engine - Elto Quad 1929 model'.

Texts of all items clear and complete. The collection on aged paper, with occasional wear and creasing. Includes Kirwan-Taylor's 'Range Barrier Pass Certificate', his 'Combined Leave Pass and Railway Ticket'; an 'Application for a Game Licence in the British Zone of Germany' by him; his 'Final Clearance Certificate.