VICTORIAN

One page, 12mo. Good, on grey paper and with the merest trace of cream mount adhering to blank reverse. The previous month he received 'an engraved Circular' from his correspondent, from which he now quotes a passage stating that his subscription of a guinea [to the Church Institution] is due. 'I have no recollection of having ever promised a subscription to the Institution referred to.

One page, octavo. Good, on lightly aged and creased paper. 'Pray use me as you think fit on Monday March 4th. & I will do what I can | Perhaps you would not mind telling me if it is to be in reply to a toast & if so what & also whether decorations are worn. I imagine it is more or less of a private dinner & therefore they will not be'.

Two pages, octavo. Very good on lightly aged paper. She is sending all her autographs 'and my index for them. I also venture to send my photo: Album hoping that at some leisure moment you wd. kindly have these pasted in for me.'

Three pages, octavo. On aged, dampstained paper with a few nicks, but with text entirely legible. Addressed on verso of second leaf of bifolium to 'F. W. Keppel Esqre | Lexham Hall near | Swaffham | Norfolk', with two postmarks ('Swaffham | Morning Post' in black and maltese cross containing date in red) and red wax seal. An unusually intimate agent's letter, of significance to Windsor local history. Keppel's letters 'are always most acceptable to us "Old folks"'. Despite some 'little Relapses', Mrs Pearce's health continues 'tolerably well'.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

Three pages, 12mo. On aged paper, with a few closed tears and rust marking to blank verso of second leaf of bifolium. He thanks him for sending the books for examination. 'Mrs. Sotheby will take a photograph of the phiz of Peter Schoeffer, But as to the woodcut being of that I do not at present believe it - | The letters & papers are not of the time.' He asks him to translate a passage, comments further on Schoeffer, and asks if his correspondent has 'any new of Paper Factory for me.' Concludes 'Write me the full particulars of what Dutch Collection in the library of Sir Ths.

Two pages, 12mo. On aged and creased paper. Was 'taken by surprise the other afternoon when you mentioned my book and paid me such a high compliment [...] I cordially appreciate your warm approval of what I have written concerning hospitals, and as you take such a warm interest in health matters I beg to send for your acceptance some other titles of mine on such subjects'.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

One page. On piece of paper roughly seven inches by three and a half wide. Bottom part of letter cut away. Reads 'Dr Sir | In compiance with your wish | I subscribe myself | truly yours | [signed] J. M. Weston | To/ | Jas. Reese Esq'. Docketed by Rees 'The above autograph is that of my friend J M Weston, Stage Manager of the St Charles Theatre - he is the Author of Several popular pieces, among which is the beautiful drama of Lucretia Borgia'. Dated in another hand on reverse. Not much appears to be known about Weston, whose translation of Victor Hugo's play was first published in 1850.

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Printed in two columns in black and red on one side of a piece of paper seventeen and a half inches by eleven and a quarter wide. Foxed and with a few very small closed tears at points along crease lines. Thirty-six rules, listed under sections headed 'THE EXECUTIVE', 'GENERAL MEETINGS', 'MOTIONS', 'ELECTION OF MEMBERS', PAYMENT OF SUBSCRIPTIONS, &C.', 'HONORARY MEMBERS', 'ELECTION OF OFFICERS AND COMMITTEE', 'DUTIES OF THE PRESIDENT', 'DUTIES OF THE SECRETARY', 'DUTIES OF THE AUDITOR', 'BOOKS, NEWSPAPERS, &C.', 'MISCELLANEOUS' and 'CLUB DINNER'.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

The five issues are each eight pages long and octavo. All five issues unbound, and stabbed. All good, though lightly aged and with some wear to extremities. An improving publication, produced 'Under the direction of the Committee of General Literature and Education, appointed by the Society for Promoting Christian Knowledge'.

On both sides of a piece of paper nine inches by six and a half wide. The main picture, highly finished and roughly six inches by five wide, shows six flowers with five cut stems and leaves in green, white and purple. On the reverse are the detail of the flower, roughly four inches by two wide, in white and greenish yellow, and the drawing of branches, roughly six inches by five wide. On thick paper approaching card, and perhaps cut away from a larger piece. At the head of the reverse, in a mid-nineteenth-century hand, 'Drawn by the late Mr. Joseph Stannard -'.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

One page, 12mo. Good on piece of lightly-creased and aged paper, neatly mounted on slightly-larger piece of paper. Enclosing funds 'for the Use of St Andrews Hall April 2nd. 3rd. & 4th./66 for Christys Minstrels Concerts'. Postscript requests that receipt be sent to Reading in Berkshire: 'Shall be there on Thursday next'. A significant document. 1866 marked the introduction of the minstrel show into England by Christy's Minstrels, and the first of several extremely successful tours by the company.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.

Both items very good and docketed on reverse. Both advertisements appear to have been placed by Challinors & Shaw, solicitors. ITEM ONE (printed on one side of a piece of paper roughly ten inches by eight wide) is headed 'CIRCULATION OVER 180,000 WEEKLY.' Describes the paper as 'The County Newspaper and Leading Journal for Staffordshire' and the 'largest Newspaper and the best and most influential Advertising Medium' in the county.

On both sides of a piece of aged paper watermarked 1855, dimensions three inches by eight and a quarter wide. Good, though a tad grubby, with traces of previous brown paper mount adhering to reverse. Recto reads '[tick] H.C.L. | [in another hand] App? | [signature] . Captain | in Comd of Division. | [in another hand] [signature] C M Collins | 1st Class Asst. Engineer | [in another hand] [signature] Gilford | Lieut in Comd. | [in another hand] Approved for necessary Defects | to be made good. | [signature] G F Seymour | Vice Adml. and Commr. in Chief'.

On piece of paper roughly one inch by three and a half inches wide. Good, with glue staining to reverse. Reads 'Yours sincerely | Rod. I. Murchison | P.S. | <...>. On reverse (which is docketed in pencil) 'I <...> | that when Lord Palmeston died he had in his <...> 80 applications <...>'.

Dimensions roughly three-quarters of an inch by five inches wide. Good, with glues staining from previous mounting to edges of reverse. Reads '<...> | for the right of translation - I remain, my dear Sir, your most | obedient faithful Servant | [signature] C F R de Montalembert | I shall be happy to look through the rest of the Introduction, if you think it useful.' On reverse '<...> | to be very unpalateable to those who <...>'.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

On piece of aged paper roughly one inch by one and a half inches wide. Signature, underlined and overlined, less than an inch long.