ENGLISH

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

On piece of paper roughly seven inches by four and a half. Good, though aged, and with small closed tear at foot. Evidence of previous mounting adhering to blank verso. Presumably in response to a request for an autograph. Seven lines of text, headed 'The "Half-Timer"', concerning the deleterious effects on health of child labour.

One page, roughly eleven inches by eight. On aged paper, with fraying to extremites affecting one word of text. 'Richard Battley Esqre. of Fore Street Cripplegate a Gentleman very conversant in several branches of science particularly Vegetable Chemistry and Pharmacy being desirous of becoming a Fellow of the Medico Botanical Society of London | We whose names are hereunto subscribed do recommend him as highly deserving of that honor & likely to pr an useful and valuable member.' Signed 'J Frost', 'Wm. Yarrell' and 'Wm. Newman'.

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

English actress of Spanish descent (1866-1951). Two pages, 12mo. On grey paper. Folded twice. In very good condition, but with minor traces of paper mounts adhering to two corners of first leaf of bifoliate. Florid signature. She declines the luncheon invitation as she has friends coming down. She is 'going to try & have tea with Mrs Gooch. But it is a little difficult to get away when one has people staying.' She is sorry to have missed her correspondent.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Three pages, 12mo. Very good. The letterhead, in red, carries Mayhew's crest, with his initials 'HM' and motto 'LABOR VINCIT'. An insight into doings within the Mayhew family. As her correspondent has 'not been here', she is concerned that she 'must have offended you in some way or another'.

One page. Paper dimensions roughly fourteen inches by nine and a half inches. Good, with cream paper backing. 'Received then by me [Jane Countess Dowager of Bridgewater ass[ign] of Charles Bertie Esqr] [...] Of [James Vernon Esqr] One of the Four Tellers of the Receipt of His Majesty's Exchequer, the Sum of [Threescore pounds] being for [Twenty ffour] Months Interest of [ffive Hundred Pounds] [...]'. Signed 'J Bridgewater'. Witnessed by 'J Peirce'.

One page. Dimensions of paper roughly thirteen inches by eight. Very good on aged paper, with slight loss at head and small closed tear (neither affecting text). Headed 'Annuity for Life, 1746.' '[...] Received the [19] Day of [July] 17[70] by me [William Earl of Radnor Asse. to Robert Lord Romney] Of George Grenville, junr. Esq; One of the Four Tellers of His Majesty's Receipt of Exchequer, the Sum of [Three hundred pounds] in full for [Six] Months Annuity, due the [fifth] Day of [July] last past, of [£600] per Annum, during the Life of [me William Earl of Radnor] [...]'.

One page. Dimensions of paper roughly eight inches by six and three-quarters. Trimmed but with no loss to text. Very good on aged paper. 'Received by me [Lady Anne Silvius] Of the Honourable Richard Hampden Esq; One of the Four Tellers of His Majesty's Receipt of Exchequer, the Sum of [Fifty pounds] in full of all former Directions, and for Three Months Annuity, due at [Xmas] last past, of [200] Pounds per Annum'. Signed 'Ann: Sylvius', and with the signature [slightly trimmed] of 'Eliz Jones'.

One page, 12mo. Very good, if a tad grubby. Thanks Draper for his 'amiable but unconvincing' note. 'Do you not know that I was irritated into bad language by being accused of "d - d impertinence? This, too, before I said a discourteous word. - Goodman [the writer Edward John Goodman], of course, rules the Committee [of the Savage Club] and even you have listened to the voice of that Israelitish charmer.' Concludes 'Mais n'importe. Either this evening or tomorrow I send in my resignation. I will neither apologize, nor renew the matter in cold blood.' Signed 'Henry S. Leigh'.

Three pages, small octavo. With embossed crest. Aged, and with some wear to extremities, but text clear and complete. In English. He sends two walking sticks. 'Might I ask you to send one to the honored Mr. Gladstone and beg him to accept it from me as one of his Hamburg admirers, who knows how fond he is of working with the saw.' The other stick is for Currie, 'as a small remembrance of the pleasant time I spent with you at Hamburg and Kiel.' 'Inside the sticks you will find a saw, which can be taken out and fastened on to the hook.

LETTER ONE (manuscript): Two pages, 12mo. Good on aged paper with a little light foxing. Is 'glad of the opportunity' to tell Clayton 'how highly appreciated on the Committee was the assistance you gave it, your assiduity & attention, your fairness, & your practical wisdom. Besides your kindliness & unvarying good temper were an invaluable element. For myself personally I feel I have made a new friend; wh. in old age is not so easy, & therefore is all the more agreeable.' Signed 'Arthur L Smith'. LETTER TWO (typed): three pages, octavo. Good, though slightly dogeared.

One page, 12mo. Very good. He presents his correspondent with 'deux petits ouvrages sortis de ma plume'. The first was mentioned by 'Mr. Burgess' and the second is 'un petit traite qui a eu le bonheur il y a quelques ans de remporter le prix annuel dans l'Universite d'Oxford'. Signed 'Willm. Roberts'. In a postscript asks to be recommended to any acquaintances Van Santen may have 'a Rotterdam Anvers ou Bruxelles'. Address, with broken wafer, on second leaf of bifolium. Roberts is perhaps best remembered for the controversy brought on by a passage in Byron's 'Don Juan'.

One page, folio. Aged and with fraying to extremities and some repair to blank verso. Text clear and complete, except for a couple of letters shaved in right-hand margin. With signatures of witnesses William Digby and Daniel Cummine. Signed 'Digby'.

Two pages, octavo. Good, with some creasing at head and foot. He has just returned from visiting his brother and sister-in-law at Liss, and will send his 'The Wood of Time' (1938). 'Since I wrote the poems it contains, poetry, like most of the other arts, has undergone a complete revolution; indeed began to undergo it before "The Wood of Time" was published.' Despite this he is pleased it 'did not fall entirely upon deaf ears. Since that time I have written several other things, but have really published nothing of the same nature.' He is glad she is still writing.

Dimensions of paper roughly five inches by three-quarters of an inch. Signed 'John Pratt' between writing in a seventeenth-century chancery hand. Docketed with biographical details in a minute nineteenth-century hand, and enclosed in a piece of paper with further biographical details in another nineteenth-century hand.

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

Both cards self-stamped. CARD ONE is very good and has printed on it a stamp of Queen Elizabeth II. Addressed to Powell and his wife, it does not appear to have gone through the mails. 'Most kind of you to write - we led a quick <?> in the car, & then a meeting in the afternoon. We <?>: Jill also, who we havent seen lately. | Many thanks | [signed] Adrian C. B.' CARD TWO is somewhat aged, with a stain and some wear on the address side. It reads 'I too have written to Kellogg's! | [signed] Adrian C Boult'.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).

Three pages, 12mo. Good, but on slightly discoloured paper, and with head of blank verso of second leaf of bifolium attached to piece of grey paper. He cannot sing for Mundy on the 8th, as he is giving his own concert the following day, and has 'only just started at it as the Prince of Wales who has kindly consented to come, only let me know the date yesterday. You know what giving a concert means. I musts have the 8th. absolutely free. I am so sorry to disappoint you.'

Dimensions of paper roughly four and a half inches by one and a quarter. Good, on ruckled and slightly discoloured paper, with traces of glue adhering to reverse. Reads 'Very sincerely yours | W E Gladstone'.

Two pages, 12mo. Good, but with some light glue stains on reverse, to which a small printed strip giving a printed list of Mrs Charles's works is attached. 'I was hoping to hear your boy was better - & I am very glad he is - thanks - but I am engaged on Thursday, & for some little time to come - so many people from all quarters coming just now & I hope you may be able to come & see me before very long'. Signed 'Bettie Charles'.

Signed 'R. A. Gregory'. One page, folio. Good, with one dogeared corner. Bearing the stamp of the Royal Society of Arts. Circular letter referring to an enclosure (not present) relating to an exhibition which 'will shew that by the combination of science and industry we have done nearly as much in four years of war as the Germans did in the preceding forty. More than 250 manufacturers are sending exhibits, and the Air Ministry will make a large display, as well as the Food Production Department.' Asks for 'a sympathetic editorial note or article'.

In very good condition, on a greetings card containing a reproduction of an illustration of a black cat by Barry Moser, from Godden's translation of Carmen Bernos de Gasztold's 'Prayers from the Ark'. The prayer, in Godden's hand (and probably one of her translations from the book) reads 'Lord, I am the Cat. It is not exactly that I hahve something to ask of you! No - I ask nothing of anyone - but, if you have by some chance, in some celestial barn. a little white mouse, or a saucer of milk. I know someone who would relish them.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

One page, small octavo. Very good, though with a little offsetting of ink from folding of letter, and a small closed tear at head. A reply to a request for an autograph - in a close, neat, hand - reading 'Dear Sir | With much pleasure as I assure you that I am | Sincerely yours | Alfred Sutro'.