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British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

The sculptor Behnes (died 1864) and six painters: Cooper (1787-1868), Ross (1794-1860), Pickersgill (1782-1875), Newton (1785-1869), Etty (1787-1849). Paper dimensions roughly five and a half inches by three. Good, though a touch grubby. Reads 'William Behnes | Ab Cooper. R.A. | W. C. Ross RA. | H W. Pickersgill | Wm. J. Newton | Wm.. Etty'. From a collection of material relating to the Artists' General Benevolent Fund, and docketed by the Fund's secretary, next to Cooper's name, 'not eligible | W J Roper'.

Probably the most famous of the Fleet Street cartoonists (1916-95). One page, quarto. Folded twice. Good, but lightly creased. He thanks him for the 'very nice letter and compliments', but feels he 'must administer a small but friendly reprimand. The Jean Rook [a noted Daily Express columnist] originals you refer to were ones concerning her article of the day and were a personal presentation.' Discusses charity commitments, before remarking 'It may surprise you that I spend more time in the studio working for charities than I do earning my living!

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'

Stanfield was a marine and landscape painter (1793-1867); Meredith was employed by the auctioneers Machin and Debenham of King Street. Paper dimensions roughly five and a half inches by four inches. Folded twice. Grubby and lightly creased, with dog-eared corners. Reads '[signed] Michael Meredith | No 6 Blomfield St | Finsbury Circus | [signed] C Stanfield R A | Mornington Place | Novr. 20th. 1825. From a collection of material relating to the Artists' General Benevolent Fund.

English artist (1849-1923). Four pages, 12mo. Folded once. With mourning border. Good, if somewhat grubby and on discoloured paper. Difficult hand. He is very grateful for the 'kind thought in sending the pipes, they are beauties, and should last one a life time'. He also thanks Slocombe for his subscription 'to the Restoration of Blythburgh Chancel Porch'. He hopes he has enjoyed his 'work in Scotland'. 'I shall be only to [sic] proud to let you take Photographs of anything I have in my house - | Do you know that the Son of Charles Robinson F.S.A.

Two pages, 12mo. Very good. Thanks his correspondent for 'your kind letter & for the hospitality you have given me in the North American Review. I hope you will be able to bring out my article in the March Number as the political Kaleidoscope changes so quickly that some part may appear belated if it is long delayed.' Asks for a change to be made if it is not possible to bring the piece out in the March issue. Signed 'W E H Lecky'.

Victorian phrenologist (1788-1858) and natural philosopher. Paper dimensions roughly seven and a half inches by three inches. Folded four times. Good, but worn and with some loss to bottom corners from previous mounting. Reads 'I am | My dear Sir | Yours most truly | Geo: Combe | If you see Mr. <?> at the meeting put this letter into his hands, lest I should not see him before it. | [signed] G C'.

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

Shipowner (1840-1916), philanthropist and writer on social affairs. The recipient Herbert Vaughan (1832-1903) was the third Roman Catholic Archbishop of Westminster. Two pages, 12mo. Good, but with recto of leaf slightly smudged. Reads 'Dear Cardinal Vaughan | If half past nine is not too early I could come on Friday at that hour. I am afraid I cannot make it any later in the morning as I have to reach the City before 10.30. I could come on Friday Evening between 5 & 6 if that hour should suit you better'. Signed 'Charles Booth'.

English writer (1882-1950). One page, quarto. Good, but lightly creased and dusty, and with minor spotting. Concerns the writer George Augustus Sala, about whom Straus would publish a book in 1942. He is grateful for the Sala letters, and encloses a cheque. 'I appreciate your good nature in letting me have them. [...] My own Sala collection is fairly, but not wholly, complete. I have no copy, for instance, of his pamphlet (1860 or 1862) on the Wimbledon Volunteer Rifle Meeting.

English comedian (1848-1907), grandson of the actor Charles Kemble. Two pages, 12mo. On grubby, spotted and stained paper. 'I was so sorry to have been prevented coming to you on Sunday last, and also that my absence from town has precluded the possibility of my leaving Cards. I hope I may be more fortunate another time.'

English architect (1849-1930), responsible for many notable London buildings, including the Victoria and Albert Museum. The recipient Spielmann (1858-1948) was an art historian. One page, 12mo. Grubby, and with pin holes in top left-hand corner, as well as small closed tear at foot of leaf (not affecting text). Reads 'I regret that having to be in Manchester on Friday next I shall be unable to attend the art Committee of the St. Louis Exhibition'. Signed 'Aston Webb'.

English historian (1882-1959). All three items, two pages, quarto. All good, though grubby and lightly creased. Three intimate and revealing letters. ITEM ONE apparently sent to Bonham-Carter in America. 'You will soon be back, I think. Are you now occupied in assembling and correlating your observations? [...] I should guess it was quite impossible to think when a Presidential election is going on. | I have been spending a fortnight in Oxford and I asked some of the early-middle-aged dons what the undergraduates were thinking.

English politician (1881-1965) and architect, much of whose work was done in the United States. Both letters two pages, quarto. Both letters docketed (the first heavily so), bearing the Society's stamp, and with pin and staple holes in top left-hand corner. Second letter good, first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition, held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success', but as these letters show, the matter was not so clear cut.

British soldier and courtier (1888-1969), Equerry and Groom of the Robes to King George VI and Queen Elizabeth II. Both letters written in capacity as Private Secretary to the Duke of York. Both very good, though grubby, docketed and bearing the Society's stamp. LETTER ONE (one page, 12mo): 'Further to your letter of September 20th., which the Duke of York has had under his consideration, His Royal Highness desires me to tell you that he will be very pelased to be present at the Meeting at which Mr. Robert Hyde will read a paper, on February 7th. 1934.

British industrial designer (1895-1961); Chief Instructor, Design, Royal College of Art, 1925-35. The two carbons to Capey from Luckhurst, one page, 12mo; the other three letters, one page, quarto. All very good, though somewhat dusty and lightly creased, and with staple holes to the top left-hand corners. Throwing useful light on the state of post-war art education, the correspondence concerns a request to Luckhurst from 'one-time Fellow of the Society' Hollewell for 'information and advice in regard to my daughter's future training'.

Artist (1894-1966) and principal of Brighton School of Art. One page, octavo. Good, but lightly creased and with staple holes in the top lefthand corner. Date stamps in grey and red ink. Letter concerns the suitability of Alfred Charles Hull as a member of the Academy. Benney knew Hull 'for many years as a master at Shoreham Grammar School' and elsewhere. 'Mr. Hull is an extremely charming fellow and would socially fit in very happily with the Society. It is a little difficult, however, for me to say whether he is of fellowship standard.

English soldier and military historian (1885-1969). One page, quarto. Folded twice. Good, but with minor discoloration and some ink smudging along one edge (not affecting text). Bearing the Society's stamp. Replying, as Haig's private secretary, to a letter electing Haig a fellow of the Society. 'Sir Douglas Haig has asked me to thank you very much for your letter of the 25th instant and will be glad if you will convey to the Council and members of your Society his great appreciation of the honour they have done him.

English sculptor (1799-1872), Professor of Sculpture at the Royal Academy and son of Sir Richard Westmacott. Two pages, 12mo. Good, but on grubby, foxed paper, and with remains of stubs from previous mounting still adhering. A formal letter in the third person. Reads 'Mr Westmacott presents his Compliments, and thanks Mrs Morgan very much for her kind proposal for Friday - Malheureusement Mr. W. is engaged that day - & must therefore give up the pleasure that Mr & Mrs. <?>'s kindness offers him.'

One page, very good. Postcard illustration of Marie Taglioni. In Bentley's distinctive neat hand. 'If & when Angus & Robertson's traveller shows you a book called Dead Funny, illus. by Bill Tidy, pubs. Ask & Grant, I hope you'll feel compelled to place a huge order: The Grant is Arabella's husband, just breaking into publishing (mad!) How are you & Billie? We should love to see you both, but I doubt that you ever come this way. If you do, you can count on a warm bed & reception. Try & make it sometimes.' Signed 'Nick'.

English novelist (1834-1903), influenced by Ruskin and Pre-Raphaelitism, author of the influential 'John Inglesant'. Three pages, 12mo. Very good. The recipient Hugh Nettlefold (1858-93) was a screwmaker residing in Hall Field House, Sir Harrys Rd, Edgbaston. Reads 'We shall be very pleased to see you and your friend to tea tomorrow [^ Wednesday] at five o'clock. I will take care to be at home at that Time & shall be quite disengaged until six oclock <...> regards from my wife'. Signed 'J. Henry Shorthouse'. Nettlefold replies 'I will call for you about 1/4 to 5 tomorrow.

Poet and literary critic (1856-1930). One page, 12mo. Discoloured but very good. Folded once. One might almost think he was being sarcastic. 'The unflawed pleasure of my short visit to the Archdeaconry will never be effaced from my memory. Heartily I thank you all very much. | Most sincerely yrs | Mackenzie Bell | [autograph]'. Last word and square brackets Bell's.

English architect (1766-1840). Very good. On piece of paper (roughly 4 1/2 inches by 5 1/4 inches) cut from envelope, with partial Windsor address on reverse. Formal letter in the third person to Priestley & Weale, architectural booksellers in High Holborn. Reads 'Mr. J Wyatville's compts. to Messrs. Priestley & Weal [sic] supposes the number herewith returned to have been sent by mistake as he does not subscribe to the work.' Cutting from book catalogue 'tipped' to foot of letter. Docketed in pencil at head.

English oboist (1897-1988). One page, octavo. Good, on thick laid paper. Pin marks in one corner and neat red stamp '20 MAR 1942'. He 'would like to see the proofs of the Mozart Quartet to check up the crescendo's and diminuendos just in case they are not correct.' He agrees with the 'scheme of marking only the parts'. 'With regard to Boughton's times I have them safe, I hope to play them in the near future but am rather at the mercy of the BBC.'