ILLUSTRATION

One page, quarto. On aged and creased paper. The letterhead, in purple and red, features an illustration of a theatre curtain. He is 'looking forward to receiving a set of Galley Proofs' of Vale's book ('Trust House Story', 1952?). On receipt he will 'make a number of rough sketches for the Wrapper and send them along to you; then if you think any of them are interesting I can produce more finished versions for you to see.'

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Beautifully printed bifolium on thick wove paper. Dimensions of leaf roughly thirteen inches by ten; dimensions of illustration roughly nine and a half inches by eight. Tissue guard. Recto of first leaf and verso of second blank. Letterpress on verso of first leaf reads 'Fernand De Nobele, libraire pres St-Germain-des-Pres, vous adresse ses meilleurs voeux pour l'annee 1969. | [L'abbaye en 1368]'. Illustration signed at foot 'Josephine Beaudouin', with the limitation '190/200'. For De Nobele - President of ILAB between 1965 and 1967 - see Anthony Rota's 'Books in the Blood' (2002).

Quarto: ix + 21 pages. Stapled. In original cream wraps, with colour cover illustration by Helen Taylor. Full-page reproduction of drawing of Rutherston by his brother Sir William Rothenstein. Introduction places Rutherston in the tradition of Edward Gordon Craig and Claud Lovat Fraser. Copies of the second edition (1992) recorded by COPAC, but not at BL or Bodley.

National Provincial and Union Bank of England, made out to Dulac for £21 by "R. Grahame Smith", stamped by two banks and attractively fra\med so that both front and back of cheque (i.e. the signature) may be seen.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

On both sides of a piece of paper nine inches by six and a half wide. The main picture, highly finished and roughly six inches by five wide, shows six flowers with five cut stems and leaves in green, white and purple. On the reverse are the detail of the flower, roughly four inches by two wide, in white and greenish yellow, and the drawing of branches, roughly six inches by five wide. On thick paper approaching card, and perhaps cut away from a larger piece. At the head of the reverse, in a mid-nineteenth-century hand, 'Drawn by the late Mr. Joseph Stannard -'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

Artist and illustrator (1878-1957). (Complete letter, 1919) Three pages, 4to, fold marks, sl. damage but text complete and clear. A detailed letter giving information about Wood's post-war activities and "busyness"), current projects, his toy manufactory, etc. He received this letter from a prospective collaborator via his agents, Messrs Francis <& Hills?>. He asks if he has left "Valley"[?].

Paper dimensions roughly five inches by seven. Dimensions of illustration four and a half inches by five. Very good. Dated '1914' within body of illustration above the word 'Frightfulness' in gothic. With 'GAF' beneath body of illustration, above 'EX LIBRIS | Attilae Secundi | The Nook | St Helena'. Signed in pencil, next to 'GAF', '(one of fifty) G A Fothergill'. The "Second Attila" is obvioulsly Wilhelm II.

English artist and illustrator (1820-1912). Swain (1820-1909) was a noted wood-engraver, and the letter concerns his possible employment by Macquoid. Two pages, 12mo. Good, but on discoloured paper, heavily sunned along one edge and browning in one corner, with small closed tear at top of fold. Swain's price 'for Blocks will do - £8. 8. 0 for full page & £6. 6. 0 for front page -'. He has seen Williams 'who was very polite & promised me some work'. Williams is 'going to be married soon - wh: he said wd. "come in the way" of drawings at present'. Signed Thos. R. Macquoid'.

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

Parkinson received the degree of Master of Arts from Oriel College, Oxford, but took up art and drew the cartoons for Judy magazine, 1890-96. One page, 12mo. Very good if a tad grubby. Folded once. Attractive illustration, roughly two inches square, in top left-hand corner, showing the head and shoulders of a 'Gibson girl' type beauty, in dress with leg o'mutton sleeves, looking over her left shoulder. Clearly responding to request for autograph, the text reads 'Most willingly | Yours faithfully | Wm Parkinson. | Aug 5. 1900. | "Dearhurst" | Streatham | London. S.W.'

Art critic. Two pages, 8vo, good condition. He informs his correspondent of his belief that S.H. Sime, illustrator and artist, is still alive [in fact died 1941 re. George Locke]. H e runs obver the main events of Sime's life getting a small fortune, starting life as a coal miner, "fantastic imagination", "Pick-me-up", art editor of "The Idler", collaboration with Arthur Lawrence, Dunsany books, blossome as a painter, retirement from "life and publicity, rappeared at the St George's Gallery. Konody then lost sight of him.

Twenty illustrations, each roughly four inches square and each with its own caption, on a sheet of paper roughly forty-four inches by eight and a half inches, folded into a booklet four and a half inches square, in original printed blue paper wraps. Extremely scarce. No copy on COPAC. Frail, on discoloured brittle paper, creased and with several closed tears. A charming account, timed between 5 a.m.

4 leaves. 8 unpaginated pages. 16mo. 9 centimeters by 12 centimeters. Dusty but very good indeed. Evan Gill 272 describes the first edition of 1923 and a subsequent edition of 1929, but makes no mention of an undated issue. Wood engravings by Gill: lawyer's wig on cover-title; bird in cage on verso of third leaf; angel before tombstone on verso of last leaf. 'WITABEL WATLO' engraving [by David Jones?] on recto of third leaf. Prob. Taylor & Sewell 117c

Children's writer, poet and illustrator. All three items one page, quarto. All in good condition, with minimal staining. All three docketed, and the two letters signed 'Dorothy AH. Mills. F.R.S.A.' LETTER ONE: She enjoyed a 'magnificent' item by F. T. Blanchard in the Society's magazine 'immensely': 'it contained what it seems to me we have lost in England, in the appreciation of Letters, - namely, spirituality and idealism, and the Divine plan in the life of the individual.

Attractive illustration, in red, green, yellow and black, on piece of white card roughly nine and three-quarter inches by six and a quarter, neatly mounted on piece of black card roughly ten and a quarter inches by seven and three-quarters. At head a parody of the London Underground black rectangle over red circle, roughly six and a half inches by three and a quarter, bearing the notice 'ALIGHT HERE' in white letters. Beneath this the words 'FOR EVERY SMOKER.', with a red arrow at foot pointing to a box of Swan Vesta matches. Very good, though lightly foxed.

PRESENTATION COPY of offprint 'FROM THE | ARCHAEOLOGIA, | VOL. XXVII. p. 405-409.' Four leaves, 8 pages, 4to. In good condition, although grubby and worn and with creasing to inner edge. Presentation inscription to top right-hand corner of title. Disbound: paginated in manuscript and with slight offsetting to verso of last leaf. No copy of this offprint in the British Library. The author Dr Hugh Welch Diamond (1809-86) was editor of the photographic journal, and a pioneer of psychiatric photography.

Dimensions when folded roughly 4 3/4 inches by 6 inches. Somewhat grubby, but well printed and in good condition overall. Front of card printed in black with Searle's printed signature and 'to my Valentine -' in red at head. Cartoon illustration of bespectacled young lady with bouffant hair and hairband, in dainty skirt and heels, holding beribboned had in front of her, posing in front of wall on which she casts large shadow of horned devil with tail.

Dimensions roughly 5 1/2 inches by 4 inches. Must predate 1887, when the prefix 'Royal' was added. Amusing modern-looking cartoon-style illustration by 'F C' of furious pipe-smoking pianist jumping up to hammer the keys, with his hair forming into the 'S' of 'Society', with moustachioed cigar-smoking tweedy individual in front of piano being hit in face by whisky tumbler.

Victorian cartoonist and illustrator (DNB), connected with the magazine Punch. The fragment is around two inches by four, creased and discoloured. It reads 'With compliments | very truly yours. | Linley Sambourne' The signature is underlined. The reverse, one edge of which is attached to a piece of card, carries part of a list of various numbers of the magazine 'Types of British Army' in Sambourne's possession.