JOSEPH

4to, 8 pp. Stitched pamphlet on grey paper. Text clear and complete. Good, though somewhat creased, and a little stained. In small type. Divided into two sections: 'Selections from the opinions of the London press' and 'Selections from the opinions of the provincial press'. In a long quotation on the front page: 'Charles Dickens made the practice famous, and Mr. Joseph Hatton has begun his platform career in the same modest, careful, and unpretentious way [...]'. (p.1, 'From General Press Notices').

Dimensions of print roughly 17.5 x 13.5 cm. On original grey paper windowpane mount (28 x 23 cm). Engraved label (2.5 x 11 cm) beneath the print, with a couple of remarque-style illustrations. The print itself is good, although a little aged and spotted; the margins and mount being rather more heavily affected. Attractive and unusual item, the image changing when held up to the light. Two soldiers are shown dwarfed by the high ceiling of the chapel, which is decked with brightly-coloured flags. When held to the light the chapel is filled with the mourning congregation. Scarce.

All seven items 4to, 1 p. Each good, on lightly-aged paper. All bearing the Society's stamp, and six docketed. Letter Two to Sir Henry Trueman Wood, Three to Six to G. K. Menzies, and Seven to W. Perry. Letter One: 9 July 1914. Querying whether members of the Society can describe themselves as 'Fellows'. Letter Two: 22 March 1916. Being 'unable to get an earlier passage [to America] owing to cancellation of boats', he will be delighted to preside over a meeting.

4to, 4 pp. Bifolium. Complete issue, paginated 17-20. Good, on aged paper. The first page announces J. D. Corbett ('Writer of "Canberra Commentary" in "The Argus") as guest speaker ('And he's sure to be good'). The first of two articles on the second page is the report of a speech by 'His Honor Judge Foster'. The second article, under the heading 'A Blood and Thunder Merchant', is an interview, with small photograph, with 'the Sanguinary-minded Fellow J. P.

12mo, 1 p. Written in Laski's distinctive close hand. Fair, on aged paper, with a little spotting and two tiny pinholes in top left-hand corner. He has enjoyed reading Grinling's pamphlet (possibly 'Fifty Years of Pioneer Work in Woolwich') but, as 'Memory is by definition a traitor', Grinling's 'name doesn't "place" itself' for Laski. 'But you will possibly care one day to come and remind me; at any rate you will be sure of a welcome.'

4to: xxxii + 568 pp. Very good, on lightly spotted and discoloured paper. In heavily-worn original boards, consisting of quarter-binding with grey boards and cream spine, with slight staining at head of spine. Foxed endpapers. Lacking plates. Fifty-four papers, by James Bowdoin, Edward Augustus Holyoke, Benjamin Lincoln, Joseph Willard, Mannaseh Cutler, Caleb Gannett, Eli Forbes, Edward Wigglesworth, Jeremy Belknap and others.

Three pages. On vellum bifolium made from skin roughly fourteen inches by twenty wide. Three official stamps. Signed twice by 'Jas M Melville', Writer to the Signet, and his partner James Lindesay ('Jas. Lindesay'), and witnessed by their clerk William Bett ('W. Bett').

16mo bifolium (leaf dimensions 11 x 9 cm): 2 pp. 17 lines of text. Very good on lightly aged paper. Wonders whether Lockyer would like to spend his Easter holidays at Altnaharra, for a fortnight from 14 April. (The Altnaharra Hotel was used by anglers visiting the nearby lochs.) 'It is an expensive journey; but the sport is good - at least it has been good this last fortnight, but now we are sadly in want of rain. The weather is like June, only more so.' Forty salmon have been killed 'in these two weeks, averaging 11 lbs each'. Black's publisher was Alexander Macmillan.

Scottish historian (1762-1818), friend of Charles James Fox and Sir Walter Scott. 1 page, 8vo. Bifoliate, in very good condition, addressed on reverse of second leaf to 'Mr. John Mounsey | Furrier | Sunderland'. Difficult handwriting. 'Dear Sir. | <?> the beginning of March I sent to Lowth, by Mr Sir Joseph Banks, to be forwarded to you at Sunderland, Two matts or packages of Rabbit skins, containing 2127 Skins.

On one side of a foolscap (32.5 x 20 cm) page. Eighteen lines. On aged and foxed paper with chipping at head and foot. Chamberlain was Rector between 1925 and 1928.

Both 12mo: 4 pp. Item 1 (21 May) Text clear and entire. On aged paper with small unobtrusive spike holes through both leaves. Slightly manic letter, casting light on the relationship between author, printer and engraver in the Victorian period. Tayler lists four 'plates for a chapter on the Essex Martyrs' which Leonard Seeley of Thames Ditton, who is printing and publishing Tayler's book 'Memorials of the English Martyrs' (Seeleys, 1853), has not yet received from Williams. Suggests other engravings for the 'last chapter'. 'It has occurred to me that the plate in Foxe 7th.

On a piece of board roughly 45 x 30 cm. Foxed and discoloured, with the extremities chipped and worn, with loss and closed tears affecting the illustration's border, which is in gold in the style of the carved decoration of eighteenth-century furniture. The illustration itself, roughly 36 x 25 cm, is clear and undamaged. It features full-length depictions, each around 29 cm high, of two stylish figures: on the left a behatted lady, fan in hand, elegantly attired in eighteenth-century costume of orange compere-fronted gown and full yellow skirt.

12mo: 8 pp, unpaginated. Stitched. In original green printed wraps. Text and illustrations clear and complete, on browned high-acidity paper with damp staining at head. Wraps foxed and with slight chipping to extremities. The cover features a striking crude woodcut (12 x 9 cm) of David's 'Napoleon crossing the Alps'. The first page features another woodcut (9 x 7 cm) of a martial figure on horseback, with sword drawn.

The calendar proper (clear and complete on aged paper) consists of 12 unpaginated 8vo pages, with photographs and some facsimiles of handwriting on the rectos and the calendar itself, with memorable radical dates, on the versos. Photographs of Edward Bellamy, 'Principal Writers of "The Clarion" ', Tom Mann, William Morris, and Alfred Russel [sic] Wallace, and Count Leo Tolstoy. The calendar is encased in a loose 8vo bifolium, with four unpaginated printed pages. It is titled 'The Labour Annual Calendar: 1896. Edited by Joseph Edwards'.

Bifolium (leaf dimensions 24.5 x 18 cm), 3 pp, on paper watermarked 1817. Text and image clear and complete on grubby and lightly-creased paper. The two leaves have been gummed to one another along a thin vertical strip, and it may be that they were originally separate. An unusual and scarce piece of ephemera. At the head of the first page is a characteristic neo-classical engraving (roughly 7.5 x 11.5 cm) showing a group of five cherub-artists, holding portolio, palette and bust, appealing to a winged goddess on a cloud, with a temple in the background.

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Printed on one side of a piece of paper 13.5 x 16.5 cm. In good condition. Ruled in light blue, with letterhead in black: 'To James Thornton, New and Second-Hand Bookseller, Stationer, &c., 33, High Street, opposite University College Gateway. | Books bought or exchanged. | Binding in all its branches. | Interest Charged after Twelve Months' Credit. | The usual discount for cash.' Lists purchases made on four dates between November 1875 and January 1876, totalling £2 1s 10d, and marked as 'Subject to discount'. Beneath this, in purple ink is written 'Paid 17/3/76.

Printed on one side of a piece of thick wove paper, roughly 11.5 x 9 cm. Dimensions of image 9.5 x 6.5 cm. A little grubby, but good. An attractive production, with a mediaeval-style illustration of two flying fish flanking a tree on the branch of which is hung a shield with the words 'Books & Prints | Old & New. | 84, Nassau Street | New York. | 14 York Street | Covent Garden | London.' In gothic type at foot: 'J.

On one side of a piece of wove paper, dimensions roughly 365 x 255 mm. Laid down on a larger leaf. Lightly creased and a little spotted, but good overall, and with the text entirely legible. The upper part of the item consists of the quotation from Pettis's manuscript book, consisting of nineteen lines in single column and twenty-six lines in double column. It begins 'The day was usher'd in with Ringing, Music, and Versing from door to door. At Eleven o'Clock a Cavalcade was formed in the Court Yard, West of the Church, which made a gallant appearance, in manner and form following'.

Fourteen lines on the back of two-tone Dutch postcard, the front being tined light blue. Addressed to 'Edw Draper Esq, 3 Vincent Square, Westminster, London, England'. Aged and grubby, with two creases and slight traces of previous mount on front. Hatton's hand is difficult, but the note, addressed to 'My dear Friend', defending his use in a story of the following version of the celebrated quotation: 'When Greeks joined Greeks". Concludes 'You are right about the tinder box of course.'

On both sides of a piece of wove paper, dimensions 21.5 x 14 cm. On browned high-acidity paper, lightly creased and with closed tears to the margins. Text clear and complete. Begins 'One of the best and most effective statements of the farmer's case against Protection was that made by Mr. Legh, of Adlington Hall, one of the oldest Conservative landowners in Cheshire, at a Free Trade meeting at Adlington.' The headings are 'About Butter', 'About Cheese', 'About Corn', 'About Pigs' and 'About the Farmer's Bill'.

On a piece of paper cut from a letter, roughly 3.5 x 9.5 cm. On lightly aged and slightly grubby paper. Good firm signature, beneath which, in a contemporary hand, 'I knew his daughter Stepny'. Gulston's wife Bridgetta (1749/50–1780) was the second daughter of Sir Thomas Stepney.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

Crudely printed on one side of a piece of wove paper, roughly 27 x 8 cm. Spotted and creased, but with no loss to text. Sixty lines of verse, beginning: 'Rejoice you sons of Erin's Isle, | Attention pay now for a while, | Those lines we'll surely make you smile, | Our brave brigade isvictorious. [sic] | The enemy they did subdue, | And fought them nine one its true, | There [sic] attitude was grand to view, | At the battle of Perugia.' Recounts how, 'Commanded by O'Reilly sure', the Brigade 'did floor, 1,500 of the Sardinian corps'.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.

On one side of a piece of wove paper, 27.5 x 22 cm. Good, on lightly-aged paper, with some light off-setting of the text. An attractive piece of ephemera, with the text presented in a variety of types and point sizes. Reads 'CATHOLIC | EMANCIPATION. | [short thin-thick rule] | THE | HUSBANDMAN & VIPER. | [short thin-thick rule] A HUSBANDMAN found a Viper al- | most frozen to death; he took pity on | the poor Reptile, and placed it in his | bosom, where it soon recovered; and | its first act was to sting [last word in italics] its Deliverer. | The APPLICATION I leave to | Sir C- H-.