JOSEPH

1p., 4to. Bifolium. On aged paper worn at extremities. Addressed on reverse (which also carries docketing and calculations) to 'Messrs. Talver Milburn & Prestwich | 24 High St. Boro' | London'. The letter begins: 'Gentn. | The enclosed bill value £186. 13. 4 - you will place to my Fathers acct. & acknowledge Pr. return to this place. In the statement made of the balance of his acct. I presume you omitted to give him credit for the Stock sold & the Dividend upon it'. In the second paragraph he gives details of '2 bills' he has drawn on the firm. The final paragraph reads: 'If Russel has deld.

111pp., folio. Unpaginated, and printed on the rectos only. A duplicated and stapled production, in grey printed wraps. In poor condition: on brittle and aged high-acidity paper, with chipping to wraps and front cover loosening. Inscribed inside the front cover. No. 44 of 72 contributions is 'J. NEEDHAM - L. WANG - D. J. PRICE (INGHILTERRA) - Chinese astronomical clockwork.' Scarce: no copy on COPAC or in the Wellcome collection, and the only copy on OCLC WorldCat at the BNF.

On one side of an 8 x 21 cm slip of laid paper. Embossed with 3d tax receipt. In fair condition, lightly aged and worn. Nicely printed in gothic type. Reads, with the manuscript portion in square brackets: 'Received from [The Count de Flahault] the Sum of Five Guineas, being his Subscription to the Bannatyne Club for the Current Year, 1827. | [Thos. Kinnear.] Treasurer. | Edinburgh, 26th January, MDCCCXXVII.' Docketed on reverse: 'Count Flahault | 22 Septr. 1829. | Rec. Subscription | Bannatyne Club | For 1829. [sic] | £5. 5'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

4pp., 12mo. Bifolium. In very good condition, on lightly-aged paper. The letter begins: 'My dear Sir, | Having a day to spare, and having a little business in London, I left home by midnight mail yesterday, but unfortunately got into the smash that took place on the North Western line [i.e.

48pp., 12mo. In illustrated coloured printed wraps, with the front cover showing a farmyard scene, and the back cover carrying a portrait of 'H.R.H. the Prince of Wales | President of the Royal Agricultural Society of England, 1886. | President of Indian and Colonial Exhibition, 1886.' The double-page chromolithograph, between pp.16 and 17, is titled '"Since we were boys together." From a painting by A. W. Holden', and shows two eighteenth-century gentlemen, seated at a table, drinking and reminiscing.

48pp., 12mo. In illustrated coloured printed wraps. In good condition for an ephemeral item: lightly aged and worn, with slight damage to back cover and spine of wraps. The Kronheim prints are in very good condition, and consist of the frontispiece 'From the Frying-pan' (a boy caught on a wall while trying to steal apples) and 'Into the Fire' (the same boy being dragged by the ear through the orchard by the farmer).

64pp., 12mo. In illustrated coloured printed wraps, with the front cover showing a selection of well-fed farmyard animals on a green in front of what looks like Windsor Castle. With three plates printed in brown: '"Sport Provided"' (boy hiding under bridge tampering with maid's fishing line), 'An Old Offender' by G. E. Robertson (double page, man in eighteenth-century dress shaking his fist at a donkey in a pound) and '"The Omnibus Driver's Story"' (omnibus driver and four passengers). In good condition, lightly aged and worn, with slight staining to back cover.

A total of 13pp., 4to. The 'Account' covers the six pages 37-42, and the translation ('Appendix | Translation of Don Michael Rubin de Celis's Letter to the Royal Society, relative to a Mass of native Iron, found in South-America.') covers the seven pages 183-189. Extracted from the volume of 'Transactions'. In very good condition, on lightly-aged paper. Stapled into a worn blue card folder, with label of the London booksellers Sotherans.

7pp., 12mo. In fair condition, on aged paper, with rusted staples. Shelfmark, stamp and label of the Board of Education Reference Library, London. Subtitles: 'Premises', Staff', 'School Arrangements', 'Corporate Life of the School', 'Method of Practice for Students', 'Course of Study', 'Acknowledgments', 'Gifts of Apparatus, &c.' Final page carries a 'List of Subscriptions and Donations' and 'List of Apparatus, etc., Presented for Exhibition and the Use in the Classrooms'. Scarce: no copy on COPAC.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

90pp., 8vo. In grey stapled wraps. In good condition, on lightly-aged paper, in worn wraps. Shelfmarks, stamp and labels of the Board of Education Reference Library, London. Uncommon: no copies in English-speaking libraries on WorldCat.

45pp., 12mo. Very good, on lightly-aged paper. In grey printed wraps with statement by E. A. Fay of the National Deaf-Mute College on back cover. Disbound, with stamp and label of the Educational Library, Science & Art Department, London. Introductory note by F. L. Radcliffe, dedication to Francis Green (1742-1809), and preface by Gordon (all three full-page), followed by text on pp.5-17, and supplement on pp.19-45, including index on pp.43-45, and illustrations on pp.34 (in text), 36 ('Dr. Bell's "Dalgarno," or Touch, Alphabet') and 39-41 ('The one-hand Alphabet in general use.

[1] + 4pp., 12mo. In yellow printed wraps. In good condition, lightly-aged. With stamp, shelfmarks and labels of the Board of Education Reference Library, London. Full subtitle: 'Extracts from a letter to a parent requesting information relative to the prevailing methods of teaching the English language to Deaf-Mutes in America, by Joseph C. Gordon, M.A., Ph.D., Superintendent of the Illinois Institution for the Education of the Deaf. Author of "Education of the Deaf," "Hints to Parents," etc.' Uncommon.

Seven items, all in good condition, on lightly-aged paper. Housed in an elegant and sturdy custom-built brown buckram folder, with thick boards, flaps and red leather label, with 'Letters on Railways' stamped in gilt on the spine. The first item is a transcription of a set of accounts by Edward Pease, and the other six items are letters, whose authors are: William Green, John Gregson, Jonathan Binns, Oswald Gilkes, Augustus Maitland, William Shuttleworth.

16 pp., 8vo. In printed wraps with advertisements of performances at the Queen's Hall on the back cover. Stapled. Aged and damp-stained, with chipping and wear to edges. Punch hole at head. Pp.2-16 carry Walker's notes on the five sections of the concert: a Beethoven quartet performed by the Kruse Quartet; Berger songs performed by Mrs Henry Wood, accompanied by her husband; a Brahms piano piece performed by Willibald Richter; Borodine songs performed by Mrs Henry Wood, again accompanied by her husband; and a Sinding quintet performed by Richter and the Kruse Quartet.

4pp., 8vo. Bifolium. Printed in small type. In fair condition, on aged and worn paper, with short closed tears at edges of folds. An interesting perspective on the British aviation industry, from what Dr T. R. Bromund of Yale University has described as 'the industrial wing of the Empire lobby'. The opening paragraph reads: 'Owing to the recent resignation of the entire Board, with one exception, of the British Overseas Airways Corporation, the public has become dimly aware that British Air Transport is facing a crisis, but as yet has little or no idea of the magnitude of the issues involved.

3pp., 4to. On aged and worn paper (text entirely intact). In a letter deeply evocative of the Irish cultural renaissance, Henry begins on the subject of a piece of his writing on a political meeting of Irish nationalist Joseph Devlin: 'Dear Walter | I am sending you by this post another effort. You had no idea what you were letting yourself in for when you told me to "sling along anything I had got"! This is a little impression of a meeting of Devlins & was held in Sept. So I suppose it would be good to print it now. Altho' a thing like this would I believe go in America.

Letter: 1p., 12mo. In good condition, on lightly-aged paper. He begins by suggesting that Baron write to 'Mr Payn' (the novelist and editor James Payn) via the Reform Club, Pall Mall. (Baron's method involved asking one celebrity how to contact another.) He next discusses two of his works: '"The Memorial Windows" appeared in the Gentleman's & was published in Pippins & Cheese (Bradbury & Evans) - "The Valley" you will see in enclosed list'. He concludes by thanking Baron for his 'complimentary note'. With envelope addressed to 'J. T.

The collection is in good condition, on lightly aged and worn paper, and can be grouped into three sections. ONE: Complete typewritten draft ([3] + 44pp., 4to) of Sussman's unpublished monograph on Bloch is contained in a large brown envelope, with the following note by Sussman on the front: '2ND COPY (without illustrations) of "Ernest Bloch - Music's Prophet" | JS'. It includes the contents, list of illustrations, introduction, and two-page 'Key and Bibliography'.

The signature, reading 'Jos. D. Hooker', followed by (printed) "Director" is on a piece of paper roughly 3 x 10 cm., stiff paper (suggesting from a displayed notice, pin-holes on both lateral edges, not affecting text. On the verso there are a few lines of printed text, some affected by cut but thisparagraph surviving: It is particularly desired that Visitors will abstain from handling speciments with ut permission from the person in charge of them

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

1p., 12mo. In fair condition, on aged and lightly-worn paper. Accompanying the document is an undated and unsigned twentieth-century English translation, on letterhead of Lincoln House, Beauchamp Road, East Molesey, Surrey, headed 'A very free translation - guessing at illegible words'. At the time of writing Thiers was in government, in the Ministry of the Interior.

2 vols: xix + [1] + 288; ix + 263. With frontispieces to both volumes (both with tissue guards) and the eleven other plates called for. First edition, first issue, with the plate facing p.238 of vol.2 in its first state (without the 'grotesque' border), and the 36-page undated publisher's catalogue bound-in at the end of vol.2. In primary binding of pink cloth with floral pattern, and the gilt titles on the spine held up by an image of a clown.

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

1p., 4to. In good condition, on lightly-aged paper, with traces of mount adhering to the blank reverse. Docketted: 'fo 369 | G F'. He asks to be sent 'the following goods of the very best quality by the next Oxford Van which leaves daily Old Change about one O Clock.' Four items are listed: various reams of 'drawing Atlas', 'drawing Elephant', 'Plate Elephant' and 'the best & largest letter press demy'. Also '2 quires of the best Plate French Grand Eagles'

2pp., 12mo. In good condition, on lightly-aged paper. Scriven begins: 'I am afraid you will have thought I had forgotten to send the plate of Norfolk: the truth is, I decided on doing a few touches to that hand noticed by you & Mr Lackington; and although it was but a very little, I did not like to trust its going without first seeing a proof, as we can never be quite sure, on at all touching the copper, how it may come afterwards.' He ends by sending his 'best respects to Mr Lackington and the rest of your Gentlemen'.

Around 150 items, tipped in or laid down on 88pp. (on 59 leaves) of a 4to album. In good condition, on aged paper, with workmanlike repairs to the spine of the volume. An attractive and informative volume, gathering together material from before the Great War relating to a significant organisation in the British cultural landscape, profusely illustrated and with manuscript additions and captions.

The six illustrations and seven pages of text totalling 13pp., 4to (22.5 x 18cm), on seven leaves of laid paper removed from an album. On aged brittle paper, with chipping and slight loss to the edges. The illustrations are simple sketches, indicating the layout of the page, with titles and occasional words of text by Sullivan. Five of the six designs are for the Pall Mall Budget: 'The Thumbmark by H. G. Wells' (28 June 1894), thumbmarks around title and a newspaper seller with headline reading 'Anarchist Outrage'; 'The Stolen Bacillus by H. G.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.