PRINTING

1p., 12mo. Fair, on lightly-aged paper, laid down on a grey paper backing. Addressed to 'My dear Macmillan. He begins by asking: 'Could you do anything in this matter?' He considers 'Mr. McMahon's Edition of Aristotle's Metaphysics a highly creditable & conscientious work'. In a postscript he gives his opinion that 'The Letters [...] will fill rather more space than the Sermon'. According to the Oxford DNB, Maurice was the firm's 'first truly prolific author', and was referred to by Alexander Macmillan as 'their prophet'.

2pp., 4to. Printed in small type, with manuscript additions on both sides of the first leaf; addressed on the recto of the second leaf, with broken red wax seal: 'P. P. 9d | Mr Baldwin | Copper plate printer & | Birmingham | Sheffield | Oct 8th.' Great St Helens was a centre for firms concerned with bankruptcy and liquidation, and this interesting document offers banking services for 'needy Manufacturers and Tradesmen', with a use of Masonic imagery which is designed to reassure.

44 + [i] + [iii], 8vo. In original grey printed wraps. Fair: on aged paper, in worn wraps separating at spine (as is the bifolium carrying the first and last leaves). Ownership inscription at head of front wrap: 'C. L. F.' Numerous amusing illustrations in text, which is followed by a spoof 'Blank Page for School Boys and others to Sketch upon.' and three pages of advertisements. Further advertisements on inside of front wrap, and on both sides of back wrap. Scarce: the only copy of this undated first edition on COPAC at the V&A.

2pp., 12mo. On bifolium. Fair, on aged paper. The letter begins: 'Maitland, Secretary of the Civil Service Commission, tells me that Mr Robertson was examined only in European subjects; or, to use his own expression, "as to his capacity for learning Japanese".' Maitland cannot help them 'in finding a Japanese scholar'. As Spottiswoode is 'always so glad to find any one interested in oriental subjects', he asks for 'an opportunity of becoming acquainted' with Washington's son.

3pp., 4to. 60 lines of text. Bifolium. Good, on aged paper. Addressed, on reverse of second leaf, to 'Valentine Mott M.D. | 25 Park Place | New-York'; with three postmarks, one from Havre and another 'Forwarded by Lewis Rogers & Co.' (Mott was in Europe at the time of writing.) An tantalising letter, regarding an intriguing affair about which nothing else appears discoverable. Eldridge is sending 'a hand bill, 5000 of which have been circulated thro Paris and the towns in its vicinity'.

311pp., folio. With page of 'Errata' laid down on rear pastedown, under the manuscript heading 'COPY NO. 3. (PB).' With fold-out map of North America, and numerous plans and diagrams laid down in text, as well as several full-page plates. In original blue buckram binding, with 'REPORT ON AMERICAN VISIT | 1946.' in gilt on the spine. Good, on lightly-aged and spotted paper.

[v] + 135pp., folio. With diagrams and plans in text, and one large fold-out diagram of '100 Ton Waste Paper Cleaning System'. A well-produced item, well-typed and with clear diagrams, bound in navy buckram with 'REPORT ON AMERICAN VISIT | 1954' on the spine. In good condition, on lightly-aged paper. The text is preceded by an Index, a map of North America, and an itinerary. The 'objects of the visit' are given on the first page as '(a) To obtain information on the current production practice in Woodpulp and Paperboard Mills.

The letters provide a fascinating insight into the development of the transatlantic publishing industry. They are closely typed with single spacing, and both centre around Walton's employment situation and his complaints about the sending over from America of 'Mr. Russell', about whose 'absolute worthlessness to the business' he complains. Adair's letter: 2pp., 4to. Good, on lightly-aged paper.

89pp, 4to; consisting of half-title, title, three-page introduction by Rylands, seventy-three page unpaginated facsimile of the main work on consecutive pages, and eleven pages (each with a blank reverse), each carrying a hand-coloured plate. On watermarked wove paper, with top edge gilt, and other edges deckled. Good, on aged paper (first and last pages dusty), in recent black-cloth quarter binding, with grey boards and white label on spine.

Two handbill poems, meant to be separated (each with its own printer’s slug at foot), but side by side on one side of the same 4to leaf, good condition. On left ‘The old and popular Ballad | The Banks of Claudy.’ (slug: ‘Nicholson, Printer, 26 Church Lane, Belfast’), headed with vignette (of the Prince of Wales?); on right: ‘New and Popular Song entitled | Bravo! Irish Fusiliers.’ (slug: ‘Nicholson, Printer, Church Lane, Belfast’, [1899]), headed with vignette of Queen Victoria. Nicholson was at 24 and 26 Church Lane between 1880 and 1905, continuing at 26 alone until 1919.

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

28pp., landscape 12mo, printed on rectos only of 28 leaves. Dimensions 21 x 15 cm. In brown card wraps with brown cloth tape spine over staples. In fair condition, on aged thick paper, with foxing to title leaf, and damp staining at foot of first and last few pages. Printed decorative border on front cover, with same border in black ink on title page, enclosing the title in block capitals in red ink: 'SPÉCIMEN | DE | CARACTÈRES, VIGNETTES | & FILETS | LINOTYPE'.

2pp., 8vo. Good, on lightly-aged blue paper with brown border, with slight chipping to one corner. Eastman has purchased a 'Set of Fac-Simile Die-Proofs with the Autographed Card'. Presuming that Eastman is 'interested in Confederates', Dietz is enclosing 'the tentative Foreword' to 'a far more "pretentious" work - one upon which I have been engaged for many years': 'It "promises" to make over 400 pages octavo, and I am not yet through the Manuscript.

2pp., 12mo. Good, on lightly-aged paper. The paper appears to have an 1890s watermark, and the correspondence may relate to the publication of Huggins's 'Atlas of representative Stellar Spectra', printed by Hazell, Watson & Viney for William Wesley & Son in 1899. Apparently impressed by the speed of Viney's response to his last letter, Huggins begins 'Your lightning is treble-greased.' He is returning the corrected proof, and sent 'a new copy with your name written on, by this morning's post as yr.

3pp., folio. Bifolium. Fair, on aged paper with slight wear to edges.

1 p, 4to. Trimmed at top, causing slight loss to first word ('Sir'), otherwise good, on lightly-aged paper, with one short closed tear. Regarding a series of publications he was purchasing, begins 'Sir | I am very sorry indeed to find that No's 11 & 12 are wanting - No 13. is among the lot. | The rest are | No 1, 2, 12, Old Series - | [...]'. There follows a column listing volumes in the 'New Series'.

12mo, 48 pp. Text clear and complete. Fair, on aged paper. Rebound in the twentieth century in worn workmanlike blue wraps, with the outer edges of the pamphlet rounded off. The text of the work covers pp.3-40; with the 'Brief Account' on pp.41-48. A scarce piece of provincial printing: no copy in the British Library or on COPAC, and the only copy on WorldCat at the New York Public Library.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on lightly-aged paper, with slight trace of mount on reverse. In reply to his address of 'gracious lady' she must reply 'gracious sir'. She is 'so pleased' to get his commendation of her 'The Best of Friends: Further Letters to Sydney Carlyle Cockerell', and is sending his letter on 'to Sir Sydney, who has long been bed-ridden', as she knows it will give him pleasure.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

Printed on three sides of a bifolium on yellow card, with leaves roughly 12 x 20 cm each. Foister & Jagg's slug, on the back of the menu, almost removed by glue from mounting in album: otherwise good. Listing the members of the 'Anniversary Celebrations Committee', together with the 'Menu' and 'Toast List'. Dalton's signature ('Hugh Dalton') is written in pencil on the otherwise blank reverse of the second leaf.

Cheque, printed in blue. Good, on lightly-aged paper. Written out for ten pounds and signed 'Ella R. Christie'. With various stamps and perforations, not affecting Topelius's signature. Christie's translation from Topelius, 'Fairy Tales from Finland', was published by T. Fisher Unwin in 1896.

The eight proofs, each 24 x 38 cm, some with tissue guards, are bound into a blue folder with triangular printed Burlington Engraving label. In pencil on the folder: 'Connoisseur | April 1937 | German Enamelled Glasses | 4 colour'. In fair condition, on lightly worn and aged paper. The final illustration (first in the folder) shows the six glasses, enamelled in various colours, against a black background.

12mo, [iv] + 48 pp. In original brown printed wraps. Text clear and complete. Aged and lightly worn, with slight staining to edges of wraps. Can be dated to the 1880s, as Powell died in 1886, and the latest date in the text is 1881. Preface: 'This little work professes to give merely a sketch of the objects of beauty and interest to be found in The Golden Valley. The Landscape-Painter, the Archaeologist, the Botanist, the Historian, will there find ample occupation.

138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page.

12mo, 16 pp. Unbound, unstitched and unopened. A half-sheet folded three times to make eight leaves. Reproduction of early engraving on first page, vignette of country scene on last page, three illustrations of tools and a further thirteen numbered figures in text. Text and images clear and complete. Publishing details, with price of '1/2d' printed upwards along inner margin of last page. On aged paper, with slight damage to the margin of the first leaf. This single issue scarce: no copy on COPAC. Chambers Miscellany was originally published between 1844 and 1847.

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

The text area is about 13.5 x 30 cm, on the top half of a slip of paper around twice as long. Text clear and complete. Good, on lightly-aged paper. The lower half of the slip is blank apart from the pagination 196. Headed 'EPILOGUE | COWKEEPER'S TUNE', and beginning 'Unless your window is fitted with very strong iron bars and, just to make sure, your window locks, | Do not attempt to keep a Dexter cow in your window box.' Signed in type at end 'M.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.