SAMUEL

On a rectangular slip of paper, roughly 12 x 4.5 cm, neatly torn from a legal document. Good, on lightly aged paper. A firm signature, with parts of other signatures close by on either side. The document, in another hand, reads '<...>re Shillings & foure <...> | <...> the Moneye arisein <...> | <...>f Parliament for <...> | <...> Order thereunto <...> | <...>ise according to the <...> | <...> id Act Dated at th<...> |

12mo (leaf dimensions 18.5 x 11 cm): 1 p. On laid Whatman paper. Fair, on lightly-aged paper, with slight trace of glue from mount on reverse. Reads 'Your remarks are excellent - May I venture to tax your patience once more - but pray don't think of a frank - It was Sir Ronald, the General | Every yours | [signed] S. R'.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

Wife of the noted Scottish naturalist (1830-82). The recipient (1812-1904) is author of the celebrated 'Self-help' (1859). Three pages, 12mo, with mourning border. Very good on slightly discoloured paper. She has found among her late husband's letters 'one from you in which you ask for any information which was in my husband's power to give about the late Mr. Robert Dick of Thurso and for any letters of his which might be of use in preparing a Memoir of Robert Dick's life'.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

12mo: 1 p. 12 lines of text. An bifolium, addressed on the reverse of the second leaf, which carries Colburn's seal, with his initials, in black wax. Good, on aged Whatman paper with watermarked date 1837. The drift of the letter is doubtful as it is written in an extremely difficult hand. Colburn will call upon the recipient 'presently'. He then makes a request regarding 'Miss Edgeworth', whose letter should be 'sent to my care' before being 'forwarded to its destination'.

Bifolium (leaf dimensions 24.5 x 18 cm), 3 pp, on paper watermarked 1817. Text and image clear and complete on grubby and lightly-creased paper. The two leaves have been gummed to one another along a thin vertical strip, and it may be that they were originally separate. An unusual and scarce piece of ephemera. At the head of the first page is a characteristic neo-classical engraving (roughly 7.5 x 11.5 cm) showing a group of five cherub-artists, holding portolio, palette and bust, appealing to a winged goddess on a cloud, with a temple in the background.

4to: 1 p. Twenty-four lines of text. On a bifolium of laid paper, and docketed on the reverse of the second leaf. Good, in faded ink on lightly-aged paper. Begins 'La france republicainne [sic] me fait perdre des renttes [sic] viageres'. She complains of the attack on her 'legitimes droits a mes biens de Corses que le roy de france garrante par un Contract', and speaks of 'droits inalterables et inprescriptible'. She asks for a 'paquet' to be passed to 'Milord Hood'.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

12mo: [ii] + 14 pp. Unpaginated. Frontispiece of Blake's celebrated print. Internally tight on lightly-aged and grubby paper, and with the reverse of the frontispiece slightly discoloured. Staples a little rusty. In grubby white wraps. A signed presentation copy. Boldly written on the front wrap: 'Lawrence Binyon C.H. with the compliments of [signed] H. Edward Newton'. A characteristic production by the boisterous author of 'The Amenities of Book-Collecting'. At end: 'A. EDWARD NEWTON | "Oak Knoll" | Daylesford, Berwyn P.O., | Pennsylvania'.

12mo, 3 pp. Bifolium on grey paper. Text clear and complete, on aged, creased paper with 9 cm cut along gutter. Sotheby's hand is particularly difficult, but he appears, on the suggestion of his partner Wilkinson, to be proposing that 'a man shall be up with you on Monday Morning - 1/2 past 9 he can tie up and purchase the books & for removal on Tuesday. This plan will be better than taking them away in one day. It will prevent the loose paper falling out.'

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

Letter: 12mo, 1 p. Grubby and stained. He 'did not mention the Planché-affair' in his letter of the day before. Asks for his name to be put down 'for a copy of the book' [French's edition of Planché's 'Extravaganzas']. The subscription form (12mo, 1 p), heavily worn and with loss to the extremities, is laid down on the reverse of the letter. On it Merivale gives his address as 'Barton Lodge, Kingston on Thames'.

12mo, 4 pp, 38 lines. He is sorry to have forgotten to return 'the works you most kindly lent me in respect to the early Brussels wood-engraving'. They had been 'taken into town' to be sent to Carpenter, but 'in the turning out of all my books from the counting house at the time of the alterations, these were with my other matters taken into a room in Lancaster Place'. He apologises for his 'apparent negligence', but until he puts his 'new room' in order he cannot 'get at these said Pamphlets'.

12mo, 40 pp, paginated 37-76. Stitched and unbound, in original light-brown printed wraps (printed on both sides). Text clear and entire, but rather grubby and aged, and with a little light staining at head of first and last leaf. Wraps creased, particularly at rear. Includes an essay (37-49 pp.) on 'The Religious Education of Children' by Samuel Miller, 'Princeton, April, 1833.' and 'Synod of Ulster - Home Mission, to the Rev. George Bellis, Secretary to the Presbyterian Missionary Society for Ireland, Campsie Manse, 23 Oct. 1833' by Norman M'Leod, Minister of Campsie.

12mo, 168 pp. In original red printed wraps, yellow endpapers. Attractive bookseller's ticket of 'Hunt Books 1919 Southborough Kent England' on front pastedown. Internally sound, with a little light staining and some unobtrusive marking in margins. Wraps chipped and worn at corners and spine, with small ink stain on back. Front wrap headed 'RAILWAY READING.' Small neat ownership stamp of J. D. Bowen at head of title.

Octavo: 52 pp. Stitched and unbound. Good, if a tad grubby. In alphabetical order from Queen Adelaide to the Duchess of York, but lotted 236 to 553. Tastefully printed, and including letters of Charles I, Coleridge, Dr Johnson, Samuel Richardson, Rossini, Sir Walter Scott, Laurence Sterne and Horace Walpole.

Quarto: 50 + [2] pp. Fold-out frontispiece giving eighteen examples of handwriting from items in the catalogue. In original orange printed wraps. Good, though a tad dusty, and in worn and faded wraps with some glue staining to back and wear to spine. Well printed, with lengthy extracts from most items. A scrap of paper which acts as a bookmark has the words "Listed Walpole entries to W.S. Lewis || Nov 1953" in Winifeed Myers [?] hand (from her reference library). The first item is 'A Series of Pencil Sketches by George Cattermole, illustrating Dickens' Works' (£60).

Octavo: 53 pp. Stitched and unbound. Complete in itself, in alphabetical order, but lotted 554 to 846. Good, though grubby, and with the outer leaves somewhat creased. Includes letters and documents by Burns, Charles I and II, Maria Edgeworth, Frederick the Great, Garrick, Lady Hamilton, Handel, Dr Johnson, Southey, Wordsworth. The high spot is a letter from Thomas Jefferson to the Earl of Buchan, described over one page.

One page, 12mo. Very good. 'Although I am surprised at your wishing to include mine in your collection of autographs, here it is. | I agree with Sir Alfred Milner that Work, Brains & Opportunity are necessary to success; and that the last is most necessary. But I think that Self-control should be added to His Excellency's list.' A printed biographical cutting is appended.

On one side of a piece of laid paper, dimensions 11.5 x 17.5 cm. Good, lightly creased with one small spot at head and a light thumbprint (Warren's?) in top right-hand corner. Clearly responding to a request for an autograph. Reads 'The Heavens declare the glory of God, and the Firmament sheweth His handy work. Ps. XX, I. | [signed] Samuel Warren | 16 Manchester Square | W. | 23d January 1866.'

8vo: 1 p. Very good. He has 'pleasure in complying' with his correspondent's request. 'You may have seen a book I have recently published - "Retrospect of a Long Life" - and have learned that I am in the 84th year of my age - born on the 9th May 1800. | I am thankful to God for good health and for many other blessings.'

Wigwam Club flier on one side of piece of paper, roughly 20 x 13 cm. Very good. Headed with humourous illustration of crowded wigwam on which is written 'No admission except on business'. Jealous, as Honorary Secretary, states that the club, with William Hughes in the Chair, will meet at Anderton's, in Fleet Street, on 19 July 1892. 'In Memoriam' card on both sides of card roughly 9 x 11 cm. Good, though a little grubby, with traces of grey paper mount at foot of reverse. Small sepia photograph of Jealous, roughly 3 x 2 cm, in top left-hand corner of recto.

Paper dimensions roughly 6.5 x 12 cm. Good, with one dogeared corner. Recto reads '<...> has been lost - unless indeed your's meant to suggest a version of that explanation. I hope the enclosed will be found correct'. Verso reads '<...> Truly [with cropped 'T'] yours | [signed] C. R. Cockerell | J. P. Knight Esqe.'

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

4to: 1 p. Very good. Tipped in by reverse edge to leaf removed from autograph album. Envelope similarly mounted, with almost-intact seal and two postmarks, including a circular one in black ink stating 'MORE TO PAY'. He met John Grant the previous day at Wycombe Quarterly Meeting, and was told by him that Lucas had 'enquired of him the Terms of Admission to my school'.

Printed on one side of a piece of paper 43 x 33 cms. Good, on lightly creased and spotted aged paper. A printed plan, with two diagrams, designed to show the members of the various livery companies where to sit at the banquet for Samuel Wilson, Lord Mayor of London. The name 'R. Taylor' (of the Ward of Farringdon Without) is filled in in manuscript: 'The Situation for Mr. [R. Taylor] is marked in Red; And for his Lady ........Blue.'